Band: Facebook Who: Noise punk tandem – Blake Bickel and Garrett Yates
from Kalamazoo, MI. – producing a percussive dissonance
that refuses to be ignored.
References: Metz, Sonic Youth, Fugazi,
and KARP among others.
If you like vociferous noise you’ll dig this two-man army and vice versa. If you
never heard of this mean manic machine than this EP featuring their 5 singles
so far is a spot-on, loud and clear introduction for your ears.
Wait. One more thing before you put your earphones on. These guys are not only
about noise. Their jams are constructed like the Notre-Dame de Paris cathedral
(before the fire). Sturdy, solid, and sizable.
Characteristically for Blake Bickel and Garrett Yates is their appetite for building up
and breaking down, for throwing metallic punches, for testing your new speakers’ resilience with ruthless baritone guitar riffs and cast-iron drum diabolism, for being
just amazing.
Don’t miss this towering tandem, don’t miss this TOSSER collection.
Perfect to say goodbye to this surreal pandemic 2021 with a big bang.
I discovered this brilliant post-punk turbo last month at an indoor festival in Amsterdam. The whole crowd went bananas. These motherrockers slash and trash with a burning vehemence and a flabbergasting fervency. Miami Lounge is the crackerjack opener of this year’s released 5-track EP Bad Time.
Now it’s your turn to discover this awesome London squad.
Earlier this month this dynamite hit team blew all punters away with their jaw-dropping gig in my hometown Ghent (Belgium). They razzled and dazzled with ebullient exertion, blistering British bluster, and a fuck Brexit fierceness. The roof went off.
Ded Würst, their newest single, is nothing less
than a nasty and filthy sledgehammer. Das super!
6. ‘His Ilk’ by BRONSON ARM (Kalamazoo, Michigan, US)
From Michigan here come 2 Pc Noisey Slacker Psychedelic Sludge Punks.
They joined Canada-based indie label Off White House Records
this year with a big bang.
Their newest outburst is a riffin’ rollercoaster that makes the hair in
your neck stand up with its metallic resonance and relentless bass
frenzy. Add nightmarish vocals and I’m sure Santa Claus will run
away in fear.
The alias of British singer-songwriter of Bobby Anderson.
Never Ready is a vicious droning blast. Wïlderman rankles,
rages, and has a bad taste in his mouth. Never ready for
her look and her voice. 133 seconds of sonic sex.
Hot groove, hot intensity, hot slam dunk. Fucktastic!
8. I Don’t’ Love You Anymore’ by CHATEAU CHATEAU (Tucson, Arizona, US)
Glam and glitter riot tattoo grrl Blue attracts all attention,
sonically as well as visually. She swirls and scintillates on this
new kick while cursing idiots who hate the LGBTQ+ community,
who hate tattoos, and who hate anybody who doesn’t live by
their ultra-conservative rules.
To hell with all these idiots.
Meanwhile, enjoy this jangly earworm that sticks as
first-class glue and reaches an aural orgasm every
time the chorus pops up.
With Absent Transient they show their masterly skills of writing ear-and-mind
pleasing pop tunes charged-up with rotating riffs and dreamy vocal harmonies.
When an old skool DJ teams up with Pulp’s Jarvis Cocker you
get a sizzling acid house corker to start and end all upcoming New Year’s Eve parties with.
13. ‘What You Keep Telling Yourself’ by DOWN WITH SPACE (Montreal, Canada)
The motorik and magnetic rhythm of this electronic exploit makes your head
turn 360°. The catching combination of near whispering vocals, scintillating David
Gilmour guitar vibrance and cybernated elegance create an overall ear-ecstatic
vibe culminating in a dynamic finale.
Expect flashy echoes of the 80s British New Romantics movement with
this instant catching pop spark, fueled with glimmering guitar/play,
impassioned vocals, and a non-stop drum beat.
This sugary pop bliss feels good at first, better the second time,
and the best with all other spins. Great pop-ular music is about
lifting up the listener’s mood to a euphoric level for about
3/4 minutes. Easier said than done, but not here.
