‘Interplanetary Class Classics’ By THE MOONLANDINGZ – Debut LP Released In 2017…

Old and new albums to make your day

1 January 2020



Band: The Moonlandigz

featuring a couple of members of the aweseome Fat White Family
Album: Interplanetary Class Classics
Released: 24 March 2017 – their debut LP
Expect: Electro rock disco for all misfits out there
Singles: Black Hanz / The Strangle Of Anna / The Rabies Are Back

– BLACK HANZ –

– THE STRANGLE OF ANNA –

– THE RABIES ARE BACK –

Album in full…

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THE MOONLANDINGZ: Facebook

THE MOONLANDINGZ With Lipstick Murder Ballad ‘THE STRANGLE OF ANNA’…

Sensitive moments for the laziest day of the week…

Last year Sheffield‘s outsiders collective THE MOONLANDINGZ led by Fat White Family frontman Lias Kaci Saoudi released their buzzing electro pop rock debut LP Interplanetary Class Classics. One of the most striking tracks on the record is the Nick Cave-like murder ballad THE STRANGLE OF ANNA featuring the wonderful Rebecca Lucy Taylor. Sit back, relax, pretend you’re Lou Reed, have yourself an egg and some lipstick to play with…

I made you listen to Sunday morning
You spread it out across the parquet flooring
Let it rain
Let it rain
Let it rain till it’s pouring
Till the sun shines brown

I’m sick of sucking on
The smoke of the past
But you know my hands are ties
And stuck fast

The Strangle of Anna’s got me unwell
The Strangle of Anna’s got me unwell
The Strangle of Anna’s c’est la vie ma belle

You think you’re Lou Reed but you’re never trending
Hashtag my arsehole to your cliched ending
It’s all the same, all the same
It’s all the same that you’re sending
Can’t put a dead dog down

No longer smoking on
The smoke of the past
Now my hands are untied
At last

THE MOONLANDINGZ: Facebook


(pic by Turn Up The Volume! Amsterdam, 2017)

THE MOONLANDINGZ – On A Sweet Steamy Saturn Of Their Own When They Hit Planet Earth…

Smashing live performances…

One of the most intriguing new bands in ages. One that makes you ecstatic, one that energizes your lazy limbs, one that messes up your mind, one that you’ll remember
when they’re gone. And yes, unfortunately, the following message on their FB-page announces the farewell of THE MOONLANDINGZ‘s first visit on earth, let by outlaw
Johnny Rocket. Let’s bloody hope they return again some day. We need weirdos like
them, otherwise, we’re condemned to eternal boredom… “Only one month to go before
we hit the road for one more lap of honour before we take a break from playing live for
a while and start thinking about writing another ‘groundbreaking’ pop record and to allow
your favourite glamorous psychedelic pop hero, Johnny Rocket, to revert back to Lias Saoudi and the next exciting phase of the Fat White Family adventure.”

Let’s celebrate this outlandish combo once
more before they return to their lunar crater.
Here’s SWEET SATURN MINE

THE MOONLANDINGZ: Website – Facebook – Twitter

The good news is I saw them live twice…


Paradiso, Amsterdam – 26 April…


Dour Festival Belgium – 14 July…


One of the best 2017 albums – INTERPLANETARY CLASS CLASSICS – here on  Spotify

Now, I’ll prepare myself mentally for the return of the best band on this troubled planet…


FWF

THE MOONLANDINGZ – Impressive Debut Album ‘INTERPLANETARY CLASS CLASSICS’ Out Today…

Spectacular vibes we play…

onrepeat

24 March 2017

THE MOONLANDINGZ, the rattling collective including Sheffield’s electronic weirdos The Eccentronic Research Council and Fat White Family‘s genial outlaws – far out frontman Lias Saoudi aka Johnny Rocket and mental guitarist Saul Adamczewski – have their debut album INTERPLANETARY CLASS CLASSICS out today. Co-produced by Sean Lennon at his New York studio it features Ross Orton (drums), Mairead O’Connor (bass), as well as guest appearances from Randy Jones (the Cowboy from, yes, The Village People), Rebecca Taylor from Slow Club, The Human League‘s frontman Phil Oakey and, last but not least, Yoko
Ono
, who howls freakishly on the LP’s brilliant closer ‘This Cities Undone’. A truly special record to soundtrack the apocalyptic future ahead of us while dancing madly and out
of our minds. The most intriguing and adventurous LP so far this year. On repeat…

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THE GUARDIAN:
“It’s an inspired mish-mash of Glitter Band tribal drumming, a howling wolf, tuneless saxophone squawking, heavy breathing and at least one narrative about castration; a sort of Cramps-meet-B-52s Hammer horror-rock monster…”

THE QUIETUS:
“This record refuses to wear only one mask – futurist without revivalism, acerbic but with swagger – and throws off with gusto any accusations of the term side-project…”

THE INDEPENDENT:
“Right from the lolloping big-beat Goth motorik of ‘Vessels’, there’s a confident, low-life muscularity to the album. And it all comes to a glorious head in the rolling maelstrom of ‘This Cities Undone”, with octogenarian Yoko wailing her berserk best over the massed title chant…”

THE LINE OF BEST FIT:
Their debut packs a far mightier punch than the output of almost any other contemporary group with whom they may share certain influences..”


(photo by Turn Up The Volume!)