In order to not miss a beat Turn Up The Volume scans the musical
horizon daily (doing it for years now, actually) to stay in touch with
all new things sonically great and shares the results on a weekly
basis.
FULL JUKEBOX (so far)
.
The 10 new ones added this week
TRACK-BY-TRACK
Band: VERRA CRUZ Who: British trio who infuse their guitar-driven
sound with emotion, bravado and authentic
melancholy.
TUTV: Hang On To The Sun follows top-tier single Waiting. It’s an absorbing,
mid-tempo piece that swings forth and back, balancing between slacker rockers Dinosaur Jr. and Sebadoh. There’s always a sun at the end of the tunnel.
TUTV: The 4th single of their 4th LP ‘Romance‘ which arrives tomorrow.
The Irishmen have become top-drawer songwriters as proved once again
with this melancholic gem.
An evocative song rekindles the hope of second chances and healing
in the aftermath of lost connections, exploring themes of reconciliation
and the enduring quest for mutual understanding.
TUTV: I Don’t Know could be a hidden track on Tame Impala‘s latest album or
a previosly unreleased Jamiroquai one. Trippy, spaced-out and highly infectious.
TUTV: The indie veterans announced their 8th album, named Stream Of Life.
It comes our way on 27th September. This first single is familiar, electrical
MP pop spiced with an irresistible guitar riff.
TUTV: This guitar-layered punky rocket from his new album Jig Of Glee
is a breakneck stormer that goes in overdrive for 3 minutes. Fasten your
seatbelt before you press play.
TUTV: A rare slowly groovin’ and movin’ jam marinated with
a plain-spoken psycho rant. Leg Puppy is coming after your
phone.
“Listening, listening,
no one is listening,
turn your f*cking sound down
you stupid twat,
headphones, headphones,
buy a pair of headphones
not one wants to hear
your boring chat”
TUTV: The band that made furore in the 90s returns with this melodramatic and
emotions-charged song. Kowalczyk‘s voice still is as imposing as it ever was.
“It marks the first single from their upcoming album “Indulgence,”
promising fans a powerful glimpse into the band’s evolving sound
and emotional depth. Known for their introspective lyrics and
captivating melodies, The Search continues to push the boundaries
of indie rock with this release.”
The swirling pace of this guitar-sparkling pop tune
has an immediate impact on all of your limbs.
TUTV: Love You More is a high-quality songwriter musing notable for its full-hearted sentiments and Collins‘ remarkable voice, both gripping and endearing. Lit a candle,
sit down, relax, and enjoy.
“A hypnotic ode to the natural world. With a jazz-inspired improvisational flute melody
full of chromaticism that strays from the traditional diatonic scale, the track reverberates with the sound of the Waraku. Gentle, quiet, with an adept blend of electro-acoustic textures, ‘Forest Bathing’ is a moving and experimental piece that positions Hiro Ama
as a formidable talent.”
Time to escape from the daily rat race
with this calming sonic daydream.
The flabbergasting energy these ear-splitting loud Irish beatniks develop on their ace debut LP Letter To Self is off the charts. The opener Ticking is what these 4 Irish indies
do on repeat. Building a near-unbearable tension and exploding insanely along the rough ride.
Since this Australian punk tornado released their 2nd
longplayer Comfort To Me back in 2021 they’re on an
endless tour around the globe.
Yet, in between all gig mayhem they found some time to write/record/release
two new searing sucker-punches with U Should Be Doing This as my favourite.
Amyl: ‘This song makes me laugh, but it’s also in a way poking fun at the shock that
people still feel at a little bit of skimpy clothing, and the bitchy high school way that
the music community still is.’
Washington‘s flamboyant guitar pop quartet release
their 3rd LP, baptized Wearing Out The Refrain next
September.
On Hallelujah they rage against the anti-LGBTQ
machine with knives between their teeth and an
unstoppable drive.
“To express oneself, now expressly forbidden/ That’s a spiritual hell, that’s
a new prohibition/ And they’ll boil you down to reproductive function/ When
they see you as a vessel and not as a person!”
The feminist-punk duo went nuclear the past year following their
amazeballs 6-track EP You’re Welcome and this year’s bulldozing
and gender-themed missile Body Of Mine.
Irish indie stars FONTAINES D.C. will share their 4th LP,
named ROMANCE with the world on August 23rd.
