Another year, another Jukebox to fill with new
tracks, 5 twice a week, for your aural pleasure.
This is the 5th batch of 5 new rad ones of 2026.
ALL TOGETHER
TRACK BY TRACK
Artists: DEAD ANYWAY Who: British duo that sets the dark lyricism of Kate Arnold
against the music and soundscapes of Marc Symonds. A mix
of poetry, electronica, and guitars.
TUTV: What the hell is this? Must be the most dancey, vibey, and trippy track
of their sonic canon. A Shift Of Perspective has an irresistible pelvis-energizing
swing spiced with sparkly guitar play and, of course, Kate Arnold‘s spoken-word
panache. Let the siren howl.
Band: DOWN THE LEES Who: The post-rock noise project of seasoned Canadian
singer/songwriter/guitarist Laura Lee Schultz. DTL released
3 notable albums, so far.
TUTV: Another torch burning jam enflamed with feverish, ominous
and sinewy guitar dynamism, a high-strung rhythm section, and Schultz‘s delirious vocals.
Band: SPECIAL FRIEND Who: French-American indie
guitar pop, based in Paris.
Track: BREAKFAST
New preview from their upcoming 3rd album, named Clipping. It’ll arrive on March 20th. More info here.
TUTV: Breakfastimmediately made me think of Canadian girl power pop band The Beaches and New Zealand‘s peppy outfit,The Beths. This is the kind of blithe
ditties that kick-start your mood after your first coffee in the morning. Trip and
hop along the speedy flow and the frolicsome duet vocals.
Band: THEY MIGHT BE GIANTS Who: Alt rock duo – John Flansburgh and John Linnell – started their
journey way back in 1982 and have since released 23 albums.
TUTV: These two giants are musical addicts. If you have released 23 albums, you
deserve some blue ribbons. And they’re not done yet. They’re still full of energy.
‘The sound itself comes from the nature of the home recordings, I’m limited
in what I can do in certain places so I’ll tend to lean more into more scrappy
lo-fi/garage sounds. The gear I like to use is simple and mostly broken.’
TUTV: Full electrifying speed from the get-go. This swirling guitar-riffing
missile has an adrenalizing gusto that makes your head spin 360°, while Holloway lets his sentiments roll out, loud and clear.
Band: DOWN THE LEES Who: The post-rock noise project of seasoned Canadian singer/songwriter/guitarist Laura Lee Schultz. DTL released 3 albums, so far. Their towering 2019 debut titled Bury
The Sun still is my aural favourite. It was recorded with Chicago‘s legendary noise expert Steve Albini who passed away last week, only 61. Sad, really sad loss.
“Bewitching tracks in their respective rights, the songs showcase the band’s
broad sonic strengths and highlight their range and versatility. Recorded and
mixed by Jesse Gander “
EP artwork by Mirabelle Van de Put
TUTV: Backed by a merciless bass/drums tandem LL Schultz does again what
she and her band do best. Building up a sonic fever, slowly but surely, up and
down, forth and back, left and right, until the accumulation of volcanic emotions
erupts with a colossal amount of deafening decibels sending shivers down your
spine. A hectic roller coaster that turns your ears’ perception upside down
Schultz‘s voice stars throughout the 28 minutes of thunderous mood swings.
Her compassionate timbre and high-octane tone causes goosebumps, and all
around this commanding trio has a hair-raising impact. Sometimes I wonder if
DTL wants to scrape the sky above, or challenge hell down below.
Laura Lee Schultz – Photo by Turn Up The Volume
‘Douse’ and ‘Dead Over’ were the singles for a obvious reasons. Two standout
tour-de-force accomplishments. Both deserve a gold medal (yep, the Olympic
Games are nearing).
Another remarkable feat is closer ‘Since La Vie En Rose’. I would never expect a tribute
to the iconic French chansonier Edith Piaf (1915-1963). Thanks to my parents I discovered the flamboyant, turbulent, emotional and artistic coeur-et-âme honesty of Piaf. And why do I love DTL? For their own way of flamboyant, turbulent, emotional and artistic heart-and-soul honesty. So this tribute isn’t a real surprise after all, it’s only about a difference in musical approach.
Time flies. We already have six months of 2023 behind us.
Six months of listening every day to music, bad/good, very good and 24 Carat Gold.
