The Nashville family band KINGS OF LEON announced the release of their 9th LP
a couple of weeks s ago. They titled it Can We Please Have Fun and will show up on
May 10.
Following the red-hot-roasting lead single Mustang (best track of the month
on TUTV’s list) KOL take it easy on their second new piece SPLIT SCREEN.
Kasabian‘s general Serge Pizzorno is a master in writing sing/scream-along stadium/festival belters. And the lead single of new, upcoming longplayer Happiness Bastards, is another ecstatic call to arms.
2. ‘Welcome To Your New Future’ by LEG PUPPY 2.0 (UK)
If you’re a party animal and you don’t know the self-proclaimed best Techno/EBM act in
the world LEG PUPPY, it’s about time you will because a new LP is coming up, baptized ‘Humanity 2.0’, and will signify a totally new beginning for you and them.
Welcome to your new future, all you survivors out there.
These fast up-and-coming indies from Leeds (UK) fronted by wonderful
voice Lily Fontaine prove their huge talent once more with this new pearl.
R&B is another wayward slice of ET pop intensity. It starts a bit like a Dry Cleaning
song with a rigid bass riff and Fontaine‘s spoken word vocals, but turns quickly into
a strenuous stunner fueled by schizo guitar frenzy and jittery percussion.
Lily Fontaine, Brugge, Belgium, 13 February – photo by TUTV)
4. ‘I Don’t Understand What Any Of You Are Doing’ by DEAD ANYWAY (UK)
This British duo combine the dark lyricism of vocalist Kate Arnold
with music and soundscapes of Marc Symonds.
Their new album, Partially Eaten By Animals is the best indie one of the month
in TUTV’s book, with trip-hop thrills all the way. Think Massive Attack, Arab Strap
and Portishead. I know big names, but my trained ears told me what they heard.
‘I Don’t Understand What Any Of You Are Doing’ will draw your aural attention on the spot.
Yokophono is a Finnish duo that hit the scene in 2020. Their music consists of energetic
dance-punk/indie rock songs. Their sound has been compared to the likes of Royal Blood, Arctic Monkeys and even Queens Of The Stone Age. Consisting of just drums and guitar they also rely on their catchy melodies.
Their new single Red a is wham bloody wham bam disco-punk juggernaut.
This Finnish tandem make you jump around like a kangaroo on acid. Distorted guitars
and banging percussion work close together to create a filthy disco-punk juggernaut.
Red triggers your limbs’ actions from the kick-off until the final beat. Inbetween you
can go berserk every single time the clamorous chorus hits your greedy speakers.
After 3 albums the Canadian post-rock-noise project of seasoned Canadian singer-songwritter-guitarist Laura Lee Schultz, backed by a tremendous bass/drum tandem return with this scorching Herculean shocker from their new, upcoming EP, titled Dirt,
out on May 3.
The heaviest parts of this quiet/Loud/quiet/Loud uppercut resonate like if British blues rock turbo Royal Blood having a fierce sonic fight with post-industrial-punk legends Killing Joke.
These 4 young Irish bullpits take you on a tempestuous ride with this new blazing blast.
Just like their countrymen Gilla Band, they look like 4 regular guys from around the block. But when they open the gates for Dead Sound they become 4 not-regular guys storming fast forward. A bumpy bass riff takes the haymaker on its back throughout the full course of its speedy rush.
The vocalist spits and sneers like Mark E Smith did his whole jarring career. The clamourus chorus is one that’ll start mospiths and when a psychotic guitar works its way to the front we get pandemonium. It’s also a loud and clear harbinger of an out-of-your-fucking head finale. Bingo master’s breakout.
Molly Horses left their basements only a year ago.
They produce elements of post-punk, krautrock, and Albini-esque noise rock.
With King Dundalk they take you on a dazzling rollercoaster.
All burners, all cylinders on. No rest for the bad man. Hefty.
You really need to check out these maddening motherrockers.
This fresh 4-piece outfit from the North Wales nail
it right away with their first cut Mourning Sickness.
What a superb debut. It’s a slow-progressing psych guitar jam rotating around an intoxicating riff that creeps under your skin without asking. Think of early Radiohead
days. Engrossing and riveting.
There’s an eerie vocal and electrifying tension in the air that makes you wonder when
the song’s intensity will explode. But it moves on like a serpent on a mission until the last second.
The reincarnated Ramones are back among us as 4 Ramonas fronted led by Australian songwriter (now living in Los Angeles) and musician Romy Hoffman. They make schizo, synthy, paranoid, post-punk with a dash of dysmorphic desire.
An absolute standout piece from the L.A.’s psych-pop gem from their brand new
full-length Loss Of Live. It features Christine and the Queens and turns out to be
a match in heaven.
