Daily noise that works faster than a stream of caffeine
12 June 2025
Press photo
As we, the fans, all know, glam rock/pop luminaries SUEDE orchestrated by the never aging Brett Anderson, have canned their 10th longplayer, named it Antidepressants
and will share it with the world on September 5th.
New album artwork
Along with the announcement came the sky-scraping lead single Disintegrate.
And the follow-up TRANCE STATE is as monumental, cranked-up with drum/bass
impetus, radiant guitar lines, and as ever, Anderson‘s melodramatic vocals. The final
result has a razzle-dazzle impact on your speakers and ears.
Single from the upcoming album, baptized Talkin’ To The Trees. It comes our way on
June 12th.
TUTV: No pension whatsoever for the incomparable rocker in the free world.
Middle-finger straight up, in the face of the ‘Me, myself and I‘ POTUS and his
arse-licking billionaire monkeys.
The lead single from their upcoming album #10,
named Antidepressants. It’ll arrive on Sept 5th.
New album artwork
TUTV: Disintegrate is a badass barnstormer revved up by radioactive guitar riffs,
a colossal drum beat, and, of course, Anderson‘s feverish vocals. Suede sound like
young dogmanstars once again. Take notes, all you ambitious rock snotnoses out
there.
2nd shared single from their forthcoming self-titled debut LP, out on July 18th.
TUTV: Party! Party! Party! These Welsh punkettes drive you bonkers with this
bass-insane punk ‘n’ roll uppercut. Kick-ass band, kick-ass attitude, kick-ass blast.
A cover of Mickey Lee Lane‘s 1965 firecracker, which, along with a remix of their 2022
song Jamie C’mon went digital last weekend and will be out on 7″ vinyl this summer.
TUTV: This is the kind of instant-affecting tunes that get all of your lazy limbs excited.
165 swirling seconds of punchy punk ‘n’ roll. An irresistibly uplifting upper. Bass and drum produce a battering beat, guitar riffs fly around and Linda Pardee‘s vivid vocals trigger you to get up, stand up and scream your lungs out when the ridiculously catchy chorus pops up.
Artist:JEHNNY BETH, Who:France-born, former frontwoman of female post-punk band Savages (2011-2017), who released her solo debut LP Love Is To Live
back in 2020.
Second shared piece from their upcoming debut LP ‘A Mass In The Water, which lands on 14 November.
Single artwork by Maxime Rouquart
TUTV: This new slam dunk’s ominous mid-tempo dynamics, distorted vocals,
and riff-roasting razzmatazz resonate like if you are listening to the goosebumps
theme song of a horror movie.
Creepy tension in the air, melodrama about to happen. Yes, at the 2.30 minute
mark all hell breaks loose. Decibels up, amps up, temperature up. From a whisper
to a scream. From planet Earth to Dante‘s inferno. Helter skelter.
TUTV: Lover is a vintage big Ashcroft tune. Sirenic
power pop, with Ashcroft repeating the track’s title
non-stop.
The song samples English singer-songwriter Joan Armatrading’s
1976 hit Love And Affection. When RA let Armatrading hear ‘Lover‘
she gave her blessing to release it.
Artist:MARK STEWART (Bristol, UK) Who: One of the most adventurous/inventive/original post-punk & dub artists/performers
ever, who passed away, unfortunately, 2 years ago, aged 62. He was a founding member of genre-bending new wave group The Pop Group
2nd shared piece from the upcoming album The Fateful Symmetry,
which Stewart completed in early 2023. It’ll arrive on 11th July.
. Mute Records
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Act: DICE MACHINE Who: Tandem Michael Daks & Drew Five. Their music is shaped by a wide range of
influences, from punk to electronic, making them sound both familiar & refreshingly unpredictable. Combining Daks‘ narrative artistry with electro-pop act Feral Five‘s Drew’s innovative production, they craft songs that resonate on multiple levels.”
TUTV: DM take you on an adrenalized punk ‘n’ roll ride from the kick-off.
No brakes, no breaks. Full steam ahead, pushed by a rip-roaring salvo of
guitar riffs and infused with intoxicating vocals. High-voltage magnetism
all the way through. Second single, second bullseye!
