Month: December 2018
JACK WHITE And THE RACONTEURS Return With Two New Songs…
New sonic impulses…
19 December 2018
Jack White and THE RACONTEURS just announced a new LP for 2019. Their third after ‘Broken Boy Soldiers‘ (2006) and ‘Consolers Off The Lonely’ (2008). Ahead of its release the band released a double A-side single. SUNDAY DRIVER is a steady blues rocker while NOW THAT YOU’RE GONE is a sad love song. Hear both tracks here…
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THE RACONTEURS: Facebook
THE CRAMPS Turning PRESLEY’s ‘Heartbreak Hotel’ Into Filthy Garage Cracker…
19 December 2018
Spicy. Filthy. Sexy. Shaky. Nasty. Jangly. Steamy. TOTALLY COOL! Here we go…
THE CRAMPS: Fan Facebook – Discography
ALL STAR ALBUMS TEAM – Turn Up The Volume’s 11 KNOCKOUT LP’s of 2018…
2018 – Another dazzling year for longplayers!
Here’s Turn Up The Volume’s All Star Team
Here are the 11 chosen ones – Let’s roll…
1. ‘Laurent’ by IT IT ANITA (Luik, Belgium)
This is a spellbinding mix of vintage IIAA primal screams and new sound structures that match the band’s clamorous intensity terrifically. An ideal challenge for your speakers…

Listen…
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2. ‘Joy As An Act Of Resistance’ by IDLES
This hammering punk tour de force, dealing with the political vileness that fucks up our planet and other daily shit that causes human pain, is a massive work of turbulent joy.

Listen…
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3. ‘Endless Scroll by BODEGA (New York NY, US)
Rip-roaring jingle jangle firepower with echoes of former British post-punks Au Pairs, early punky Talking Heads and their wide awake mentors Parquet Courts. A hip-shaking score!

Listen…
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4. ‘Songs Of Praise’ by SHAME (South London)
These hungry South London wolves hit you straight in the face with tumultuous knockout punk anthems and wall-breaking eruptions of youthful frustrations. Concrete debut!

Listen…
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5. ‘Expert By Virtue Thereof’ by TUBELIGHT (Belgium)
Like The Fall playing in tune with a singer who can actually sing which results in an electrical melting pot of rousing spit & sneer missiles and some puzzling escapades.

Listen…
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6. ‘Dove’ by BELLY (Boston, US)
A comeback in grand style with fetching guitar pop splendour, captivating stories and most of all a series of supreme tunes causing a heartwarming glow you can wallow yourself in.

Listen…
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7. ‘Insecure Men’ by INSECURE MEN (UK)
Fat White Family‘s Saul Adamczewski and Childhood‘s Ben Romans-Hopcraft surrounded themselves with a whole orchestra for this wondrous, sepia-colored retro pop beauty.

Listen…
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8. ‘Black City’ by RICH GIRLS (New York, NY, US)
This is a comforting companion for moony moments. Once you’ve heard singer/songwriter Luisa Black‘s voice you’ll never forget her vulnerable and passionate timbre. Spine-tingling.

Listen…
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‘9. MIEN‘ by MIEN (US/UK/Canada)
Like-minded spirits of different psych bands finding each other in a colorful adventure.
A rad record full of mind-stimulating explorations and richly orchestrated odysseys.

Listen…
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10. ‘Megamix’ by RUMOURS (Belgium)
A magnificent and magnetizing longplayer of transcendent soundscapes ranging from grand symphonies to mighty bass-loaded-synths drones with a chilling vox in the middle.

Listen…
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11. ‘Egypt Station’ by PAUL MCCARTNEY (Liverpool, UK)
And when the noise is over Macca comes in and tells you about his life on his best LP (as
if I know all of them!) in ages, full of melancholic and melodic pop humdingers. Lovely!