Portland‘s dark-dance-wave trio say about their new single Impetus: “While creating this track, we all pushed our creative boundaries to write a song that reflects our desire to grow
as artists and people. This song encourages the listener to reflect inward. We hope to inspire ourselves and others to stop hiding. Stop waiting. Take one small step toward your goals, then another, and another. The time is NOW. Stop hiding your gifts. The world needs your passion.”
Impetus is a sensual mid-tempo electro-pop tease. Seductive,
flirtatious and tempting. Dim the light and move in mysterious
ways.
Sukie Smith is a songstress from London who has collaborated widely with artists, musicians and writers creating cross-disciplinary sonic work, exhibiting and performing internationally. She has released three critically acclaimed albums with her band Madam and toured throughout the UK and Europe.
Into The Light is a new compostion from her upcoming 4th album, named ‘The Glass Dress
and a Ringing Bell’ and will land on 8 March via Smith’s own label Shillingboy Records.
A song about leaving a turbulent relationship Smith found herself trapped in during lockdown, as Smith succinctly says, “I wrote this, then escaped,” with its focus a celebration of the jubilation felt in newfound freedom and the liberation found in the enlightening processes of recovery.
Into The Light grooves and moves pushed by dynamic eurythmics from the get-go, and keeps on cruising throughout its ablaze 3.07-minute duration. Glowing jingle-jangle guitar play, rock-solid drumming and Smith‘s impassioned vocals combine for a striking stroke.
The iconic Jamaican pioneer of dub reggae passed away in 2021, aged 85.
His final album, titled King Perry is now posthumously released. It features
vocal guest performances from Greentea Peng, Shaun Ryder, Tricky, Marta, Rose Waite
and Fifi Rong.
The musical project of Bo Barringer and Reuben Bettsak, have since their project’s inception in 2020, surfacing through the haze of a global pandemic and illuminated by the city’s darkest corners, produced steady and prolific beats across underground dance floors.
Their 3rd album, called A Kiss of the Mind,
is waiting in the pipeline for its imminent release.
First new shared piece Spiral Down is vintage synth-pop pulsation. Utterly infectious. There’s a shadowy side to it, but its bootylicious vibes, its subtle guitar riff, its shiny electronic waves and moony vocals combine for a spot-on EBM thrill.
Common Culture is a rousing, fiddle-driven alternative folk band from Barnsley, England.
They fuse traditional and contemporary elements into an upbeat and energetic
sound, their songs are full of catchy hooks, infectious rhythms and a party spirit.
The song serves as a poignant lament for the Earth’s dwindling natural beauty and a stirring call to action in the face of greed and injustice destroying the planet. It’s five to twelve, indeed. The majority of political leaders look the other way when these world-crushing issues come up. Some even don’t believe that our climate is changing drastically. More red-alert songs like this one are always welcome.
Bad Ritual is a Polish trio formed at the beginning of 2020 by three architects.
They play songs immersed in a dark and unsettling atmosphere. Their music is
a blend of indie-folk, swampy blues, and rock ‘n’ roll. It often evokes associations
with David Lynch‘s films, spaghetti westerns, and film noir.
They have their arresting self-titled debut album out now. Stream it here.
Standout track On The Road gets you in Bad Ritual‘s sonic/cinematic world. Its melancholic timbre and shiny guitar sparks, make me think of romantic glam legend Chris Isaak. Bad Ritual‘s idol David Lynch directed Isaak‘s Wicked Game video that featured flashes from
his 1990 Wild At Heart movie).
Leonardo: “I wrote this song after reading Nick Cave‘s reply (note: read below) to some of
his fans, who had asked him why he was about to attend the coronation of the UK’s king as
part of the Australian delegation. I love most of Nick Cave’s records and I consider him one
of the greatest songwriters ever.
I’m also a long-time Nick Cave fan. A truly remarkable artist. But attending King Charles‘ coronation? Disgusting. That guy nor his late mother never ever had something done to earn their status, they were born that way, they didn’t pay taxes for many years etc… It’s just as disgusting as Johnny ‘Rotten’ Lydon (the Sex Pistols‘ album the best punk one ever, in my book) voting for natural-born charlatan Trump. What is wrong with those millionaire artists?
That said Nicholas Palace is an infectious groove, a jagged jam, driven by an addictive riff with Leonardo‘s augmenting the funeral vibe of the song, think The Velvet Underground on a rainy day. Around the 1.30 min mark aggressive guitar play accentuates the ultimate end of Cave‘s birthday party.
In order to not miss a beat Turn Up The Volume scans the musical
horizon daily (doing it for years now, actually) to stay in touch with
all new things sonically great and shares the results on a weekly
basis.