It was hard to make a selection of the 25 most impressive pieces. But we did it.
These Brighton punk feminists are MENTAL and AWESOME.
They released Turn Up The Volume‘s best EP of 2023 (so far), named You’re Welcome
a couple of weeks ago. And one of the 6 Molotov cocktails on it is this in your-macho-face sucker-punch. The Lambrini girls race faster than a Ferrari bolide. Best band in the world!
A vigorous young trio from the UK. On this turbulent ripsnorter, it’s full tilt ahead
from the get-go. No brakes, no breaks, no mistakes. A whirlwind of scorching guitars,
pounding drumming, a revolving bass line somewhere in the middle, go-getting vocals
and a dynamite refrain. This is gonna be the year for 32 TENS.
This brand-new supergroup features Shaun Ryder & Bez (Happy Mondays/Black Grape), Andy Bell (Ride/Oasis) and drummer Zak Starkey, yes Ringo’s son, who played with Oasis and The Who among others and who actually came up with this project’s idea and describes it as “a fantastic psychedelic groove from a band of misfits, outsiders and innovators.”
It’s an incredible shame that women still have to fight for so many fundamental rights.
It’s bloody 2023 and so much female injustice is still a reality. So, it’s great that female artists get up, stand up and fight for their right to tackle this human disease.
Chic Choc do it right away on their fantastic debut single. An electronic-booming EBM knockout to fill dance floors with. Boosting beats, catching chorus, sensuous vocals and
a protesting choir, lead to a sassy stunner. Bang-on. Le freak, c’est chic choc.
This 4-piece post-punk from London launched their
kick-ass debut LP Metaphysical earlier this year.
Beefcake Doctrine is driven by repetitive Krautrock dynamics.
Its trance-inducing beats create a hypnotic and puzzling razzmatazz
you can’t and you won’t escape from.
After scoring the best debut LP – to TUTV’s ears – of 2023 The Great Regression, followed by a live album, they just
dropped this brain-frying hammer blow.
It’s a liberating, drum-backed anthem that allows the band to break free from any stress
or obligations in pursuit of a good night. Good times or bad times, it’s always (in)sane to lose your marbles while diving into a hot let’s have a ball night, now and then. And ‘Lose Your Mind‘ is the matching master blaster to double your adrenalin production.
On this slam hip-hop dunk the duo condemn the US’s mass shootings of late in a cynical loud-and-clear way The rip-roaring rappers pretend to be murderous shooters firing at everyone and everything. Bulletman is a devastating drill, a boiling burst that cuts like a first-class Swiss knife.
10. ‘Set Yourself On Fire’ by ULTRA SUNN (Brussels, Belgium)
Once again this cold/darkwave duo – Sam Huge and Gaelle Souflet – shine in the darkness. The rapturous chorus hits you from the first spin. Resounding beats, entranced synths, and echoing vocals combine for another triumph.
11. ‘Your Death Is My Glory’ by CAMLANN (Indonesia)
A human-caring dark-disco duo Ony Godfrey and Fauzan Pratama from Indonesia.
Their newest single is a catchy-as-hell injection that accelerates your bloodstream.
An irresistible stomper to jump up and down like crazy while giving the middle
finger to all power-greedy politicians.
What a way to debut! Expect a glorious nightclub gem with a synth-tantalizing vibe reminiscent of the starry-eyed sparks of British electro-pop heroes New Order. Lipstick
is both a sensuous and affectional tune with gripping vocals up front and melancholic
ones in the back.
Their new single is a flabbergasting metallic corker. It goes forth and back, left and
right, slow and fast as if Casablancas and his misfits put several snippets of several
songs together and puzzled them into one stupendous stroke of a track.
This noizzzz jackhammer from their self-titled debut LP rocks and rolls with panache. Expect ablaze guitars buzzing in a slow/fast mode and turning up the volume, especially
on the yell-along refrain. Legends Hüsker Dü come to mind. Say no more.
It’s the second single off of the upcoming debut album World’s End of this cyber-synth duo.
Heart On is an arousing mid-tempo groover. Both spicy and funky, shadowy and seductive, lustful and provocative with hypnotizing vocals. Its slow-mo synth-bass beat crawls under your skin from the kick-off and progresses steadily towards your restlessly pounding heart.