Band: MODEL/ACTRIZ Who: Electro act from Brooklyn.
Track: VERSPERS
Opener from their brand-new
2nd album, named Pirouette.
TUTV: A hyperkinetic electro/guitar-riff beat ticks on your head non-stop. It drives you crazy, and pushes your poor mind into a chilling daze. Sounds challenging, right? You bet.
Single from his brand-new 8th
solo longplayer Strawberries.
TUTV: Forster‘s motto is keep it simple, shake and swing your hips to the swirling rhythm, ignore the outside world, love your loved ones, and have fun, it always helps you to get you through the day.
TUTV: Lots of dance-fueled tunes this month. Even daydreamers Elbow have one to jump and down to in your bedroom/bathroom/kitchen/wherever, while you stay sober.
Lyrically, Donatella delves into her past to help vanquish demons that circle from previous trauma of manipulation and abuse. Through this primal scream of emotion, she is able to find liberation and rebirth.
TUTV: Spellbinding, riveting and fetching. This melodramatic discharge holds
your aural attention all the way. Moon‘s engrossing vocality works like a magnet.
Very promosing stuff.
A collaboration with Spanish
EBM producer Nightcrawler.
A track that exposes the puppeteering forces behind the system and
the disappearance of authenticity in a world shaped by fabricated
idols. It’s both a protest and a purge.
TUTV: Think techno experts The Chemicals Brothers with eerie vocals by a demon.
A maddening 90s master blaster for 24-hour parties where stroboscopes spin you
into a trance. To hell with all authoritarian politicians and meaningless celebs. Living
our lives the tolerant way we want is what we all should do, while going mental to bombastic beats and blustery bangs. It’s hammertime, folks.
The lyrics paint a picture blending imagery of horror and cannibalism. The song
portrays a character adrift in a world without moral boundaries, a being driven by
thirst and pleasure. The themes explore unrestrained hedonism, the loss of control,
and the banality of evil.
TUTV: Be ready for a sonic Stephen King -esque nightmare. Diabolic, bone-chilling and bloodcurdling. Perfect to play to your zombie friends. Play this tormenting serpent of
a track loud, and scare your neighbours.
Artist: TROUSER DRESS Who: East Yorkshire’s Carden Mucklin. A young genderqueer writing songs about random thoughts and feelings, pouring their lived experiences of being queer & trans, as well as their journey through the mental health jungle, into songwriting and photography.
“This was my first time creating a track that I didn’t have a plan for, or a set sound in my head. I wrote the four lines & guitar part but then shelved the song as everything I added didn’t feel right. When I brought it to producer Adam, we decided to keep the lyrics simple and to build it up with other sounds and layers. I wanted the song to feel almost like ruminations that spiral around but start from just a few sentences. I think we created the perfect sound!”
TUTV: Old Soul is an intriguing, trancey, and multi-instrumental chant.
Think folktronica siblings CocoRosie. Wayward and fascinating. Top piece.
Back in 2022 London’s glam rock/pop veterans SUEDE (in the US still known for legal reasons as ‘The London Suede’), led by the never aging Brett Anderson, released their
9th, quite remarkable albumAutofication.
And now the news just came in that they have bagged album #10.
It’s titled Antidepressants and will land on September 5th.
New album artwork
Tracklist
01“Disintegrate” 02“Dancing With The Europeans” 03“Antidepressants” 04 “Sweet Kid” 05 “The Sound And The Summer” 06 “Somewhere Between An Atom And A Star” 07 “Broken Music For Broken People” 08 “Trance State” 09“Criminal Ways” 10 “June Rain” 11 “Life Is Endless, Life Is A Moment”
Anderson: “If Autofiction was our punk record, Antidepressants is our post-punk record. It’s about the tensions of modern life, the paranoia, the anxiety, the neurosis. We are all striving for connection in a disconnected world. This was the feel I wanted the songs to have. The album is called Antidepressants. This is broken music for broken people.”