The lead single Starburster is a feverish corker
with a bone-chilling gush and frontman Grian
Chatten rapping all over it with his characteristic
uptight parlando.
Last March the Dandys came up with their 12th album, named Rockmaker.
Lead single Danzing With Myself features Pixies‘ general Frank Black and
is a gloomy and doomy groover. With its poignant progression, this piece
creeps under your skin in an eye/ear blink.
UK’s rock/hip-hop team Rapturous invite us to scream
our lungs out on their avid anthem that celebrates freedom.
“The song was inspired by the old blues style of call & response, we wanted to create something that could be easily sung back to us by the crowd. The song is about being free from anything that is getting you down, be it your job, finances, the world, or the weekend’s football scores. Freedom from misery, that’s the idea.”
Think Cypress Hill fronted by Zack de la Rocha,
rattling like a rapid-fire riot-gun.
This Norwegian band specializes in a dark and distinctive blend
of post-punk, shoegaze and psych-noir. So far they released two
albums.
On this new, superb single drums and bass team up for an
incessantly beat that carries this instantaneously sticking ride,
along with a magnetizing Cure-esque guitar riff that gets you in
a trance.
Truly hypnotizing from start to finish with velvety vocals
and darkwavish synths in the back adding a twilight tone.
This hepped-up EBM duo conjure their influences of EBM, techno and electropop,
their sound is an intoxicating mix of analog synthetics and seductive vocals, touching
on themes of desire and despair, domination and submission.
They have a new 3-track EP, titled Inservio out, with opener Lights Down Low
as my favorite. An electro booster with a mindblowing techno beat à la The Prodigy
that rotates irresistibly, non-stop.
Lead single Softer is a psychedelic shoegaze stunner, a multi-layered symphony
propelled by about a thousand guitars, a mindboggling bass riff, and combative
drums, while Rebecca Dow‘s ghostly vocals scrape the sky. A titanic thrill.
19. ‘I Don’t Understand What Any Of You Are Doing’ by DEAD ANYWAY (UK)
This British duo combine the dark lyricism of Kate Arnold
against the music and soundscapes of Marc Symonds.
They caught my attention with last February‘s top album Partially Eaten By Animals.
Highlight ‘I Don’t Understand What Any Of You Are Doing’ dives into trip-hop-pop territory with Arnold‘s crystal clear voice floating all over shiny synth dynamics. Catchy as hell.
20. ‘Welcome Tou Your New Future’ by LEG PUPPY 2.0 (London, UK)
This madcap techno act scored their best (so far)
album with Humanity 2.0 which came out last May.
You can shake your (p)elvis to single Welcome To Your New
Future while getting nervous about the unknown tomorrow.
What’s in store for humankind. Nuclear war or peace and free love?
Or will we be just another brick in the wall? Whatever happens,
never stop pirouetting yourself dizzy to manic music .
We don’t need your education
We don’t need no your thought control
Just Like Everybody Else is a glorious, full-orchestrated pop gem, that transfers you in an eye/ear blink to a sonic dreamland with its affecting melodiousness, riveting chorus and warm-hearted vocals. Three highly-entertaining minutes and twenty seconds with Spielmann
New star tandem Gallagher-Squire produced/released their debut LP last March.
The lead-single Just Another Rainbow is partly Oasis, partly Stone Roses. Liam sings like Liam (who else?) and Squire does his psychedelic 6-string Stone Roses thing.
Stress Dolls is the musical moniker of songstress Chelsea O’Donnell.
Last May she released her enchanting debut album Queen Of No.
Close Enough is one of my favorite tracks. A captivating pop song.
Tantalizing tunefulness, glistening guitar sparks, and gratifying vocals
combine for a top tune.
Nick Cave and his Bad Seeds have canned album number 18.
It’s baptized Wild God and will show up on August 30.
The title track is a sublime composition. The first part is crooner Cave as we know him,
but quickly the vocal passion and goosebumps intensity go up and from halfway on, this diamond turns into an orchestral masterpiece, with a zealous hallelujah choir and an opera-like majesty.
London‘s techno act LEG PUPPY 2.0 must be the hardest working one in EBM land.
Last May they released their umpteenth album in a very short timespan. It’s titled Humanity 2.0. Their best so far, thematically and sonically. You can read TUTV’s
review here.
And they already have a new statement to share with us.
The late genial pop-art artist Andy Warhol (1928-1987) had a
pretty sharp vision on art: “Art is what you can get away with.”