Night Time is an ecstatic, awe-inspiring, and anthemic thrill. It has that engrossing and
afire rock swagger of Bruce Springsteen‘s melancholic Americana exploits, it’s infused with The Edge-like guitar sparks and frontman Sutherland‘s ardent signing is a perfect match for this soul-stirring pearl.
18. ‘Cars’ by Artists: LUNAR TWIN (Hawai/Salt Lake City)
This electro-pop duo scored an excellent album with Aurora last April.
A 30-minute sonic trip, an ambient fantasy with trancy vibrations, ataractic
effects, and near-whispering vocals.
Cars is my favorite piece. Electrifying dream pop
at its mesmerizing best with sparkling guitar play.
This colorful collective criticize the disastrous state of health care, with the government ignoring the life-risking problems, in England with a sickly sticky riot grrrl pop tune that activates your limbs instantly.
Think Debbie Harry and Blondie playing around on their debut LP. Vibey and briskly. Frolicsome 60s organ touches, lively guitars here and there, and avid vocals.
The band’s new punchy stroke jumps up and down in your head and elevates your mood from the start. It’s a contagious foot-stamper with a poppy chorus vibe inviting you to play air guitar and sing along with all the force your lungs can come up with.
The first new music in three years from the post-punk-rock project of singer-songwriter-guitarist Laura Lee Schultz. The composition captures the raw emotions of sadness, frustration, and anxiety that permeated throughout the years since the pandemic began.
The track’s ominous mid-tempo progression and swelling structure advancing over
an ongoing hypnotic guitar riff send shivers down your spine. Second by second, like
a nervously ticking clock, the sonic poignancy and heartfelt fervidness grow with exuberance and magnitude until Schutlz’s monumental vocals go through the roof.
This is an emotive post-break-up pearl. Heartfelt reflections embedded in
a goosebump musing that resonates like a bittersweet symphony. This British
singer-songwriter’s highly passionate vox reminds me of Antony Hegarty‘s sensitive ardency. The whole-souled tristesse and mixed emotions at play here make you
silent.
This is the artistic moniker of Canadian songsmith Miles Evans-Branagh. He signed for
one of this year’s best albums, so far, with Slow Down. Eight musings. Eight engrossing compositions with one and the same message: get high on life with love. Craftily written, subtly arranged, and graciously orchestrated with intimate, soulful charm and stylish elegance that moves and touches.
Opener A Little Bit is one of those 8 affecting reveries.
Chum are a pretty kooky combo that got my ears trembling with joy with their
grooves-filled debut LP a few weeks ago. Its lead single Beefake Doctrine is a
manic mind-twister with its trancy beats creating a mesmeric and puzzling
razzmatazz you can’t and you won’t run from.
With 1:18 these post-punk-rock misfits dropped a neurotic caterwaul that goes forth and back with burning pzazz. Monomaniacal vocalist Angus Rogers gets worked up to an almost hysterical level and sounds like a tormented and obsessed soul and the band’s horn duo blow their lungs out with nerve-racking urgency. Blimey!
My Illusion is a head-banging and riff-crushing jackhammer that makes
your fists pump in the air, makes your legs shake, and triggers you to check out
your vocal cords’ potential. Ignore your illusions, just get real and get out to party.
For those about to rock Electric Circus salute you.
DTL’s mastermind LL Schultz‘s expresses her frustration and stressful state of mind
caused by those two claustrophobic pandemic years with this high-strung cry out. Its ominous mid-tempo progression, its swelling intensity advancing over an ongoing
hypnotic guitar riff and her sky-scraping send shivers down your spine.
Lockdown threw Schultz to the mat, but it couldn’t
knock her out and she’s back stronger than ever.
London‘s up-and-coming young dogs DEADLETTER rattle on repeat
on this rad ripper spiced with relentless vocality, a sensuous saxophone,
a pumping bass and a sickly sticky chorus. 5-star punk funk.
With Sub these Chicago dudes sound like a cross between legends Gang Of Four and Parquet Courts. It’s a riff motherrocker making your head spin uncontrollably. On top of it comes the singer’s highly tense vocal performance. Don’t miss this holy smoke cracker.
These noisy indies from Bristol, UK Post-punk at its sharp-cutting best. Neurotic guitars and frenetic drums alternated with freaked-out vocals, rhythm changes that drive you nuts, an instrumental Devo-esque intermezzo and a mind-boggling climax. I have nothing whatsoever to complain about.