First single DISINTEGRATE is a badass barnstormer revved up by radioactive guitar riffs,
a colossal drum beat, and, of course, Anderson‘s feverish vocals. Suede sound like young dogmanstars once again. Take notes, all you ambitious rock snotnoses out there.
Legendary English music weekly Melody Maker named London’s fresh glam and glitter
outfit SUEDE, fronted by the charismatic androgyne Brett Anderson, the best new band
in Britain in April 1992, a month before they released their debut single THE DROWNERS,
a first sign of alt-indie pop bliss.
A year later, Suede showed why MM was absolutely right when they
shared their astonishing Self-Titled Debut LP with the world.
After their 2nd masterstroke (even better than their debut) DOG MAN STAR, musical orchestrator and guitarist Bernard Butler left but it didn’t break up the band. On the contrary, Suede survived with swirling style and vivid verve.
They released 7 more albums (from okay ones to a couple of great ones)
so far withAutofication as their most recent one. It came out in 2022.
Sad news came in a couple of weeks ago. L.A.’s blues rock tandem Deap Vally – Lindsay Troy and Julie Edwards – one of the most exciting
and dynamite acts, of the past 10 years call it a day.
But not without a big bang. They say farewell with an extensive North America tour.
They’ll release a new vinyl edition of their superb debut LP Sistrionix, out Spring 2024.
And their recent roasting cover of The Stones‘ VENTILATOR BLUES
track from their 1972 LP Exile On Main Street is spot-on awesome.
Sounds like this classic was written for them.
Musical Nashville legend Leon Russell, born
Claude Russell Bridge in 1942, passed away in
2016, at the age of 74.
To celebrate the genial, all-around, eccentric-looking icon, a 10-track
tribute album came out last September, titled A Song For Leon.
The imperishable noise rockers Pixies are part of the LP’s celebrity cast,
with a red-hot-blooded version of Russell‘s 1971 classic boogie woogie cracker Crystal Closet Queen.
British famous singer-songwriter-producerTREVOR HORN (now 74),
who scored a No 1 UK hit in 1979 with his one-time project Buggles
and their pop earworm Video Killed The Radio Star (more than 323 million
streams on Spotify) released an album of 11 covers early this month. It’s
titled Echoes: Ancient & Modern.
One of the covered songs is Personal Jesus, the 24-carat Depeche Mode classic
from 1990. Horn invited eternal punk Iggy Pop to do the singing. An inch-perfect
decision. At the age of 76, he still sounds like he wants to be your dog.
Since their reunion in 2010 glam pop legends Suede got
tremendously active with 4 albums and constant touring.
Last February they did something really amazing. They performed
at the BBC’s Maida Vale Studios for their Piano Room Month‘s series
with artists’ playing the piano room with the BBC Concert Orchestra.
Suede choose to cover the 1978 classic cracker Beacuse The Night,
co-written by Bruce Springsteen and recorded for eternity by Patti Smith.
The band’s take is astonishing. The orchestral magnificence is grand and
frontman Brett Anderson‘s vocal effort is phenomenal. Pure tour de force.
A tribute album for the legendary, singular, and utterly charismatic Marianne Faithfull came out a couple of weeks ago.
One of the most notable interpretations of Faithfull songs is by Garbage‘s Shirley Manson and queer queen Peaches who turn the explicit 1979 song WHY’D YA DO IT into a disco stomper.
Folk songsmith Drake (1948-1974) was/is an inspiration for many singer-songwriters.
His 3 LPs Five Leaves Left (1969), Bryter Layter (1970) and Pink Moon (1972) were and
are still widely lauded. The trouble artist died following an overdose of amitriptyline,
an antidepressant, aged only 26.
New Irish post-punk heroes Fontaines D.C. were invited too. They picked‘Cello Song
from Drake‘s 1969 debut LP Five Leaves Left. The Irishmen’s version is just splendid in
their own haunting way.
At the age of 77, the fabulous country superstar
still is working longer than 9 to 5 per day.
And to prove her never-ending productivity, she released her
49th (!) LP last month, named Rockstar. Yep, Parton‘s first rock LP.
It features several big-name collaborations.