Check the 10 new rad cuts just
added to this rad 2024 playlist.
The Nashville family is ready to hit again. Their 9th full-lenght,
titled Can We Please Have Fun comes alive on May 10.
Lead single Mustang is a roasting rocker that turns up the fever when the hefty chorus shows up. As the saying goes, ‘a return to form’. KOL still have entertainment on fire to offer.
This crazy-exciting British post-punk trio ignite the bass/guitar burners on this new cranked-up corker from their upcoming, second LP named Angeltape, out on April 5.
EPILL is the new single by NY-based singer-songwriter/producer Matty Marz.
“A song I always wanted to make but didn’t know how to articulate until its conception.
It’s a dark and seductive mid-ecstasy hit electronic record that explores the highs and
lows of a trip.”
Hello, all you nightclub addicts out there, pay attention, this
rhapsodic EBM banger will adrenalize your bloodstream.
Pin is a knife-between-the-teeth punk jackhammer. All cylinders on and full steam ahead. And every time the mental chorus kicks in you lose your marbles. Striking score.
Oblivion is part of a new upcoming EP. It’s a powerhouse piece with an orchestral sonority going sky-high, flying somewhere between symphonic-metallic rockers Within Temptation and Nightwish.
This Canadian musician makes songs that explore the mystery of pain, the release of demons and how through it all, life actually may be some kind of miracle. Imbued with infectious hooks and ferocious energy. In My Cave is a non-stop eruption of insane electricity and spooky wailing. Volcanic stuff to test your speakers’ resilience with.
The Nashville family band KINGS OF LEON return to the scene with the news of a new album. Their 9th. It’s named CAN WE PLEASE HAVE FUN and will see the day of light on May 10.
Lead single MUSTANG is a roasting rocker that turns up the fever when the hefty chorus shows up. As the saying goes ‘they’re back to form’. KOL still have entertainment on fire to offer. It already makes me curious for the upcoming longplayer.
Nashville’s rock family KINGS OF LEON started their crusade to global stardom
20 years ago – 7 July 2003 – with their debut LP YOUTH AND YOUNG MANHOOD.
It peaked at #3 in the UK but didn’t even chart in the US, but that would change quickly.
NME said: “Arriving in the poker-faced wake of The Strokes, Black Rebel Motorcycle Club
and The Libertines, ‘Youth & Young Manhood’ was a breath of fresh Southern air. A gaggle
of hot-blooded 1970s throwbacks with more hair than Dolly Parton’s wig storage space, their chugging hillbilly groove wasn’t overly deep, but it was heavy with hooks, snarling personality and glorious imperfections, like Caleb’s cracked vocals on ‘Trani’ – the only track on the album to broach the five minute mark by a significant margin.”
TUTV: Good old sizzling Southern rock riffage. Their most authentic (read: before turning into major record label’s slaves), unrestrained and unbridled album to my ears and eyes (they were cooking on stage back then). Afterward, the albums’ quality became more and more mainstream and lost its original we do what we fucking want to do spirit. The big money came in. The band became a brand.
Singles/clips: Red Morning Light / Molly’s Chambers / California Waiting
This day 14 years ago the Nashville family KINGS OF LEON scored their first No 1 single in the UK with SEX ON FIRE (almost 1 billion vieuws on Spotify).
And it was also a chart success in Europe and the US.
It helped them to become giant stars, along with the album Only The Night (their 4th) where the song was taken from.
By that time I wasn’t the fan of the first hour no more. It was the debut LP
and the sophomore one that made me rock out. Although Sex On Fire was/is
a sickly sticky hot hellraiser.
Two days ago I saw the American desperadoes of KINGS OF LEON playing live again since their early days when they produced 4 rad rock albums (between 2003 and 2008), followed by 4 big-market-aimed albums (although some ace singles on it) between 2010 and 2021.
They performed at Lokerse Fest in Belgium. And? Their light show was
better than the choice of the setlist with too many songs, for my liking,
from the last 4 albums.
Here’s one of my favored KOL crackers… they didn’t play.
40 years ago today, on 14 January 1982, Caleb Followill saw the day of light in Mount Juliet, Tennessee. Seventeen years later, in 1999, he started a band with his two brothers and his cousin. By now – after 8 albums – KINGS OF LEON are a worldwide famed group. Kudos to them.
Now, let’s celebrate Caleb.
Here come the Kings with
a smoking live performance
of The Bucket (2005)…
KINGS OF LEON unleash new album When You See Yourself, their 8th, on March 5th.
The Nashville family already gave us two cuts ‘100.000 People‘ and ‘The Bandit‘.
And here’s another piece. A steaming ripsnorter called ECHOING.