TURN UP THE VOLUME’s 30 BEST TRACKS OF 2022

ALL TOGETHER on Spotify…

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TRACK BY TRACK

1. ‘Twitchin’ in The Kitchen’ by WARMDUSCHER (London)

This punky-funky disco corker is the perfect pick-me-up tune for all the wacky
weirdos who are always in the kitchen at parties waiting for free drinks and waiting
for Warmduscher to come in and kick their lazy asses. Big stroke, big chorus, big fun!

From the gang’s rad 4th LP At The Hotspot.

Twitch as much as you want.

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2. ‘I Saw’ by YOUNG FATHERS (Scotland)

The Scottish dance-funk-punk trio YOUNG FATHERS launch
their 5th LP called HEAVY HEAVY on 3 February.

Ahead of hit came this ridiculously sticky stunner I SAW.
A master blaster that makes your blood stream faster
through your veins. The addition of a choir in the back
works on the spot.

Touchdown!

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3. ‘Slowly Separate by CROWS (London)

This London post-punk team unleashed their 2nd scorching album
Beware Believers, last April. One of TUTV’s best full-lengths of 2022.

Slowly Separate is a schizo sonic serpent generating a mind-blowing backwash
while chainsaw guitars turn up the decibels to an illegal peak, and vox-in-the-middle
James Fox rages and blazes through his teeth.

Fucktastic!

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4. I’ll Make You See God’ by THE AFGHAN WHIGS

The by now legendary passion rockers from Cincinnati, Ohio with mastermind Greg Dulli leading the troops. Their new 10th LP How Do You Burn? was voted Best Album Of 2022 on Turn Up The Volume.

I’ll Make You See God was the lead single. A sturdy steamroller, a red-hot-heated juggernaut, an unstoppable cannonball going everywhere fast. Manic blitzkrieg
guitars, ruthless drum/bass attacks, Greg Dulli‘s rush of blood vocality, and a brutal
finish. Flabbergasting.

Dulli: “That’s one of the hardest rock songs we’ve ever done.
It was written and performed on sheer adrenalin.”

Hear God here.

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5. ‘I Am Kate Moss’ by DITZ (Brighton, UK)

This frenetic Brit force hit big time with their dazzling
debut album The Great Regression last March.

Single I Am Kate Moss is a cast-iron brainbreaker. It’s a poignant, biting, and
anxious uppercut. I’m pretty sure Moss would love this hit-and-run drone when
it would hit her ears. She is, after all, the Femme Punk Fatale of fashion.

I cut a striking figure
And it cuts me back

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6. ‘The Prophet by THE CHRONICLES OF MANIMAL AND SAMARA (London)

The Prophet progresses like a vicious viper sliding to its prey until a horrific explosion strikes you in the face. Next is a titanic bass riff that keeps the roller coaster turning with scary speed. This flabbergasting monster is part of their 2nd notable longplayer Trust No Leaders.

Helter Skelter!

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7. ‘Frankenstein’ by TRAMP (Northern Ireland)

About: “As a story or metaphor, we are all ‘Frankenstein’s monster’ – made up of
other people’s opinions and parts that don’t belong to us. That we were born
perfect but people, in their own conditioning, come along and can make us feel
undesirable/inadequate/the monster. But we can choose to be real instead.”

This is without a shadow the best debut single of 2022.

A towering tune going low, high and back. A sickly sticky pop gem wrapped in
a big-boisterous wall-of-sound. And up front, Sianna Lafferty‘s phenomenal voice
causes goosebumps when she reaches for the sky on the chorus. The ardency of
Porridge Radio comes to mind.

“I am not what you want me to be
Uncle Sam won’t even point at me
Even the eyes of the Virgin Mary wall
hanging won’t even stare at me.”

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8. ‘Kill Me Again’ by THE WAEVE (UK)

British duo THE WAEVEGraham Coxon (Blur) and songstress
Rose Elinor Dougall – uncage their first collaborative, self-titled
album on 3 February. Pre-order info here.

Kill Me Again, one of three pieces shared so far, is an infectious groove
propelled by a pounding synth/bass riff, spiced with Coxon on saxophone
and mesmerizing (duet) vocals. Splendid stuff. Bring on the LP.

Play the killer here.

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9. ‘Chaise Lounge’ by WET LEG

This power pop sensation impressed big time with their self-titled debut album. The outstanding dingle Chaise Longue – catchy, funny and witty caused choirs of thousands of sing-along people at festivals this past summer as I experienced myself, not at Glastonbury (below), but in Belgium at Hear!Hear! fest.

Fabulous!