I don’t own a Dolly album, I didn’t follow her career but as so many million people
I know her hits, and I do love her formidable voice – the heroine again on this record –
and her I do what I want attitude.
The supreme standout track is her version of Purple Rain,
the 1984 blockbuster hit by late musical genius Prince.
Last June the late Jeffrey Lee Pierce, the wayward mastermind of underrated
indie mavericks Gun Club from L.A. would have celebrated his 65th birthday.
Last March, a country rock tribute album for the immortal Stones was
put together by renowned producer Robert Deaton. It features 14 covers
of 14 classics of one of the greatest bands in history.
After launching her super-duper 6-track EP Chaos Of Time last March, Langford
closes the year with this rock-and-rap-punk banger. Whang, whang, whang.
Foefetti has somehow a fuller resonance than her previous pieces. And it works spot on. Glittery, glammy and trash-y (like the video). Be ready to sing happy birthday to 6-year-old princess Jodie midway. Don’t worry afterward you can continue to pogo around the table. Treat yourself, buy this present here.
Helter skelter. What a riff-deranged head-over-heels speedball.
AWESOME. Think Australian barbed wire rock generator Amyl And The
Sniffers getting even louder and nastier than they already are. Irked
produce no-nonsense punk pandemonium with a dashing fanaticism
and crazed ruckus.
The vocalist screams her lungs out with intimidating force. MENTAL.
Don’t mess with her, don’t look for trouble with her. She’s a ragging
rapping reactor. Sharp-teethed stuff, shattering debut.
These 4 motherrockers learned their craft by making noisy waves in different
bands before. They just released their cooking 4-track EP named ROBOT.
Robot artwork
The title track is a bass/guitar-riff steamroller going everywhere fast.
A fanatical flare-up that speeds towards a monstrous climax. Who needs
humans when robots kick ass this knife-edged way.
London’s inflammable grime-rap-punk turbine Bob Vylan have canned their third
album. It’s named Humble As The Sun and will see the day of light on 5 April 2024.
These British mavericks rattle and rumble from the get-go on this crackerjack
blast. They don’t like a boring normal life. Who can blame them? The frustration
is accentuated by freakish guitar/bass frenzy, merciless drumming and flustered vocals.
Solid sucker-punch. Never lose faith in this band.
Crows On Wires is the dark-dream-wave project of German artist Antje Davids-Weis.
This new single echoes previous pieces. Rotating synth beats, shadowy dynamics, darksome vocals work together and turn Stop The Clock into a terrifically catching
stomper.
9. ‘Say It Like You Mean It’ by SLEATER-KINNEY (Seattle, WA)
Washington‘s longtime rollin’ indie-pop-punk stars SLEATER-KINNEY
who started their journey (with 3 members) back in 1994, went on a
break in 2006, reloaded their engines in 2014, became a duo – Carrie
Brownstein and Corin Tucker – have their new, 10th LP, baptized Little
Rope out on 19 January 2024.
2nd single Say It Like You Mean It is
edged guitar pop at its racy best.
10. ‘The Sadness In You, The Sadness In Me‘ by SUEDE (UK)
Last year the glam veterans Suede released their 9th,
back to top form, albumAutofiction.
An expanded edition shows up on December 8. It
includes a live LP. More info and order detailshere.
Along with the LP’s release came a 4-track EP that was available for
only one week. The songs will appear now on the expanded box.
The Sadness In You, The Sadness In Me will be one of them.
A vintage Suede sparkler with Anderson‘s emotional vocals going sky-high
on the chorus. Can’t understand why this stellar song wasn’t on the original
album. Anyway, it’s here now.
It’s been 5 years since this Belgian garage guitar indies released
their debut album Common Specimen/Indoor Mold.
But they’re back now, and they didn’t lose their electrical mojo nor their sassy swagger. Crazed drums, afire guitars and tense vocals are what you get. Don’t miss their return.
This weird Canadian trio nails it with their new single Wish It Back, a heartfelt tribute to times gone by.
