TURN UP THE VOLUME’s 5 Best EPS Of 2021

The 5 best extended plays of the past 12 months to Turn Up The Volume’s ears

1. ‘American Cockroach’ by DEAP VALLY

Talking about being productive. The two charismatic rock queens
Lindsey Troy and Julie Edwards from the city of angels, Los Angeles
released two EPs and their 3rd LP titled Marriage (with some of
the EP songs on it) this year.

Extended Play American Cockroach is the one I listened to the most
with its two steamrollers (I Like Crime / American Cockroach) and two
slower beauties (Give Me A Sign / Better Off With Nothing).

First-rate score!

Stream/buy here…


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2. ‘Body Electric’ by ULTRA SUNN (Belgium)

This cool black leather duo turns darkness into a stroboscopic
disco place where you can shadow dance yourself dizzy.

Their electro electricity, doomed drones, Goth echoes, eerie
baritone vocals, and synth riffs that stick as first-class glue
have both a mind-intoxicating impact and a sensual feel.

Thunder and lighting beats for the twilight hours.

Their brisk 6-track EP is a fitting soundtrack
to kick another virus year into oblivion.

Stream/buy Body Electric here…


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3. ‘Bad Time’ by PEEPING DREXELS (UK)

I discovered these London misfits last October in Amsterdam playing there
as part of an indoor festival at the legendary Paradiso club. What I felt was
what felt so many times when seeing their mates Fat White Family slash and
trash stages.

You know, that feeling of pumped-up confidence to go out in
the street and kick some fascists’ asses. Hell bloody hell yeah!

Bad Time will tell you all about it…


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4. ‘This Sceptic Isle’ by SHATTERCONES (London, UK)

Who: Politically outspoken rock outfit from London.

Opener Ghoul Driver sets the tremendously torrid tone of this jaw-dropping
extended play. An ominous outburst that threatens to explode any second.
Say Goodbye both surprises and impresses with its longing Mexican tango
melodiousness.

Fulminating stroke Butterly Room is an acrimonious reflection on the state
of chaotic Brexit England and closer The Man Who Ate Capitalism progresses
at a funeral pace, lamenting and dolesome. Throughout, ill-omened vocals
cause goosebumps.

Awesome stuff!

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5. ‘The Space In Between, Part 1 by TMCF (UK)

TMCF is a British pop/rock duo unafraid to blend ambience
with indie hooks to create a psychedelic experience. Formed
in a time of hopelessness.

Expect an instrumental synth/guitar opener (The Space In Between), a shadowy
prog-roller-coaster with twists and turns, and a magnetic bass riff (Thaumaturgy),
darkwavish pop-scapes (From Green To Grey / Collapse), a sparkling dreamtune
(The Lions Den ) and a euphonic, vocal symphony with mellow piano touches
(Soon The World Goes Black). Top!

Stream EP here…

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Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – NOVEMBER 2021

Turn Up The Volume‘s 20 Knockout Tracks for November 2021!
A stream of rattling rippers, jagged jams and romantic reveries.

All together on Spotify

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Knockout by knockout…

1. ‘Miami Lounge’ by PEEPING DREXELS (London, UK)

I discovered this brilliant post-punk turbo last month at an indoor festival in Amsterdam. The whole crowd went bananas. These motherrockers slash and trash with a burning vehemence and a flabbergasting fervency. Miami Lounge is the crackerjack opener of this year’s released 5-track EP Bad Time.

Now it’s your turn to discover this awesome London squad.

Right here, right now…


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2. ‘Ded Würst’ by DITZ (Brighton, UK)

Earlier this month this dynamite hit team blew all punters away with their jaw-dropping gig in my hometown Ghent (Belgium). They razzled and dazzled with ebullient exertion, blistering British bluster, and a fuck Brexit fierceness. The roof went off.

Ded Würst, their newest single, is nothing less
than a nasty and filthy sledgehammer. Das super!

Here’s why…


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3. ‘Traps’ by BLOC PARTY (London, UK)

Kele Okereke‘s band returns next year – 29 April 2022 – with
new LP Alpha Games, the first in 5 years.

Talking about a comeback! Traps is a stunning stormer, a killer
single, a whopping whirlwind. Supercalifragilisticexpialidocious!

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4. ‘Against The Blade’ by THE HORRORS (Southend-on-Sea, UK)

After dropping one of the best knockout blows of 2021 with Lout
The Horrors followed it up this month with new EP Against The Blade.

