Manchester‘s psych post-punk mavericks THE UNDERGROUND YOUTH,
orchestrated by voice/face/songwriter Craig Dyer released their 12th LP,
titled DÉCOLLAGE.
Press info: Self-written, recorded and produced by Dyer, ‘Décollage’ is an exercise
in artistic deconstruction in both name and form, marking a decisive musical shift
for The Underground Youth.
Dyer about the new album: “Décollage is the art of creating an image by ripping, tearing
away or removing pieces of an original existing work. My idea was to apply this technique
to music. My idea was to apply this technique to music.
Serge Gainsbourg
“I built walls of static coated hip-hop drum samples, layers of Lee Hazlewood style string arrangements and Serge Gainsbourg inspired mellotron melodies, then I began tearing
away at these beautiful, chaotic walls of noise.”
Lee Hazlewood
It’s a trip-hop infused soundtrack to a collection of lyrics dealing with adoration, ancestry, originality, hallucinations of revolution and a hope that something better can be born from
the ashes of the horror that exists in our world.”
TUTV: Décollage doesn’t sound like a traditional record to my ears, it sounds more like listening to a film noir score with a friend, who came over on a lazy night for a drink and
a chat. Relaxing, charming and soothing music like this is the perfect match for such occasions.
Singles: You (The Feral Human Thunderstorm) / One of The Dreamers / Calliope
– YOU (The Feral Human Thunderstorm) –
Orchestral splendour
Manchester‘s psych post-punk mavericks THE UNDERGROUND YOUTH,
orchestrated by voice/face/songwriter Craig Dyer have canned their 12th LP.
They named it Décollage and will share it with the world on April 4th.
Dyer about the new album: “Décollage is the art of creating an image by ripping, tearing
away or removing pieces of an original existing work. My idea was to apply this technique to music. I built walls of static coated hip-hop drum samples, layers of Lee Hazlewood style string arrangements and Serge Gainsbourg inspired mellotron melodies, then I began tearing away at these beautiful, chaotic walls of noise, exposing a new sound for The Underground Youth.”
New album artwork
Dyer citing 60s singer/songwriter/producer Lee Hazlewood (who did countless duets
with super-glam-star Nancy Sinatra) and 60s/70s French controversial songsmith/producer Serge Gainsbourg as inspirations for a new TYU full length is enough to have your and mine attention, right away. Sounds amazingly cool.
And I’m pretty sure that Dyer listened a lot to The Cure‘s last year’s masterpiece
‘Songs Of A Lost World‘ before or during the writing of lead single YOU (The Feral
Human Thunderstorm) with its slo-mo, melancholic synths infused progression
and lament resonance. Entrancing effort.
TUTV: Expect a tsunami of Molotov cocktails, punk-o-rama riffage, and yell-along
refrains spit out by primal screamer Pele. No rest for the wicked. Beware, this explosive record can damage your speakers. On the other hand, it’s the ideal soundtrack for banging your poor head against a wall of your choice and/or jumping up and down like a madman/woman.
“It’s their sophomore LP. Recorded with Grammy-winning producer Steve Christensen.
The 10 tracks discuss only two topics: swimming pools and shopping malls. Although
the themes initially appear whimsical or even trivial on the surface, Swimwear Department skilfully sculpts experiences laden with emotional depth and profundity.”
Learn more about the band, via this video.
TUTV: The summer is not over until it’s over. Enter Swimwear Department and their new jump-up-and-down pool party soundtrack. Expect bouncy, brisk, and bold stuff you can hip-and-hop to like a kangaroo on E. Think post-Devo-punk weirdness combined with rap-rant Beastie Boys lunacy translated in 10 instantly infectious tunes (except for coming down closer Memall). If you’re a punk surfer, this is your kind of stimulant to brave the waves.
They spice up all the excitement with schizo 70s-organ glow, non-stop pumping bass turbulence, steadfast drum hits, agitated guitar fragments and an expressive vocalist sneering a bit like The Fall‘s late legend Mark E. Smith used to do for a living. Frequently
all-together-now chants pop up, which you want to be a part of. Sounds like big fun, right? You betcha.