It’s a spry rocker that swings forth and back. From harmonious tenderness to zippy discharge, from shiny guitar sparks to electrifying commotion, while poignant vocals add extra emotive energy to this splendid nugget. It’s about looking back nostalgia we all are familiar with, wrapped here in a forceful piece of music.
I Feel Nothing is the first new piece of music in over 2 years from this British indie trio.
One spin and I knew we had a winner here. I Feel Nothing is a funky pop
groove, richly orchestrated with footstompin’ drums, glistening synths, wah-wah
guitar here and there, pumping bass and spacey vocals. It swings back and forth,
with a hip-shaking impact when the delirious chorus comes up. Think Tears For
Fears, Depeche Mode and Tame Impala all rolled into one.
Wolf:“This song delves into the complex theme of loyalty conflicts, the inner divide
between descendants and parents (us and them) and the broader social division into
‘us’ and ‘them’, (fueled by social media and war).”
Capricorn is a spellbinding slow-mo musing with an ominous sonority produced
by electric bass, sober drums and eerie acoustic guitar play. It creates a trance-like atmosphere with its subtle and low-key orchestration and Van Wymeersch gloomy
vocals. Fascinating score.
So much is happening on this crazy cut. First in, hungry guitars and footstompin’ drumming immediately joined by frolicsome synth touches that easily could be experienced as the theme of a creepy movie, depending on your (in)stable
state of mind.
Next, eerie vocals, backed by some spooky howling, check in adding a what’s going on
vibe, and zigzagging through all the sonic razzmatazz. Head-spinning stuff, folks.
16. ‘Can You See Me?’ by CATHOLIC GUILT (Melbourne, Australia)
The song is a tale of lost identity and feeling at odds with yourself.
It’s feverishly rushing ripper propelled by an army of guitars, hefty drumming and
psyched vocals. This manic missile reflects frontman/songwriter’s Brenton Harris
identity issues spot-on.
Sonically as well as lyrically, Can You See Me resonates like a much-needed escape from
a troubled and confused state of mind. I guess this sounds familiar to so many of us out there. If you’re a Fall Out Boy fan you’ll definitely add this fiery emo piece to your favourite playlist.
The band’s name is a testament to their stature and nature – alter kaker is a Yiddish term for an old person, or as the band likes to call it, “an old fart.” That level of self-awareness helps when creating a song like “When You’re Gone.”
The band’s Steve Bronstein wrote this track one year ago near the close of a relationship. But unlike the more common musical theme in breakup songs, the singer isn’t sad about the conclusion – he relishes it.
Looking for an infectious jump-for-joy post-breakup tune? Here it is.
After playing with some bands, Belgian musician Mirabelle van de Put decided
in 2021 to go solo under the moniker of HAZE. Her excellent self-titled debut LP appeared the same year.
She’ll have her sophomore one, titled Out of Sight, out in January.
Hiding is the first single. A glinstering dream pop musing featuring sparkling guitar
and smooth bass play, and van dePut‘s enticing voice takes you on a relaxing trip that flares up now and then.
The eye-catching video is created by Naomi Kerkhove.
Lauren Anderson is a Chicago born and Nashville-based singer-songwriter.
She has, so far, 3 albums on her résumé. And has now new single Love Again
out.
Expect a towering voice. Zestful, vivacious and highly gripping. Classic country-blues splendor. The kind of song that send shivers down your spine with its full-hearted
passion and its overwhelming sonority.
Wurlitzer jukeboxes were invented back then to play affecting tunes like this one
in smoky bars to comfort lonely souls and melancholic hearts. This sort of music
will never lose its healing impact.
Last year the glam veterans SUEDE (in the US still known for legal reasons
as ‘The London Suede’), led by the never ageing Brett Anderson, released
their 9th, back to top form, albumAUTOFICTION (stream below).
An expanded edition shows up on December 8. It
includes a live LP. More info and order detailshere.
Along with the LP’s release came a 4-track EP that was available for
only one week. The songs will appear now on the expanded box.
Here’s one of them, titled THE SADNESS IN YOU, THE SADNESS IN ME.