Who? A socially caring dark disco duo featuring Ony Godfrey and Fauzan Pratama from Indonesia.
Your Death Is My Glory is about political hypocrisy
that suppresses the common people for their own
benefit.
It’s a steamed-up disco corker. A catchy-as-hell boomer that
accelerates your bloodstream. An irresistible tune to jump up
and down to like mad while giving the middle finger to all
power-greedy politicians.
The video is a DIY rapid-eye-movement tour de force.
All Of A Sudden is a B-side that easily could be an A-side. It features on the 12″ of
the previous single No Reason It’s a rotating beats-banger to start and end all
(il)legal raves with. It’ll make your adrenalin production go through the roof.
Lunar Twin‘s new full-length opus Aurora is an ideal
companion to relax with when the twilight sets.
One of the highlights and my favorite track Cars is a trippy dreamwave
with tingling guitars, scintillating synths, and near-whispering voice
combining for a top-notch vibration.
This masked Italian dance act describe themselves as “losers on a planet
where nobody really wins. He who has nothing to lose cannot lose anything.”
They recently released a must-hear 5-track EP with Juicy Lips as one of the 5 highlights.
A capricious crackerjack for nightclubs where misfits, dropouts, eccentrics and other related outsiders have a ball. Wicked music for wicked people by wicked madcaps.
They decided to invite an impressive cast of musical friends to remix songs
from that album. The collection is namedSee Trough You: Rerealized. You
can buy it here. The digital version will be available from June 2.
Andy Bell of legendary shoegaze band Ride operating under the moniker
of GLOK is one of the remixes. He picked the psych-mind-bending piece I’m Hurt and turned it into an ambient techno stunner with Kraut-rock-like
synth rhythms and chainsaw guitar fragments. Score!
Who? A British quartet inspired by a mutual passion for the sights,
sounds and creative experimentation of the mid to late 1960s with
its unique blend of garage rock, psychedelia and acid folk.
A 60s colored psych-pop gem that could be written by Californian legends
The Mamas & Papas. Layered vocals, jangly guitars (playing backward at
one point. Remember The Beatles‘ Tomorrow Never Knows song?), and an
infectious chorus. Play it 81 times.
“A song inspired by my walks to coffee shops, my friends,
the band TOPS, and the scotch I like to drink!”
Easy-going tunes you can hum and whistle like this one are always welcome on my headphones after having too much noizz buzzing in my ears. Scotch is a laid-back, jaunty, and happy-go-lucky melody enriched with sunlit guitar play. Perfect for a walk in the city on a lazy Spring day. Kelly‘s mellow voice sounds like it was meant to sing devil-may-care songs like this one. Canadacana at its strolling best. Bottoms up!
To celebrate the first anniversary of their debut album 10 MinutesGmbtLife decided to cover a Pixies classic.
They picked one of their best-known songs, Monkey Gone To Heaven from 1989. Their take is pretty special and surprising. They decelerated it and added subtle piano play, distorted guitars, and low-pitched vocals.
Band: DOWN THE LEES Who: The post-rock noise project of seasoned Canadian singer-songwritter-guitarist Laura Lee Schultz. Backed by a bassist and a drummer DTL released 3 albums, an EP
and numerous singles so far.
It’s the first release in over 3 years. The composition captures the raw emotions
of sadness, frustration, and anxiety that permeated throughout the years since
the pandemic began.
The creation and recording of this song led Laura Schultz down a new path,
involving the addition of new band members (Andy Ashley/Chris Carlson), new
music, and a renewed passion for being a musician. It’s true that hitting rock bottom
can often be the catalyst for realizing that the only way forward is to stand up and
keep moving.
TUTV: LL Schultz’s frustration and stressful state of mind caused by those two claustrophobic pandemic years are all over this high-strung cry out. Its ominous
mid-tempo progression and swelling structure advancing over an ongoing hypnotic
guitar riff send shivers down your spine.
Second by second, like a nervously ticking clock, the sonic poignancy and heartfelt fervidness grow with exuberance and magnitude until Schutlz’s monumental vocals go through the roof, and that rotating riff ends this cathartic swipe. Lockdown threw Schultz
to the mat, but it couldn’t knock her out and she’s back stronger than ever. Alive and kicking, again.