Nashville‘s inflammable garage rockers had some loud fun between 2004-2008,
vanished into oblivion afterward, but last year they couldn’t stop themselves from
coming back and starting to play an endless series of gigs ahead of their brand new
3rd LP, titled Mommy released last week.
TUTV: After 2 albums and 15 years (!) BYOP still have tons of vitality, pizzaz
and sinewy corkers to offer. Battle-axe frontwoman Pearl still has demons to
fight with, and I assure you, you don’t want to be one of them. 11 spunky cry-outs.
Combative, bad-tempered, sharp, raw and LOUD. They truly have a great mommy.
Dyer about the LP: “The aim became to create a collection of songs that paid homage
to our back catalogue and attempted to dissect not only the positive but the negative
elements of nostalgia, primarily the romanticisation of the past – be it the politics of
a country, the controversial legacies of film and musical icons or the sentimental
idealisation of long dead toxic relationships.”
TUTV: To be honest, I needed several spins to get into the new TUY album and in Craig Dyer‘s world. Of course, he’s the only one who knows exactly what happens in
his mind, in his soul and his heart. But as he said he looked back to times gone by.
Great/gratifying moments, bad/sad moments. I guess for so many of us, nostalgia
can be both depressing and heart-warming. Dyer opened the door to his past, that
evokes those mixed emotions.
His sombre vocals, the overall gloomy tone and slow, shadowy pace (except for Another Country that sounds like a splendid tribute to The Velvet Underground of the
music feels like he got lost in a labyrinth of uncomfortable memories most of the time leading to a spellbinding and bone-chilling opus. Melancholic poetry in motion. You can
file Nostalgia’s Glass next to Nick Cave‘s 2016 mourning masterpiece Skeleton Tree.
TUTV: After a series of stormy singles this turbulent Berlin-based released their debut LP this summer. A manic mixture of left/right punk uppercuts, garage glam swagger, and riot grrl dynamics, stoked up by roaring riffs, a frenetic bass/drum tandem and high-pitched vocals, think of Poly Sterene, Kathleen Hanna or Bonnie Bloomgarden. All limbs-activating ingredients you need for a bonkers moshpit.
Manchester‘s psych post-punk misfits THE UNDERGROUND YOUTH,
orchestrated by voice/face/songwriter Craig Dyer released their new
album, named NOSTALGIA’S GLASS via Fuzz Club.
Dyer about the LP: “The aim became to create a collection of songs that paid homage
to our back catalogue and attempted to dissect not only the positive but the negative
elements of nostalgia, primarily the romanticisation of the past – be it the politics of
a country, the controversial legacies of film and musical icons or the sentimental
idealisation of long dead toxic relationships.”
Photo by Lily Creightmore
TUTV: To be honest, I needed several spins to get into the new TUY album and in Craig Dyer‘s world. Of course, he’s the only one who knows exactly what happens in
his mind, in his soul and his heart. But as he said he looked back to times gone by.
Great/gratifying moments, bad/sad moments. I guess for so many of us, nostalgia
can be both depressing and heart-warming. Dyer opened the door to his past, that
evokes those mixed emotions.
His somber vocals, the overall gloomy tone and slow, shadowy pace (except for Another Country that sounds like a splendid tribute to The Velvet Underground of the
music feels like he got lost in a labyrinth of uncomfortable memories most of the time leading to a spellbinding and bone-chilling opus. Melancholic poetry in motion. You can
file Nostalgia’s Glass next to Nick Cave‘s 2016 mourning masterpiece Skeleton Tree.
Singles/clips: I Thought I Understood / In Another Country / Frame Obsesion
Canadian singer-songwriter Jeen launches her 5th album
later this year and Just Shadows is the first taster.
“I wrote “Just Shadows” just thinking how the darker parts of everything can snuff
out some of the best people’s light. It’s about trying to get out from under it so we
don’t just become casualties of our shittiest days.”
Just Shadows is a cast iron, drumming energy-stroke detonating with firm
puissance when the chorus hits your ears and Jeen‘s towering voice spices
all things up with flamboyant flair. The vitalizing impact of this effervescent
summer anthem is heartening.