A vintage Suede sparkler with Anderson‘s emotional vocals going sky-high
on the chorus. Can’t understand why this stellar song wasn’t on the original
album. Anyway, it’s here now.
THE SADNESS IN YOU, THE SADNESS IN ME
Already booked as one of the headliners for the legendary Isle Of Wight festival next year.
In order to not miss a beat Turn Up The Volume scans the musical
horizon daily (doing it for years now, actually) to stay in touch with
all new things sonically great and shares the results on a weekly
basis.
Check the 10 new rad cuts just
added to this rad 2023 playlist.
Up and fast-coming artist Jojo Orme and her musical vehicle Heartworms is shooting to the top as a comet. It started with her ace EP A Comfort Notion and she follows it now with this new titillating single. A funky guitar pop pearl with a repetitive riff that creeps under your skin in an eye blink and sensual vocals that stick on the spot. Awesome.
Infader is the band of Belgian singer-songwriter Michaël Denis who produce heavy rock with a dramatic flair. In a culture of musical over-simplification they add nuance to rock as we know it. Emotionally layered and transforming music, without the essence of the catchy song to lose sight of.
📷 Stan Geudens
On Meditation, they storm fast-forward from the get-go with fierce guitars, pounding drumming and feverish vocals. A rapid-fire ripper that turns you dizzy. Sassy stroke!
Wow! What a smoking debut this is. Lords is a powerhouse hammer blow for fanatic headbangers with a guitar riff that drives you crazy and vocals that make your ears
vibrate.
5. ‘I Want To Start A Religion’ by MATT TIEGLER (Chicago)
Chicago songwriter, actor and playwright Matt Tiegler returned to the studio after a long hiatus, for his third full-length, named Free Hands Down Hill, including this sickly sticky tune that may start a new religion. Pithy electricity. Hallelujah.
Washington‘s longtime rollin’ pop-punk indies, a duo now with Carrie
Brownstein and Corin Tucker, have their new, 10th LP, baptized Little
Rope out on 19 January 2024.
Ahead of it we can enjoy this new sizzling single.
After playing with some bands, Belgian musician Mirabelle van de Put decided
in 2021 to go solo under the moniker of HAZE. Her excellent self-titled debut LP appeared the same year.
She’ll have her sophomore one, titled Out of Sight, out in January.
Hiding is the first single. A glinstering dream pop musing featuring sparkling guitar and smooth bass play, and van dePut‘s enticing voice takes you on a relaxing trip that flares up now and then.
The eye-catching video is created by Naomi Kerkhove.
Sarasara is a French avant-garde performance artist and
songwriter who launches her third album Elixir on March 1st.
The album’s potent mix of cultural ideas fuses with dark industrial synths and gothic atmospherics to shape her intoxicating, cinematic sophisti-pop. Enthralling, groove-laden compositions recall the likes of David Bowie and Jehnny Beth, but Sarasara found more influence in political writers; Bell Hooks, the distinguished professor of race and class, Pierre-Joseph Proudhon, a French socialist, and the first person to declare himself an anarchist, and Édith Thomas, the French novelist and bisexual pioneer of women’s
history, among others.”
First single The Horrible Things is an enigmatic slo-mo reverie with an addictive
beat and Sarasara‘s near-whispering voice creating a ghostly atmosphere.
This Oakland trio has a new 4-track EP, named Second Opinion out.
Closer ‘The Turtle’ kept playing in my head after a couple of spins. First thing that came to mind was the acoustic guitar play of Jimmy Page on Led Zep‘s classic Stairway To Heaven because of its bewitching resonance. And I’ll throw in another big name. Think Jethro Tull
on a mellow moment. Well, judge for yourself.
This multi-instrumentalist and composer from San Francisco
releases his debut album ‘Tiamat‘ on November 30th.
My Story, the second shared track, is a moody and emotional ballad that makes you silent and triggers melancholic thoughts. It attempts to convey the complexity of a relationship and its profound effect on someone’s life. The song is meant to console and offer hope during the darkest days.
The accompanying video captures these raw emotions, featuring claymation characters. This nostalgic style is reminiscent of music videos from the late 90s and early 2000s.