Listen…
British Psych Outfit DOROTHY VALLENS Calls It A Day With One More Chilling Album…
Daily fuel to load your sonic batteries…
British DIY psych outfit DOROTHY VALLENS, the vehicle of singer/songwriter Joe Rosam
calls it a day after releasing several sound-exploring albums since 2014. They produced some pretty amazing stuff, but I guess musicians know when it’s time to move. I’m not gonna write a sort of in memoriam, because I’m terrible at it, and also, I didn’t know DV that well. Just this one thing: their final effort, called IN THE OH SO DREARY EVER-LONG, containing some notable new tracks and a couple of older ones (including the extravagant 25-minute odyssey called The Existentialist’s Persian Rug Mantra), sounds like a fitting tribute to their own true soul. Good luck, guys!
Here’s the chilling farewell…
DOROTHY VALLENS: Facebook
Lyrcis Of The Day – By SPARKS…
Here’s that pretty cynical/funny Xmas Sparks song in full…
What do I hear, what do I hear?
Chit-chat, and clinking glass
Cheap talk, a lady’s laugh
After hour
What do I see, what do I see?
Some sunken hideaway
Where people go to play
After hour
There I’ll spend the night
Meeting fancy thins
At bistros and old haunts
Trying very hard to sin
Then it is day end in a way
The pattern’s much the same
In-spots, a matinee
Every day
Blend with the crowd, blend with the loud
Hypnotic ebb and flow
Until the day goes slowly
Into night
See the same old crowd
At bistros and old haunts
‘Til the lights grow dim,
The not-so-subtle hint to be gone
Chorus:
Thank God it’s not Christmas
When there is only you
And nothing else to do
Thank God it’s not Christmas
Where there’s just you to do
The rest is closed to public view
Caroling kids, caroling kids
A trifle premature, in tones so rich and pure and crystaline
Call for the day, the popular day
It’s fast approaching now
But will the mood allow
One dissent
If this were the Seine
We’d be very suave
But it’s just the rain
Washing down the boulevard
(Chorus)
Popular days, the popular ways
Are for the chosen few
Not meant for me and you
Obviously
Popular nights, poplar rites
Great things to say and do
Aren’t said or done by you
Obviously
If this were Seine
We’d be very suave
But it’s just the rain
Washing down the boulevard
(cover of their Drip Drip album)
10 Questions For Belgian Vociferous DIY Tornado… PINK ROOM
Discover up and coming bands in 10 questions…
17 December 2018
The most schizophrenic band you heard all year, I hear you ask. Must be Belgian three-headed bolide called PINK ROOM, because every time you hear or see this crushing trio you think that the singer’s head will explode with a big bang. His voice’s range is beyond human normality. Add his bouncing bass, and two other ear-crashing noisemakers, one torturing his guitar and one smashing his drums and what you get is something you can electrocute your brains with. Something very LOUD ranging between Future Of The Left‘s blazing insanity and Nirvana‘s tortured soul. They’re totally into punk’s 70s credo doing-it-yourself-is-better and are planning to mess up 2019 with some new sonic shit and tons-of-decibels gigs. You wanna know more? Read on, after this loud and clear introduction…
Hello Bart (Vocals/Bass), Jelle (Drums) and Glenn (Guitar)
Let’s roll…
1. What sparked all of you, guys, to start a band?
Bart: “I published an advertisement with like a 100 band names in July 2016.
The first two persons who reacted where Glenn and Jonas. They stayed. Well,
actually, Jonas left for a trip around the world a year and a half later, but that’s
just something that drummers do.”
Glenn: “I was looking for a band, just started living in Ghent. Had no other options.”
Jelle: “Their previous drummer left to make a world trip. Now I’m their drummer.”
2. What’s the story behind the group’s name?
Bart: “I was listening a lot to the cover album of the Twin Peaks soundtrack by Xiu Xiu.
We were looking for a band name and Pink Room is the soundtrack for the Red Room in Twin Peaks. Also: Pink Moon is the best album by Nick Drake. Also: you can interpret it as
a pseudonym for vagina.”
Twin Peaks’ red room had a pink soundtrack…
3. Bart, is the clamorous intensity of your voice entirely natural, or do
you use some sort of chemicals to make it sound like a war siren?
Bart: “Camel Blue cigarettes + cheap beer.”

Pink Room’s smoking secret revealed…
4. ‘LOVE’, one of two singles you released this year sounds actually like a total nervous breakdown. Is this PINK ROOM’s way of writing a love song?
Glenn: “I think it’s Bart’s interpretation of love: work sucks, but the girl makes it better?
I don’t really know.”
Bart: “I met this girl last year and she fucked pretty much my whole life up. For the better.”
Jelle: “I didn’t write the song.”
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5. When punk started in the mid-70s it was all about DIY, including organizing your own gigs. That is what PINK ROOM lately did: staging their own gigs. How and why?
Bart: “We just started playing and had some offers, but not that much. I noticed a lot of great bands didn’t get enough gigs so we started to organize them ourselves. I believe highly in the ‘support your local scene’ idea. We’re already working on some shows with even more bands for 2019.”
Glenn: “It was a pure necessity. We wanted to keep going forward. And most of all, we wanted to play some shows with our friends. It’s very comfortable to see how Bart is a genius in social networking; after a week or two of going to gigs of local bands he usually scores some gigs for ourselves.”
6. Which movie would you pick to visualize your
music on a big screen while playing a gig?
Jelle: “Fargo.”
Glenn: “Jaws or C’est arrivé près de chez vous.”
Bart: “Evil Dead 2. Or just a loop of the scene in
Ace Ventura where he gets out of the rhino’s ass.”