It features The Cure drummer LOL TOLHURST (64), BUDGIE (65),
former Siouxsie and the Banshees drummer and Siouxsie‘s husband,
and Irish music producerJacknife Lee.
Los Angeles is the title track of their first, forthcoming LP.
It features LCD Soundsytem‘s mastermind/voice James Murphy
and soundwise it’s what you may expect from these musicians.
Los Angeles is a stompin’ and pumpin’ percussion burst
to stomp your feet and pump your fists like mad.
Happy mondays Shaun Ryder, and rapper Kermit (Paul Leveridge) are back.
They fabricated a new, their 4th, LP named Orange Head hitting the streets
in November.
Milk is the lead single. A pounding disco-rock blast
with the 24-party madchester vibe of the 90s.
The British post-punk mavericks announced a few weeks ago that they finished their
2nd longplayer, but first we can go gaga to this new smashing stand-alone single.
The Trench Coat Museum is an 8+ minute dancefloor filler infused with a flabbergasting bass riff, spiced with Smith‘s parlando vocals, schizo guitars and yes, cowbells. I guess that for the second half of this super-duper knockout, Smith left the studio for a cup of tea. Anyway, from there on jumbo techno-like beats take over.
I swear, when this knife-edged tune hit my ears for the first time, I thought
I pushed the wrong button and instead of these young Irish gunslingers I got
post-punk legends The Fall on my headphones.
These young Irish gunslingers’ combination of hyperkinetic drum/bass beats,
fanatic guitar riffage, Mark E Smith sneering and an overall staccato sonority
is irresistibly engrossing.
If you haven’t found your sonic twilight summer companion yet, then this new Coral tune will be the one. The Liverpool gang are experts in writing/creating hum-along, whistle-song, sing-along and dream-along pearls while you can tap your feet to the beat. Imagine sitting in a rockin’ chair on the porch of your farmhouse in a Serge Leone-directed spaghetti western. That’s the vibe.
8. ‘Do You Mind I’m A Little Late For Life?’ by BY FAR (Belgium)
Their debut single Bricks already entertained my music-addicted ears,
and this new one is a stone gold gem too. The fervent passion and the
overwhelming psychedelic resonance are nothing less than astounding.
The song’s bone-chilling progression blows you away, slowly but surely.
This is a diamond of a song. Vampire Empire is another staggering
new gem by a staggering band. Intense, dynamic, jaunty and avid
vocals by Adrianne Lenker. I love Big Thief.
Through To You is a track from the group’s sophomore album,
titled Days Are Mountains. It lands on August 11th.
It all starts with a steady, feet-activating drum beat, soon followed by an explosion
of hectic guitars. And in an eye/ear blink the whole resistlessly sonic process steamrolls over you, again and again, and riffs and grooves and moves it’s way like an electric-charged whirlwind to a sped-up climax. Frontman MacDonald wants to bang his head against a wall. That doesn’t sound like a bad idea in case you need to get rid of some demons, that is.
The energy developed here is off the charts. Meres rock their tails
off on this sinewy punk missile. Chainsaw guitars, forthright drums/bass
spanks and the both sensual and spiced vocals of Mary Shannon.
This hit-and-run uppercut will start lots of moshpits.
Clone is a lush rock ’n’ roll collage collective that fuses the sequined swagger of 70’s glam with the DIY gut punch of early punk and polishes it all off with the audacious vocals of contemporary pop.
Their new single Queen is a big wham T.Rex bang.
The British trashy 70s riffs, groovy hooks and flashy licks are all over the place. It also echoes Bowie‘s smashing 1974 hit Rebel Rebel. And I can’t but think of glam rock icon Suzy Quatro when front Amazon Juniper Watters comes on with her sensual and sultry vocals.
She’s not a clone, she’s for real, she’s the perfect queen for this firecracker. She’s extremely inspired by drag culture and is a huge supporter of the drag community.