Gibbons about the album: “I realised what life was like with no hope. And that was
a sadness I’d never felt. Before, I had the ability to change my future, but when you’re
up against your body, you can’t make it do something it doesn’t want to do. People
started dying.
TUTV: Gibbons processes her pains of loss on this shadowy solo debut.
She still has that ghostly vocal vulnerability, as if she wanders, in slo-mo,
in a thick fog far away from the real world, to to get away from her
harming demons.
Musically, the tone is both delicate and tender, mysterious and introspective, with an overall sense of disturbing catharsis, accompanied by mourning strings, big drums and acoustic melancholia. You need several spins to connect with Gibbons‘ enigmatic world, but in the end, the result is truly affecting.
Two months ago renowned noise rock producer STEVE ALBINI
announced a new LP with his band SHELLAC, titled TO ALL TRAINS.
Their 6th and first in 10 years.
Unfortunately, Albini couldn’t experience its release (May 17)
as the fatal news came in, on May 7, of his passing following
a heart attack.
It wasn’t really certain if the release would go ahead or not. But here it is,
featuring his long-time, faithful friends/musicians Bob Weston (bass) and
drummer Todd Trainer.
(Photo by Turn Up The Volume – Belgium 2017)
The recordings already started in 2017 featuring several songs
the band used to play live for quite some time by then.
TUTV: It’s vintage Shellac/Steve Albini with its fractured song structures, its capricious and minimalistic resonance, its broken riffs, edgy hooks, sinewy drumming, Albini‘s poignant vocals and the raw and rough post-punk dynamics at play. Absolutely weird to listen to
it, with the incredible knowledge that Albini is no more.
The album closes with the ominous track I Don’t Fear Hell, including these lines “I don’t fear hell. Their baseball team is undefeated. If there’s a heaven, I hope they’re
having fun. ‘Cause if there’s a hell, I’m gonna know everyone.” Sounds quite bizarre and macabre at this very moment. Maybe, just maybe, Albini is happy, wherever he might
be. Rest in peace.
Info: “FIAFTNSLABB is not only an ode to celebrating naivety, the record is
deliberately kept very raw and playful. The band plays a kind of duplo-metal
that opts for simplicity and a wide color palette.
The band sounds hungry, nervous and exaggerated in its bipolar nature: the je-m’en-foutism of post-punk and the concrete character of 90’s alt-metal both contribute equally to their DNA. In their brew where chunks of hardcore are mixed with noise, indie, prog
and punk, no house is sacred anymore.”
Aaaarggghhhhh (photo by TUTV)
TUTV: No pop tunes, no songs about the bees and the trees. This record is stuffed with manicial mind-fuckers and badass brain-breakers that trash and slash your poor stereo relentlessly and mercilessly. The maddening man in the middle, mental vocalist Jasper, screams and howls, and spits and sneers, with bone-chilling and psychotic horsepower.
Think Kurt Cobain with 4 lungs, fronting a hellish hardcore gang featuring 3 other ruthless punks on an ear-splitting mission. No brakes, no breaks. No rest for the wicked. Ronker is
a barbaric force, their singer is an out-of-this-normal-world performer, their debut is a flabbergasting monster.
All you loonies out there, get out of your straitjackets, escape from the asylum
and jump up and down on your way home like post-punk kangaroos on speed.
The four mustache horsemen of the Apocalypse have arrived.
TUTV: Ever heard of politically and society-caring techno?
Well, thematically, it’s what this record is about. And the
alarming music is its perfect soundtrack.
As theoretical physicist Einstein said (1879-1955): “Blind belief in authority is the greatest enemy of truth” and English modernist novelist D.H. Lawrence (1985-1930) wrote: “Ours is essentially a tragic age, so we refuse to take it tragically“. Two quotes, so relevant in 2024, meaning that nobody, especially all power-greedy world leaders/politicians, ever listened carefully to what these geniuses had to say. No wonder these two masterminds show up on this record.
As Leg Puppy states about his UK country: “This used to be a hell of a great country.”
Again the narcissistic Tories fucked up. Brexshit is their awful work. Unfortunately,
they get away with their bullshit.
