Turn Up The Volume’s KNOCKOUT TEAM OF THE MONTH – May 2021

The best of the past month…

Turn Up The Volume‘s 15 Knockout Tracks for May 2021!
A sassy stream of rambling rippers and jagged jackhammers.

‘Racist, Sexist Boy’ by THE LINDA LINDAS (Half Asian / Half Latinx)
Young kids standing up and making a sharp-cutting, alarming statement
about racism and sexism with a spot-on, in-your-face, loudmouthed punk
anthem à la Bikini Kill. I love it, so should you.

Plug in here…

‘Weather Strike’ by TOM MORELLO and PUSSY RIOT (US/RUSSIA)
Riot, bloody riot, yeah! Morello and Pussy Riot rage against the machine
together with a quiet/Loud/quiet/Loud crossover outburst. I repeat:
riot, bloody riot, yeah.

Press pussy play…

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‘Finger Pies’ by ANIKA (Berlin)
Electro earworm that moves and grooves from the get-go driven by a rolling
bass riff. Strangely catchy, mysteriously designed with a hypnotic effect. Top!

Catch the vibe…

‘Heat’ by WHISPERING SONS (Belgium)
This is the best Whispering Sons song my ears ever heard. Heat takes you by the throat from the kick-ass kickoff. A haunting and sickly sticky stomper. A 24-carat rocker!

Press play here…

‘Le Jour Du Cobra’ by LA JUNGLE (Belgium)
A bulldozer-feedback intro, repetitive synth-thrills, glowing guitars, freakish voices and a thunderous pace all rolled into one mad-as-a-hatter Kraut-noise escapade making your mind go dizzy, your heart beating faster and your potency going sky-high. Fuck Viagra,
long live La Jungle!

‘Vendetta’ by ICEAGE (Denmark)
An intoxicating jam with a threatening flow. A first-rate power blow.
From their new, brilliant longplayer Seek, Shelter.

Tune in…

‘Slice Of Pain’ by BLACK INK STAIN (France)
All hell breaks loose from the very start. An obstreperous post-punk sledgehammer with a deafening dose of illegal decibels. Opening missile from their excellent Incidents album.

Here comes the blast…


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‘Shallow’ by BIG TIME KILL (Boston, MA)
In a normal world, Big Time Kill should be know wide and far. Their massive
wall-of-electro-rock-shock is titanic, overwhelming at times, and served with a
gigantic gusto to blow roofs off dance floors. Shallow is my favorite piece of their staggering new 4-tarck EP Recovery.

Dance around and around…


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‘Cosmic Fingers’ by PAUL WELLER (UK)
No rest for the Modfather. The last few years his production is impressive and
a couple of weeks ago another LP, Fat Pop hit the streets. Lead-single Cosmic Fingers proves once again that Weller still can rock out like the best. That’s entertainment!

Fire it up, Weller…

‘This Is Not’ by CROWS ON WIRES (Germany)
Sultry synths, punchy percussion, glimmering guitar lines, and vibratory vocals.
Sounds like Sisters of Mercy are back, produced by Bauhaus who listened to Soft
Cell
on repeat. A stunner, indeed!

Get magnetised here…

‘Party’ by LOVE ITOYA (Greek Nigerian)
This feels so good. Upbeat, happy and totally summer. Only Love Itoya‘s second
single but definitely one to start and stop all coming sunlit beach jamborees with.
Yes, the sun shines again. Finally! Post-pandemic hope for the future, right here!

Party time indeed…

‘Joker’ by THE HACIENDAS (Manchester, UK)
The Haciendas rattle their butts off on this new fervent firecracker. They turn up the temperature with electric-powered riffs-hooks-and-licks and a clear-cut chorus. One message for all doubters out there: guitar rock is not dead.

Here‘s why…

‘I Said That You Looked Fine’ by ALEX JAMES (North East England)
This banging belter has an instant effect on your body movements. Expect a steamy stonker that rattles and rolls with swagger and energy. Big guitars, big chorus, big tune. What do you want more? Okay, we agree.

Tune in and start the beat…

‘Carry Me On’ by THE BANKROBBER (Italy)
This new musing feels like a nightly gloaming. Acoustic soul-searching and intimate tenderness. The darksome sorrowfulness of the late great Buckley legends floats
all over this gloomy ballad.

Dim the lights and dream away…

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‘Odes’ by DEAFDEAFDEAF (Manchester, UK)
A slow-paced meditation driven by Hill‘s poignant vox and puzzling guitar waves.
London’s sharp-knifed engine shame should take DEAFDEAFDEAF on tour with
them. They share the same outspoken edginess and sonic resonance. Bingo!

Press the play button…


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All together on Spotify

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See/hear you next month, music junkies…

Hello SHAME – Make Some Room For Manchester Band DEAFDEAFDEAF

3 May 2021

Band: DEAF DEAF DEAF

Who: A Manchester four-piece formed in 2019, creating songs that are packed with venom, hatred and anger. They want you to be mad at the general state of things. Their music is fierce and intense, but also reflective of the modern musings of the working-class.

New single: ODES – brand new single
“‘Odes’ is an accumulation of all the ideas and sounds
we’ve worked on previously brought into what we think
is our best song yet, “
says frontman Nathan Hill.

Score: After two stormy rippers Nothingness and Bodies
these up and coming Mancs confirm with new piece Odes
they here to claim, rightly so, their space in indie rock land.
It’s a different kind of charged vibe. A slow-paced meditation
driven by Hill‘s poignant vox and puzzling guitar waves.

London’s sharp-knifed engine shame should take
DEAFDEAFDEAF along on tour. They share the same
outspoken edginess and sonic resonance, on record
and live (see below).

Stream/buy Odes here…


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Check DeafDeafDeaf‘s live presence & power right here. Pretty stunning!…

DEAFDEAFDEAF: Facebook

(band photo via Disobedient Records)

Winter Of Discontent – Post Punks DEAFDEAFDEAF Rage About ‘NOTHINGNESS’

26 January 2021

Band: DEAFDEAFDEAF
Who: A Manchester four-piece formed in 2019, creating songs that are packed with venom, hatred and anger. They want you to be mad at the general state of things. Their music is fierce and intense, but also reflective of the modern musings of the working-class.

Single: NOTHINGNESS – 2nd single, re-released
as they just signed to indie label Disobedient Records

“A nihilistic anthem for a doomed generation.”

Score: I just love it when young wolves form a band and start to ventilate their confused thoughts and scream out loud about their generation with red-hot-blooded alarm calls
like this one. The unbridled energy, the chaotic state of mind, and the listen-to-me clamor of DeafDeafDeaf echo the early days of angry young men such as Joy Division, The Fall and Wire. It must be terrible to be young today with all the political unrest in the world and most of all the drastically freedom-limiting consequences of the horrible pandemic. Let’s hope this is their last winter of discontent but not their last blast.

RageRageRage


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DEAFDEAFDEAF: Facebook