Expect a titanic wall-of-shoegaze-layered sound that takes your breath away for almost
4 razzle-dazzle minutes. It feels as if this spectacular piece of a hallucinatory symphony comes out of space with its reverberated and tremoloed guitars, its scintillating synths,
its mystifying melodiousness and its cosmic vocals.
These British gunslingers kick-start your adrenalin production from the first chord on with this peppery pop-punk cryout fed by schizo guitars and distressed vocals. A thrill, although the song is about the wake of a breakup, an anthem of self-loathing, regret, and ultimately, forgiveness. I said it a million times before, heartache can lead to explosive catharsis in music.
Fury is an explosive cocktail of speed metal(lica), synth sketches, post-punk tumult
and dark-Goth-wave vocals. It’s a fuzz and buzz rocket that whirls forth and back. These messed-up times cause mind-madness and paranoia that leads to furious eruptions as pMAD experiences too.
Floatin’ Stone is a robust tune powered-up by a mean hard rockin’ machine.
References? Muscular Australian noisemakers Wolfmother and stoner rock
mavericks Queens Of The Stone Age. Say no more.
This must be the closest The Underground Youth come to sound like The Velvet
Underground. The repetitive jingle jangle pattern, the midnight hour vocals of Dryer, the dreary harmonies and the ongoing melodic catchiness. All ingredients
for a psych gem are in place here.
This slow-progressing musing appeals instantly with its rudimentary PJ Harvey-esque
guitar play and Abdelbarry‘s affectional voice, think Sharon Van Etten.
Birthday Cake‘s has both a romantic and wistful sonority that captivates
and moves. And halfway melancholic synths accentuate the overall ruminate
timbre in a warm way.
Love Town is a heart-warming and reflective musing about falling in love.
A romantic candlelight ballad for mind-relaxing moments. Sweet and sensitive.
Tuplin‘s vocality made me immediately think of The National‘s melancholic crooner Matt Berninger with its affectional resonance. Beautiful. Let’s follow him to Love Town,
wherever that might be.
Craig Dyer (maestro): “The aim became to create a collection of songs that paid homage
to our back catalogue and attempted to dissect not only the positive but the negative elements of nostalgia, primarily the romanticisation of the past – be it the politics of a country, the controversial legacies of film and musical icons or the sentimental idealisation of long dead toxic relationships. ’I Thought I Understood’ was the first track for the album that I wrote following the above mentioned objective to write about nostalgia, in this song’s case an unhealthy obsession with the past”
Following the mesmeric lead single I Thought I Understood comes a second piece
called ANOTHER COUNTRY. Dyer says “the song delves into the ever prevalent retrogression in people’s attitudes towards politics, yearning for what never was, a glorious time in which your country was great.”
This must be the closest The Underground Youth come to sound like The Velvet
Underground. The repetitive jingle jangle pattern, the midnight hour vocals of Dryer, the dreary harmonies and the ongoing melodic catchiness. All ingredients
for a psych gem are in place. Run, run, run.
These feminist girls in a band unleashed their A.W.E.S.O.M.E
6-track EP last week. Buy/stream here.
And opener Boys In A Band is a motherrockin’ standout. A ferocious punk sucker-punch
to crush male machos with. Vocalist/songwriter Phoebe Lunny has 4 lungs and uses them mercilessly and bassist Lilly Macieira-Boşgelmez plays her 4-string louder than war.
2. ‘This Just Ain’t My Year‘ by 32 TENS (Warrington, England)
This vigorous trio of young gunslingers speed full tilt ahead from the get-go.
No brakes, no breaks, no mistakes and creeping under your skin faster than you
can say ripsnorter. A whirlwind of scorching guitars, pounding drumming, a revolving
bass line somewhere in the middle, go-getting vocals, and a dynamite chorus. This is gonna be the year for 32 TENS.
“It’s a liberating, drum-backed anthem that allows the band to
break free from any stress or obligations in pursuit of a good night.”
Good times or bad times, it’s always (in)sane to lose your marbles while diving
into a hot let’s have a ball night, now and then, and go berserk. This manic master
blaster doubles your adrenalin production an make you feel flying eight
miles high while you jump from bar to bar, from club to club.