The title track is brutal, rough, and rowdy. Like Nine Inch Nails on acid.

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5. ‘Tsunami’ by DEAP VALLY

The Los Angeles sisters in rock crime just launched
their new LP Marriage, celebrating their 10 years of
rockin’ out together.

Tsunami is one of my favorites. A glam wham-bam
banger with a feverish impact.

Play it loud…

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6. ‘His Ilk’ by BRONSON ARM (Kalamazoo, Michigan, US)

From Michigan here come 2 Pc Noisey Slacker Psychedelic Sludge Punks.
They joined Canada-based indie label Off White House Records
this year with a big bang.

Their newest outburst is a riffin’ rollercoaster that makes the hair in
your neck stand up with its metallic resonance and relentless bass
frenzy. Add nightmarish vocals and I’m sure Santa Claus will run
away in fear.

Turn up the jingle bells here…

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7. ‘Never Ready’ by WÏLDERMAN

The alias of British singer-songwriter of Bobby Anderson.

Never Ready is a vicious droning blast. Wïlderman rankles,
rages, and has a bad taste in his mouth. Never ready for
her look and her voice. 133 seconds of sonic sex.

Hot groove, hot intensity, hot slam dunk. Fucktastic!

Get ready here…

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8. I Don’t’ Love You Anymore’ by CHATEAU CHATEAU (Tucson, Arizona, US)

Glam and glitter riot tattoo grrl Blue attracts all attention,
sonically as well as visually. She swirls and scintillates on this
new kick while cursing idiots who hate the LGBTQ+ community,
who hate tattoos, and who hate anybody who doesn’t live by
their ultra-conservative rules.

To hell with all these idiots.

Meanwhile, enjoy this jangly earworm that sticks as
first-class glue and reaches an aural orgasm every
time the chorus pops up.

Get up, stand up and move…

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9. ‘Absent Transient’ by IT’S KARMA IT’S COOL (Lincoln, UK)

One of the highlights from the group’s excellent new album
Homesick for our Future Destinations. Check TUTV’s raving
review here.

With Absent Transient they show their masterly skills of writing ear-and-mind
pleasing pop tunes charged-up with rotating riffs and dreamy vocal harmonies.

Press play here…


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10. ‘Better Than Life’ by GLASS SANDS (London, UK)

Here’s the title track of TUTV’s best album of last month.
Read the review here.

A guitar-driven ripsnorter that gets more intense along its way.
This one-man band slips under your skin without asking and
you’ll love it big time.

Roll along…


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11. ‘Let’s Stick Around’ by DJ RITON and JARVIS COCKER (UK)

When an old skool DJ teams up with Pulp’s Jarvis Cocker you
get a sizzling acid house corker to start and end all upcoming
New Year’s Eve parties with.

Hallelujah! Holy Mary!

C’mon, Jarvis

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12. ‘The Magic’ by EELS (Los Feliz, Los Angeles, California)

Mark Oliver Everett and his Eels mates plan to release their
new album Extreme Witchcraft on 28th January 2022.

Ahead of it comes this magic groover.
Eels are alive and kick with a dash.

Roll the dice here…

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13. ‘What You Keep Telling Yourself’ by DOWN WITH SPACE (Montreal, Canada)

The motorik and magnetic rhythm of this electronic exploit makes your head
turn 360°. The catching combination of near whispering vocals, scintillating David
Gilmour
guitar vibrance and cybernated elegance create an overall ear-ecstatic
vibe culminating in a dynamic finale.

Dive here into space…

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14. ‘Dissonance’ by VEDA RAYS (Brooklyn, NY)

From the Brooklyn duo’s new Crucial Fictions LP. TUTV’s review here.

Expect flashy echoes of the 80s British New Romantics movement with
this instant catching pop spark, fueled with glimmering guitar/play,
impassioned vocals, and a non-stop drum beat.

Touchdown!

Stand up and shake your pelvis…

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15. ‘Still’ by TINY DYNO (Bristol, UK)

This sugary pop bliss feels good at first, better the second time,
and the best with all other spins. Great pop-ular music is about
lifting up the listener’s mood to a euphoric level for about
3/4 minutes. Easier said than done, but not here.

Still is a glorious harmonious touchy-feely gem that appeals from
the kick-off with Gardiner‘s tantalising voice and Kuras‘ vitalizing
guitar ravishment. Add a delirious chorus and you have yourself
a 24-Carat top thrill.