Sonically, Humanity 2.0 is heavily influenced by Puppy‘s natural musical habitat:
the 90s techno/acid house revolution, developed around the mid-1980s by DJs
from Chicago and British trance-dance and (il)legal rave-orientated acts such as Chemical Brothers, The Orb, Leftfield, The Prodigy and lots of other e-tastic
crusaders. Throw all this together and you get Humanity 2.0.
Again LPI (Leg Puppy Intelligence) created an intoxicating
roller coaster with mind-exploring, electronic symphonies
for a 2024 space Odyssey.
Leg Puppy 1.0 is canceled, welcome to Leg Puppy 2.0
Info: “The album explores the dichotomy between an inner turmoil that can plague a fragile mind and the euphoria of letting go and tuning out the outside world. The heavy burden of insomnia is a recurring theme while the album also celebrates the static hums and pulsating rhythms which contrast humans and machines.”
TUTV: Seadog alternate trippy synth dream-pop symphonies with delicate and subtle acoustic musings and with inventive, compelling compositions. Stylishly crafted melodies and crystalline harmonies are omnipresent, but in different tones and timbres, which makes Internal Noise a sonically multi-colored record.
📷 Zara Pears
Its production is spot-on, not over or underdone, the arrangements and orchestrations match the overall sparkling sonority. It’s obvious that a lot of work, creativity, energy and love went into this album. Give it a couple of spins and you’ll discover a high-songwriting-quality opus.
TUTV: Ever heard politically and society-caring techno?
Well, thematically, it’s what HUMANITY 2.0 is about.
And the music fits it perfectly well.
As theoretical physicist Einstein said (1879-1955): “Blind belief in authority is the greatest enemy of truth” and English modernist novelist D.H. Lawrence (1985-1930) wrote: “Ours is essentially a tragic age, so we refuse to take it tragically“. Two quotes, so relevant in 2024, meaning that nobody, especially all power-greedy world leaders/politicians, ever listened carefully to what these geniuses had to say. No wonder these two masterminds show up on this record.
As Leg Puppy states about his UK country: “This used to be a hell of a great country.”
Again the narcissistic Tories fucked up. Brexshit is their awful work. Unfortunately,
they get away with their bullshit.
Sonically Humanity 2.0 is heavily influenced by Puppy‘s natural musical habitat:
the 90s techno/acid house revolution, developed around the mid-1980s by DJs
from Chicago and British trance-dance and (il)legal rave orientated acts such as Chemical Brothers, The Orb, Leftfield, The Prodigy and lots of other e-tastic
crusaders. Throw all this together and you get Humanity 2.0.
A versatile, electronic doom-gloom-boom record for the future circa two thousand and thirty, not that it looks/sounds really bright, but I’m an optimistic pessimist and dreaming realist with family and great music driving me daily.
Again LPI (Leg Puppy Intelligence) creates an intoxicating roller coaster stuffed with wayward and mind-exploring, electronic symphonies for a 2024 space odyssey.
Leg Puppy 1.0 is cancelled, welcome to your new Leg Puppy 2.0
Key singles/clips: Welcome To Your New Future / Everybody Happy Now
“‘Humanity 2.0’ reimagines the future by exploring what it truly means to be human in
an age of rapid technological advancement. The album delves deep into the essence of our humanity, reminding us that even as we evolve, emotions remain an intrinsic and vital part of our existence. Through its music and lyrics, the album underscores that amidst the changing landscapes of tomorrow, our emotions continue to define and connect us as humans.”
Don’t worry, be happy and start practising your daftest
dancefloor E-moves with these 2 daft tasters.
Kasabian‘s general Serge Pizzorno is a master in writing sing/scream-along stadium/festival belters. And the lead single of new, upcoming longplayer Happiness Bastards, is another ecstatic call to arms.
2. ‘Welcome To Your New Future’ by LEG PUPPY 2.0 (UK)
If you’re a party animal and you don’t know the self-proclaimed best Techno/EBM act in
the world LEG PUPPY, it’s about time you will because a new LP is coming up, baptized ‘Humanity 2.0’, and will signify a totally new beginning for you and them.
Welcome to your new future, all you survivors out there.
These fast up-and-coming indies from Leeds (UK) fronted by wonderful
voice Lily Fontaine prove their huge talent once more with this new pearl.
R&B is another wayward slice of ET pop intensity. It starts a bit like a Dry Cleaning
song with a rigid bass riff and Fontaine‘s spoken word vocals, but turns quickly into
a strenuous stunner fueled by schizo guitar frenzy and jittery percussion.