The Strokes‘ frontman Julian Casablancasand his hobby band are back with this flabbergasting metallic stunner. It goes forth and back, left and right, slow and fast as if Casablancas and his misfits put several snippets of several songs together and puzzled them into one stupendous stroke of a belter.
The UK wasn’t so divided as it is now following Brex-shit, charlatan Boris Johnson
and the ongoing suffocating acts of the Tories. Like so many (young) Brits Drella
hate what they have to endure every single day. And they let it hear loud and clear
on this new stiff-necked wallop.
The Swedish punk clowns are finally back with new stuff.
Their new LP The Death Of Randy Fitzsimmons, their first
in 11 years, lands on 11 August.
The first single Bogus Operandi starts slowly with some drum hits and some distorted guitars. But after 45 seconds the wait is over. From there on it’s full steam ahead with frontman Pele howling as we know for a long time now.
The pumpkins released their three-part rock opera Atum in Three Acts
a couple of weeks ago. A total of 36 songs. I picked the 12 best, deleted
the rest, and guess what? I have a splendid new SM album.
This two-piece alt-rock act – Kristen Goetz (vocals) and Nolan Jodes (guitar/bass/vocals)
took their name from David Bowie‘s 1974 track Diamond Dogs: “…just another future
song, lonely little kitsch.”
Monster is the duo’s 2nd single. A monstrous cannonball going everywhere fast.
A post-punk eruption that resonates like L.A.’s celebrated AmazonsL7 on speed.
A Nick Drake tribute album is coming up. Parish and Harding are part of it.
The duo picked Drake’s 1969 composition THREE HOURS from his Five Leaves
Left LP.
Their take is a Krautrock-like-spinning masterstroke. It moves and grooves along
a hypnotic bass riff and a steady drum beat with doomy synths working their way to
the front. Mesmerizing and intoxicating while duet vocals float all over it, alluring and affecting. Special, really special
Depression Breakfast follows the first cranked-up single Tension and is the title
track from their upcoming 5-track EP which will see a digital and 12″ vinyl release
next June.
The tone is poignant and disturbing in an intriguing way. As we know, artists can do great things in case of a distressed state of mind. Despite the dark lyrical context Depression Breakfast‘s guitars cut like a Swiss knife just as troubled soul Lou Barlow (Sebadoh/Dinosaur Jr.) does with flaming force when he rocks out to expel his demons. Japanese Jesus can work cathartically too for all of us who haven’t a pink view on reality these days. As we know too, sad music can work deliberating.
Spinning Plates is a piece from this British songstress’ upcoming debut album.
Carpenter:“There’s a lot to unpack in this song. From societal pressures on the roles you are meant to fulfill as a woman, alongside the struggle of keeping up a relentless positivity to being a musician – and how impossible it is to ever get the balance between the two. Our anger is justified and our stories worth sharing. ”
It’s 2023 and still a lot of male machos and sexist pigs operate in the music
industry, and not only there. Horrible. Carpenter seems to try and fight these
awful demons with this emotive power-pop stroke gem. Spinning Plates is an
infectious guitar/drum-energized stomper with her room-filling voice standing
out upfront. At one point she slows down, only to restart the magnetic groove.
When I heard this earworm for the first time, I could swear that this pop pearl
is a previously unreleased track from U2’s recording sessions for their 1987 masterpiece LP The Joshua Tree. Stand For Something has that majestic grandeur of the Irish heroes’ idiosyncratic sound with The Edge‘s magical guitar play lifting their hits to epic heights.
No, I’m not kidding. What Infinite Sonic does here is what rhapsodic pop is about. I just looked outside, it’s a beautiful day, and if you still haven’t found the tune you’re looking
for this might be the One.
“A song about not accepting the harsh truths we all need to face sometimes.
Getting lost in some other distraction to ignore the hard task of acceptance.”
Following previous punchy single From The Start these Canadian Londoners nail it again with this new avid crackerjack that turns up the ardency every time when the catching chorus crashes in after the tension is built up in the verses. Firm guitars, a fired-up rhythm section, and fiery vocals. All ingredients you need to make your ears happy.