Still is a glorious harmonious touchy-feely gem that appeals from
the kick-off with Gardiner‘s tantalising voice and Kuras‘ vitalizing
guitar ravishment. Add a delirious chorus and you have yourself
a 24-Carat top thrill.
This Italian singer-songwriter, born Patrizio Ottavianiiter,
produces a blend of psychedelic rock and Arabic harmonies.
Knight Of Cups is the latest single in a series of monthly releases this year.
Electric dream-pop at its tempting best. Sparkling, spirited, and seductive.
Nell Smith is a 13-year old fan of Oklahoma’s eccentric stargazers Flaming Lips
(one of my all-time fav bands). Frontman Wayne Coyne spotted her at one point
as she attended several gigs with her father. They got in touch and after Coyne
found out that she’s a singer he proposed her to work with the band on a Nick
Cave tribute album he already had in mind for some time.
They got all in the studio and the result is a 9-song Nick Cave
covers album baptized Where The Viaduct Looms with
the nightingale voice of Nell as the heroine in the middle.
You can stream the brand new record on Spotify
One of the standouts is her version of
the heart and soul ballad The Ship Song.
19. ‘Always Together With You’ by SPIRITUALIZED (Rugby, UK)
Jason Pierce and his orchestra have a new LP,
called Everything Was Beautiful coming on
25 February 2022
With this spellbinding symphony, he does what he does so splendidly for so long. This
first new piece is another soulful spiritual growing slowly into a gospel-like trance. Epic!
Last June mega-star-crooner Cave and his bad seed friend Warren Ellis
signed for one of the best LPs of 2021 with their astonishing Carnage opus.
And they’re not done yet. The duo releases the soundtrack they wrote for the French nature documentary Panthère Des Neiges (The Snow Leopard)on 17 December.
Here’s the magnificent taster We Are Not Alone.
A characteristic Cave humdinger. Tender and gripping.
Watch the magic, hear the magic…
See/hear you next month with the best 20 knockouts of 2021…
At the start of this year, the South London gunslingers
released their second top album called Drink Tank Pink.
On this brand new single it’s guitars all over the place again.
Not their best effort, but a hefty hammer nonetheless.
“The whole song came together on the day we recorded it at the studio.
It’s also the first live recording we’ve ever done, we didn’t want it to sound
overworked. It’s a pure banger, listen with a piña colada in your left hand.”
The two-man drill machine out of Kalamazoo, MI nails it again.
This rumbling rollercoaster bulldozes its way in slow motion,
forth and back, while producing an ominous vocal brouhaha
that causes a creepy nightmare experience. Whatever the song’s
protagonist’s ilk is, it doesn’t sound like you want to be friends
This striking stroke is part of the soundtrack for Mark, Mary & Some Other People, a new indie rom-com
about a young married couple trying out an open relationship.
Billie Joe Armstrong and his buddies do what they did throughout
their whole career, rockin’ and rollin’ without thinking too much.
Band: Facebook Who: Noise punk tandem – Blake Bickel and Garrett Yates
from Kalamazoo, MI. – producing a percussive dissonance
that refuses to be ignored. References: Metz, Sonic Youth, Fugazi, and KARP.
Turn Up The Volume: This rumbling rollercoaster bulldozes its way here
in slow motion, forth and back, while producing an ominous vocal brouhaha
that causes a creepy nightmare experience. Whatever the song’s protagonist’s
ilk is, it doesn’t sound like you want to be friends.
Then again, you want this two-man drill machine to wander through the dark
side of your worried mind hoping they’ll find and crush your demons. Let them
in, let them batter, let them clean up the post-lockdown mess in your head, you’ll
feel better afterward (hopefully).
Band: BRONSOM ARM (Kalamazoo, Michigan) Who: 2 Pc Noisey Slacker Psychedelic Sludge Punks from the Midwest.
They’re also the newest act joining international indie label Off White
House Recordings.
Score: Rollicking post-punk riffs with a metallic resonance, relentless
drum whangs, haunting vocals and an instantly mind-boggling impact
until the volcanic climax. Think of the urgent grimness of Steve Albini‘s Shellac and the barbed wire brashness of The Jesus Lizard.
Don’t get confused when this banging belter blasts
out of your speakers, Bronsom Arm is for real.