Lily Fontaine, Brugge, Belgium, 13 February – photo by TUTV)
4. ‘I Don’t Understand What Any Of You Are Doing’ by DEAD ANYWAY (UK)
This British duo combine the dark lyricism of vocalist Kate Arnold
with music and soundscapes of Marc Symonds.
Their new album, Partially Eaten By Animals is the best indie one of the month
in TUTV’s book, with trip-hop thrills all the way. Think Massive Attack, Arab Strap
and Portishead. I know big names, but my trained ears told me what they heard.
‘I Don’t Understand What Any Of You Are Doing’ will draw your aural attention on the spot.
Yokophono is a Finnish duo that hit the scene in 2020. Their music consists of energetic
dance-punk/indie rock songs. Their sound has been compared to the likes of Royal Blood, Arctic Monkeys and even Queens Of The Stone Age. Consisting of just drums and guitar they also rely on their catchy melodies.
Their new single Red a is wham bloody wham bam disco-punk juggernaut.
This Finnish tandem make you jump around like a kangaroo on acid. Distorted guitars
and banging percussion work close together to create a filthy disco-punk juggernaut.
Red triggers your limbs’ actions from the kick-off until the final beat. Inbetween you
can go berserk every single time the clamorous chorus hits your greedy speakers.
After 3 albums the Canadian post-rock-noise project of seasoned Canadian singer-songwritter-guitarist Laura Lee Schultz, backed by a tremendous bass/drum tandem return with this scorching Herculean shocker from their new, upcoming EP, titled Dirt,
out on May 3.
The heaviest parts of this quiet/Loud/quiet/Loud uppercut resonate like if British blues rock turbo Royal Blood having a fierce sonic fight with post-industrial-punk legends Killing Joke.
These 4 young Irish bullpits take you on a tempestuous ride with this new blazing blast.
Just like their countrymen Gilla Band, they look like 4 regular guys from around the block. But when they open the gates for Dead Sound they become 4 not-regular guys storming fast forward. A bumpy bass riff takes the haymaker on its back throughout the full course of its speedy rush.
The vocalist spits and sneers like Mark E Smith did his whole jarring career. The clamourus chorus is one that’ll start mospiths and when a psychotic guitar works its way to the front we get pandemonium. It’s also a loud and clear harbinger of an out-of-your-fucking head finale. Bingo master’s breakout.
Molly Horses left their basements only a year ago.
They produce elements of post-punk, krautrock, and Albini-esque noise rock.
With King Dundalk they take you on a dazzling rollercoaster.
All burners, all cylinders on. No rest for the bad man. Hefty.
You really need to check out these maddening motherrockers.
This fresh 4-piece outfit from the North Wales nail
it right away with their first cut Mourning Sickness.
What a superb debut. It’s a slow-progressing psych guitar jam rotating around an intoxicating riff that creeps under your skin without asking. Think of early Radiohead
days. Engrossing and riveting.
There’s an eerie vocal and electrifying tension in the air that makes you wonder when
the song’s intensity will explode. But it moves on like a serpent on a mission until the last second.
The reincarnated Ramones are back among us as 4 Ramonas fronted led by Australian songwriter (now living in Los Angeles) and musician Romy Hoffman. They make schizo, synthy, paranoid, post-punk with a dash of dysmorphic desire.
An absolute standout piece from the L.A.’s psych-pop gem from their brand new
full-length Loss Of Live. It features Christine and the Queens and turns out to be
a match in heaven.
Portland‘s dark-dance-wave trio say about their new single Impetus: “While creating this track, we all pushed our creative boundaries to write a song that reflects our desire to grow
as artists and people. This song encourages the listener to reflect inward. We hope to inspire ourselves and others to stop hiding. Stop waiting. Take one small step toward your goals, then another, and another. The time is NOW. Stop hiding your gifts. The world needs your passion.”
Impetus is a sensual mid-tempo electro-pop tease. Seductive,
flirtatious and tempting. Dim the light and move in mysterious
ways.
Sukie Smith is a songstress from London who has collaborated widely with artists, musicians and writers creating cross-disciplinary sonic work, exhibiting and performing internationally. She has released three critically acclaimed albums with her band Madam and toured throughout the UK and Europe.
Into The Light is a new compostion from her upcoming 4th album, named ‘The Glass Dress
and a Ringing Bell’ and will land on 8 March via Smith’s own label Shillingboy Records.