This Belgian unit was founded in 2017 by singer-songwriter Jacob Vermeire
who needed a way to express his feelings and found it in his music.
Bricks is their debut single.
It’s an emotive introspection wrapped in a glorious melody that strikes your ears
from the kick-off. An arousing gem that resonates like a vibrant Americana song of
veteran songsmith John Mellencamp and the poppy moments of Violent Femmes. Strumming guitars, infectious flow, impassioned vocals and an uplifting chorus.
A top-notch pop thrill that elevates restless minds, by far.
Rango is the band’s debut single. A dashing slice of music. It combines a toe-tapping reggae groove with a bluesy chorus and somewhere along the way, an Eric Clapton-like guitar solo cranking up the vibe. Cool, right? Unquestionable. This is the kind of full of pep tunes that get you through the day while shaking your hips. The singer sings at one point “There’s No Space For Happines“. Don’t worry be happy, you scored a notable debut.
“The Lender‘ is a song about surviving in the city. And these days, as any urban
dweller will attest, there’s much to overcome. Armstrong‘s new song is a deceptively
joyful reflection on the struggles of living in a concrete jungle. Evocative of Springsteen’s chronicling of life on the fringes of society, “The Lender” is a track hiding hope in desperation.”
This is captivating Americana the Canadian way. Great voice, great melody, great musicality, and the vocal resonance and swagger of the late great Tom Petty. Amstrong strums his acoustic guitar the way the Eagles did it endlessly and The Lender‘s bluesy-country feel has both a melancholic and yearning sensitivity. These are tunes that stick instantly, the ones you play for a while.
19. ‘You Don’t Have A Choice’ by EASTER ISLAND (Athens, GA)
“You Don’t Have a Choice’ is an indie rock song that evokes an ethereal and moody atmosphere through its intricate instrumentation and emotive vocals. The introspective nature of the lyrics is matched perfectly with the melancholic and contemplative instrumentation, resulting in a dreamy and haunting soundscape that encapsulates the overall mood of the song.”
This a moony and radiant beauty, an amplified musing with crystal guitar sparks
reminding me of NYC darlings Interpol‘s 6-string galvanism. A gripping heart-and-soul touching reflection with mesmeric vocals for tranquilizing moments. Magic.
On 18th August these cult post-punks, led by Craig Dyer
launch release their new full length, called Nostalgia Class.
This is the first single. Pure UY. A moony meditation embedded in a gripping,
melancholic melody that rings in your yearning ears from the first spin. There’s
a sparkling rotating riff that invades your head and stays there. Magical melancholia
with, of course, frontman Dyer‘s shadowy vocals completing the darksome sonic
picture as we know it.
In order to not miss a beat Turn Up The Volume scans the musical
horizon daily (doing it for years now, actually) to stay in touch with
all new things sonically great and shares the results on a weekly
basis.
Check the 10 new rad tracks
added to this rad 2023 playlist
(total of 195 tracks so far).
Info: “The new album sees Craig and the band trade their acerbic post-punk
melancholy for a more refined and stripped-back sound which enters the world
of romantic, shadowy folk-noir. A marked departure from the primal intensity
often heard on the band’s previous work, The Falling showcases a softer, more
cinematic musical landscape shaped by acoustic guitars, piano, accordion and
a heavy presence of violin and string arrangements.”
Singles: A Sorrowful Race / Vergiss Mich Nicht / For You Are The One
British psych-rockers THE UNDERGROUND YOUTH formed by ringleader Craig Dyer have been around for a while. Between 2006 and today they
produced nine albums with last year’s Montage Images Of Lust & Fear
as one of their most arresting performances.
And the band already has another LP called THE FALLING
canned and hitting the streets on March 12.
Dyer about the song: “I wanted this bouncing, drunken, upbeat track for the record,
something unlike anything I’d written before. The addition of the violin to the album
really enhanced each and every track, but for me this one stands out as the song most
affected by this change in sound.”
The band sounds like an electrical country & western combo playing a ballroom
waltz with a cracking violin-driven swagger. Gloriously surprising, but absolutely
great. I love it and I’m sure you will too.