Play it here…

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16. ‘Knight Of Cups’ by ODAWIN. (Italy)

This Italian singer-songwriter, born Patrizio Ottavianiiter,
produces a blend of psychedelic rock and Arabic harmonies.

Knight Of Cups is the latest single in a series of monthly releases this year.
Electric dream-pop at its tempting best. Sparkling, spirited, and seductive.

An orchestral triumph. Score!

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17. ‘Monterey’ by OCEANOGRAPHY (US)

Oceanography is the solo project of Oakland-based singer,
songwriter, and multi-instrumentalist Brian Kelly.

This sweet little pearl comes from his new album
Thirteen Songs About Driving Nowhere
in Alphabetical Order
(awesome title).

“A tribute to my big sister who I lost last year. I hope you enjoy
it and it provides some comfort for any loss you’ve experienced.”

Monterey is a heartfelt ode to a beloved one that passed away,
evoking recognizable, universal feelings of loss, mourning, and
tristesse.

Listen and watch the touching video clip…

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18. ‘The Ship Song’ by NELL SMITH and THE FLAMING LIPS (US)

Nell Smith is a 13-year old fan of Oklahoma’s eccentric stargazers Flaming Lips
(one of my all-time fav bands). Frontman Wayne Coyne spotted her at one point
as she attended several gigs with her father. They got in touch and after Coyne
found out that she’s a singer he proposed her to work with the band on a Nick
Cave
tribute album he already had in mind for some time.

They got all in the studio and the result is a 9-song Nick Cave
covers album baptized Where The Viaduct Looms with
the nightingale voice of Nell as the heroine in the middle.
You can stream the brand new record on Spotify

One of the standouts is her version of
the heart and soul ballad The Ship Song.

Special, wonderful, lovey-dovey.

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19. ‘Always Together With You’ by SPIRITUALIZED (Rugby, UK)

Jason Pierce and his orchestra have a new LP,
called Everything Was Beautiful coming on
25 February 2022

With this spellbinding symphony, he does what he does so splendidly for so long. This
first new piece is another soulful spiritual growing slowly into a gospel-like trance. Epic!

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20. ‘We Are Not Alone’ by NICK CAVE and WARREN ELLIS (Australia)

Last June mega-star-crooner Cave and his bad seed friend Warren Ellis
signed for one of the best LPs of 2021 with their astonishing Carnage opus.

And they’re not done yet. The duo releases the soundtrack they wrote for the French nature documentary Panthère Des Neiges (The Snow Leopard) on 17 December.

Here’s the magnificent taster We Are Not Alone.
A characteristic Cave humdinger. Tender and gripping.

Watch the magic, hear the magic…

See/hear you next month with the best 20 knockouts of 2021

PEEPING DREXELS – Spend Some Bad Time With A New Fat White Family

3 November 2021

Band: PEEPING DREXELS
Who: Post-punk misfits from South London who announced their past UK gigs with this message: “Come through to the show of your liking to witness the degradation of our already poor physical and mental health in musical form.” Say no more.

EP: BAD TIME

This amazeballs extended play came out back in April, but before last Saturday night, I had never heard of this London gang of outcasts. But seeing them turning up the heat in the historic Paradiso Club in Amsterdam as part of the yearly (actually 2 editions per year) London Calling Festival, a showcase for up and coming bands (mostly from the UK), was pretty fucktastic and made them the talk of the night.

Why? If you start with some early Talking Heads‘ mania, followed by crashing Apocalypse drones, then you switch to some casual piano touches and 60s echoing guitars, and you end in a depressive lullaby way and you do all of this in one song with a flabbergasting resonance you’ll understand why the whole venue went apeshit and left their sweat on
the beer-drained floor for the whole wall-of-barbwire-sledgehammer-beats and post-punk orgasms filled gig.

Need a reference? Last Saturday Peeping Drexels made me feel what I felt so many times when seeing their mates Fat White Family slash and trash stages. You know, that feeling of pumped-up confidence to go out in the street and kick some fascists’ asses. Hell bloody hell yeah!

Enough talking. Do your miserable post-lockdown state of
mind a favour and buy yourself some more BAD TIME.

Right here, right now…


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PEEPING DREXELS: Facebook


Well, my camera went apeshit too, last Saturday night