A song about leaving a turbulent relationship Smith found herself trapped in during lockdown, as Smith succinctly says, “I wrote this, then escaped,” with its focus a celebration of the jubilation felt in newfound freedom and the liberation found in the enlightening processes of recovery.
Into The Light grooves and moves pushed by dynamic eurythmics from the get-go, and keeps on cruising throughout its ablaze 3.07-minute duration. Glowing jingle-jangle guitar play, rock-solid drumming and Smith‘s impassioned vocals combine for a striking stroke.
The iconic Jamaican pioneer of dub reggae passed away in 2021, aged 85.
His final album, titled King Perry is now posthumously released. It features
vocal guest performances from Greentea Peng, Shaun Ryder, Tricky, Marta, Rose Waite
and Fifi Rong.
The musical project of Bo Barringer and Reuben Bettsak, have since their project’s inception in 2020, surfacing through the haze of a global pandemic and illuminated by the city’s darkest corners, produced steady and prolific beats across underground dance floors.
Their 3rd album, called A Kiss of the Mind,
is waiting in the pipeline for its imminent release.
First new shared piece Spiral Down is vintage synth-pop pulsation. Utterly infectious. There’s a shadowy side to it, but its bootylicious vibes, its subtle guitar riff, its shiny electronic waves and moony vocals combine for a spot-on EBM thrill.
Common Culture is a rousing, fiddle-driven alternative folk band from Barnsley, England.
They fuse traditional and contemporary elements into an upbeat and energetic
sound, their songs are full of catchy hooks, infectious rhythms and a party spirit.
The song serves as a poignant lament for the Earth’s dwindling natural beauty and a stirring call to action in the face of greed and injustice destroying the planet. It’s five to twelve, indeed. The majority of political leaders look the other way when these world-crushing issues come up. Some even don’t believe that our climate is changing drastically. More red-alert songs like this one are always welcome.
Bad Ritual is a Polish trio formed at the beginning of 2020 by three architects.
They play songs immersed in a dark and unsettling atmosphere. Their music is
a blend of indie-folk, swampy blues, and rock ‘n’ roll. It often evokes associations
with David Lynch‘s films, spaghetti westerns, and film noir.
They have their arresting self-titled debut album out now. Stream it here.
Standout track On The Road gets you in Bad Ritual‘s sonic/cinematic world. Its melancholic timbre and shiny guitar sparks, make me think of romantic glam legend Chris Isaak. Bad Ritual‘s idol David Lynch directed Isaak‘s Wicked Game video that featured flashes from
his 1990 Wild At Heart movie).
Leonardo: “I wrote this song after reading Nick Cave‘s reply (note: read below) to some of
his fans, who had asked him why he was about to attend the coronation of the UK’s king as
part of the Australian delegation. I love most of Nick Cave’s records and I consider him one
of the greatest songwriters ever.
I’m also a long-time Nick Cave fan. A truly remarkable artist. But attending King Charles‘ coronation? Disgusting. That guy nor his late mother never ever had something done to earn their status, they were born that way, they didn’t pay taxes for many years etc… It’s just as disgusting as Johnny ‘Rotten’ Lydon (the Sex Pistols‘ album the best punk one ever, in my book) voting for natural-born charlatan Trump. What is wrong with those millionaire artists?
That said Nicholas Palace is an infectious groove, a jagged jam, driven by an addictive riff with Leonardo‘s augmenting the funeral vibe of the song, think The Velvet Underground on a rainy day. Around the 1.30 min mark aggressive guitar play accentuates the ultimate end of Cave‘s birthday party.
If you’re a party animal and you don’t know the self-proclaimed best Techno/EBM act in
the world LEG PUPPY, it’s about time you will because a new album is coming up, baptized HUMANITY 2.0, and will signify a totally new beginning for you and them.
To get in the right science-fiction mood LP2.0 welcomes us
to our new future with the their first swing from the longplayer.
The 1 million question is, of course, what about that new future? Good or bad?
A hippie daydream or another Tories/Trump/Putin/TaylorSwift nightmare? Nuclear
war or peace and free love? Or will we be just another brick in the wall?
It doesn’t really matter as you can play Welcome To Your New Future in a bombshelter, in your government controlled mind, on the beach, in a club or at a Pink Floyd party.
We don’t need your no education
We don’t need no your thought control
