Band: BLOC PARTY Who: London post-punk force
from London led by Kele Okereke Active: Since 1999 / 6 studio albums,
with Hymns (2016) as the most recent one
Band: FUCKED UP Who: Experimental noise explores from Toronto making
electrical hardcore waves for 20 years now / 5 studio LPs (so far).
Last May the FUCKED UP Toronto launched another part
of their Chinese Zodiac series calledYEAR OF THE HORSE
containing four acts with contributions from The National’s
Matt Berninger and Julien Baker among others.
Turn Up The Volume wrote back then: “Fucked Up go on
a knock-down-and-drag-out expedition while switching from
loud to quiet and vice versa, from hardcore to prog-rock sketches,
from intimidating to relaxing, from cinematic to symphonic, from
trippy to jazzy. Totally Godspeeded-and-freaked-up.”
And they just shared a 14-minute short
film visualizing the album’s story.
Watch the horse of 2021 wandering through
the fields and the woods on its way to the night…
Who: London-based duo – Daphne Ang (Singapore) and
Andrea Papi (Italy) – that fills a gap in music by bringing
literature, art, and history together into a space where
rock and metal meet electronica.
About a week ago the ever-compelling tandem impressed
(again) with new single New single: THE PROPHET. A tribute
to Sylvia Plath‘s poem, Lady Lazarus, told through the eyes
of an advanced A.I robot who is “resurrected” with a destructive
super-intelligence.
Turn Up The Volume said: “This is a slow-burning torch with
hellish flare-ups of Rammstein‘s Götterdämmerung hysterics
and roaring rock riffage while Samara‘s spoken-word ode to
the legendary American confessional poet/writer Sylvia Plath
hypnotizes and magnetizes.
Meet The Prophet here…
• Music by The Chronicles of Manimal and Samara
• Video by TCOMAS STUDIO
• Music mixed and mastered by Philip Marsden
Band: THE CHRONICLES OF MANIMAL AND SAMARA Who: London-based duo – Daphne Ang (Singapore) and Andrea Papi (Italy) –
that fills a gap in music by bringing literature, art, and history together into
a space where rock and metal meet electronica.
After the release, last February, of their spectacular debut LP Full Spectrum,
the creative tandem launched new piece Count The Deadtwo weeks ago. A
song composed in protest of governments and world leaders, whose negligence
and recklessness have resulted in one of the largest ‘avoidable’ losses of lives in generations.
Turn Up The Volume wrote: A crystal-clear structured protest against greedy
political sharks and megalomaniac charlatans oppressing people for their own
devastating agendas. Again Manimal and Samara show how to fuse poignant
poetry and versatile metal genres. Manimal and Samara are sonic architects.
And here comes the visualization for the cutting indictment.
Artist: DREW FIVE Who: A composer who works for independent movies and
writes for installations and dance. He’s also half of electro
dance-pop duo Feral Five.
Turn Up The Volume said: This electronic starlight instrumental
spiced with glimmering guitar play now and then is an ideal companion
for an odyssey to la-la land where reality looks so much different as
on our stricken planet.
Now here’s the video clip.
Start dreaming with your eyes
open and enjoy the magic of nature…
Puppy teamed up with Violent Vickie, a Los Angeles-based
Dark-Synth-Riot artist, for the album’s jinxed jam Turn It Up Keith. Vickie‘s gloomy vocals fit the doomed groove perfectly. Seems like
the duo invites us for an illegal graveyard rave.
No idea where the horrific video comes from but while we’re at
that graveyard rave the clip should play on a giant screen while
we all losing our senses.
Grunge icons NIRVANA shot the video clip for their global breakthrough blockbuster SMELLS LIKE TEEN SPIRIT at GMT Studios in Culver City, California on 17 August 1991, 30 years ago today. It costed less than $50,000 to make. All the youngsters going wild in the clip were Nirvana fans. The video won Nirvana the Best New Artist and Best Alternative Group awards at the 1992 MTV Video Music Award.
Number of views at the moment of writing this: 1.326.343.410.
What does it sound like? Remember Ozzy Osbourne telling
his mates about movies that scare people and his idea of
making music that scares people. That’s exactly how A Place
To Bury Strangers sounds, even scarier than Black Sabbath if
you ask me.
Macca released his umpteenth solo albumMcCartney III at the end of
2020, followed by a reworked version featuring a cast of famous artists
a couple of months ago.
For Find My Way, the opener of McCartney III: Imagined
he invited his mate and funk junk Beck.
Now there’s a video for the song, directed by Andrew Donoho, and
co-produced with Hyperreal Digital, which create hyper-realistic
digital avatars.