Think twice before going to a Pink Room gig, folks…
7. Number one band/artist on PINK ROOM’ list to go on tour with?
Bart: “Future Of The Left or Mclusky: huge influence and they look like
they would be fun to hang around with.”
Jelle: “Ty Segall or Fuzz!.”
Glenn: “Metz, Acid Mothers Temple, Fatso Jetson or Girl Band.”

It’s quite clear why Pink Room wants to tour with Welsh noiseniks Future Of The Left …
8. If you could go back into the past on whose famous door
would you knock and ask to have a selfie together?
Glenn: “Cleopatra VII”
Bart: “I would like to hang out with Frank Black before he formed Pixies. Just to see what kinda guy he was. Wouldn’t ask for a selfie though, but I would show him a picture of himself in 2018. Love to see that reaction.”
Jelle: “John Bonham, just to brag about meeting him. Wouldn’t even talk about drumming.”
9. 2018 is almost over. Which LP and track will top your end-of-the-year lists?
Bart: “Killing Time by the GØGGS. Great album opener, great album. There’s also this
great Mama Mia cover by this guy on YouTube standing in a river in Japan. I also like the song ‘You’ by Muscle Barbie. The EP ‘Really Nice Guys’ by Ron Gallo is really nice! Oh, and ‘Coolness of a fool’ by Bront. Great fucking guy!”
Jelle: “The Now Now by Gorillaz. I was in dire need of some Damon Albarn vocals since Humanz, big disappointment. Closer to home, the album by Dirk., pop songs disguised
as no-nonsense rock.”
Glenn: “The Other by King Tuff.”
Big in Japan…
10. Plans and wishes for 2019?
Bart: “More touring! We will release our new album ‘Zum Kotzen’ on 22nd of March with a show in Ghent, so we’re putting a lot energy and time in video clips and vinyl and planning the tour and stuff! And hopefully at the end of the year a new album. Anyway, I wish that everybody reading this has a nice time. Don’t go out if you don’t want to, don’t stay in if you don’t want to, be where you wanna be! I don’t know, just do your thing.”
Thanks for the chat. May the road rise with Pink Room!
Let’s end this Q &A with some merry Xmas carols
that will scare the shit out of all drunk Santa’s…
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PINK ROOM: Facebook
(concert pics Pink Room by TUTV! / live clip by Wouter De Sutter)
British Duo BAT-BIKE Shares Downhearted ‘CHRISTMAS’ Song…
Daily fuel to load your sonic batteries…
17 December 2018
I don’t know what inspired Scottish/English outsiders duo BAT-BIKE to write a CHRISTMAS song but its story (biographical or not) certainly isn’t the traditional fake fairy tale about love, peace and jingle bells. Whatever motivated the band, after hearing their miserable, but incredibly gripping festive meditation I only could see sad images of lonely people, of rejected people, homeless people, poor people, just all sort of broken souls without any future whatsoever. Just like that, after the track’s first words and weeping guitar lines, reality kicks you in the face and it’s not an encouraging one as we all know so very well, except for the greedy elite who actually benefits from the troubled world we live in and doesn’t give a flying fuck about all the human beings who suffer. Yes, maybe this one is
for all the broken souls out there…
BAT-BIKE: Facebook
Picture This…
THE JIMI HENDRIX EXPERIENCE – Debut Single ‘HEY JOE’ Released 52 Years Ago Today…
16 December 2018
On 16 December 1966 – 52 two years ago – immortal guitar wizard JIMI HENDRIX,
bassist NOEL REDDING and drummer MITCH MITCHELL released their debut single
‘HEY JOE‘ in the UK. It was actually a cover of an American rock standard from the early 1960s, registered for copyright in the United States in 1962 by a certain Billy Roberts and covered afterward by countless artists, with the Jimi Hendrix Experience‘s version as the most famous one. Click here for a charged live version…
JIMI HENDRIX: Facebook – Discography

