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10. ‘Live To Love’ by ILA

After releasing her sterling debut LP last year, songstress Ilayda Cicek and her band
came back this year for a series of riveting concerts (I saw 5 of them) and this sublime single. Her passion, her vivaciousness and vocal fervency push this electrifying pearl
way up to the stars.

Top emo-stroke.

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10. ‘Power’ by WHERE WE SLEEP (London, UK)

Where We Sleep is the alter ego of Beth Rettig,
former front force of electro-rock band Blindness

On this boiling groover Rethig rants non-stop with anger and frustration.
A nasty bass riff is the backbone here, while layers of menacing guitar
electricity augment this ripper’s rowdy roll.

A crystal clear statement, a menacing projectile.

They Don’t Want The Truth / They Just Want The Power

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11.’Backwash’ by GILLA BAND (Gilla band)

The raw Irish post-punk bulldozer bombarded our ears
last October with their third LP, titled Most Normal.

One of the singles was this straightforward stonker.

YEAH!.

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12. ‘Nothing Good Comes Easy’ by DEAD LEVEE (Canada)

What a wowzer! This uplifting motherrocker boosts your state of mind with
fired-up dynamism from the get-go. Rapid-fire rawk and roll riffs switch on
a fervent feel of euphoria. It did it in the past, it does it in the present and
it will do it in the future.

Despite all the BS we have to endure (pandemic, Ukraine, natural disasters,
and other threats) it’s never too late to get back on track and why not start
with 4 and a half minutes of heart-warming guitar-fueled boogie-woogie
that triggers hope and assurance.

Let’s roll.

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13. ‘Frenzy’ by IGGY POP (Detroit)

Stoogefather IGGY POP still wants to be your dog.
He has his new – 19th – LP, named Every Loser
lands out next week, on 6 January.

Lead-single was the perfect harbinger. A motherfucker of a punk bomb
featuring an all-star band including Watt, Guns N’ Roses‘ Duff McKagan
and Red Hot Chili Peppers‘ Chad Smith.

I’m in a frenzy
Fucking prick
I’m in a frenzy
Goddamn dick

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14. ‘Something Good’ by CASUAL DRAG (Scotland)

It’s been two years since these Scottish hound dogs made
my speakers tremble with their furious Johnny single.

But on their steamy comeback stomper they still have the same barnstorming
groove and move drive. Something Good is a nasty rip-roaring-riff jackhammer,
annex agitated vocals, rotating in your head in an ear-blink. Think NYC’s darlings
Interpol playing The Fall. Something good? Way better, something ace!

Play it loud.


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15. ‘Welcome To Hell’ by BLACK MIDI (London)

Geordie Greep (vocalist, guitar): “Almost everything I write is from a true thing, something
I experienced and exaggerated and wrote down. I don’t believe in Hell, but all that old world folly is great for songs, I’ve always loved movies and anything else with a depiction of Hell.”

A screwy zig-zagging haymaker it is.
From their head-spinning 3rd LP
Hellfire.

Burn here…

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16. ‘Dumb’ by BURN THE LOUVRE (Canada)

The musical project of singer/songwriter Jordan Speare
assisted by guitarist/bassist and friend Andrew Billone

They just have their debut album, titled Silhouettes out after
releasing its 11 songs the past 12 months, one per month. Dumb
is my absolute favorite.

An instant earworm. Pop perfection. I lost track of the number
of times I had this gem on my headphones. Say no more.

Press play.

.

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17. ‘Mañana’ by JAMES DOMESTIC (Essex/Suffolk, UK)

“A paean to taking your foot off the gas and letting things slide, or a warning of the perils of procrastination, perhaps? It’s hard to tell whether ‘Mañana’ is meant to serve as a confessional regarding Domestic’s own perceived lack of willpower, or a celebration of idleness. It could be either of these things; and that’s one of its many joys.”.

A sirens intro, David Bowie‘s saxophone, and steel drums straight from Trinidad. Sounds like an exotic swing and shake ditty is coming up. No folks, it’s a lazy rap-sody you can play the morning after a booze marathon to get up and sober up, slowly.

Soul voice Clare Gillet takes care of the chirpy chorus.

Subscribe!

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18. ‘The Hurt Within’ by HOLY COVES (Wales)

These Welshmen released their new excellent album Druids and Bards
displaying mastermind Scott Marsden high-quality songwriting.

This impassioned hard-luck story is my fav cut. It grows slowly but surely into a soul-stirring and mesmerising heartbreaker with an epic finale. Glowing guitars, a steady drumbeat, and mixed-emotions vocals all come together for a poignant performance.
‘Love Is Cruel / The Hurt Within’
. You can feel it.

Enjoy.

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19. The Speed’ by ULTRA SUNN (Brussels)

This wholly charismatic and fast up-and-coming darkwave duo mixes Gothic Depeche Mode beats, with sonic Human League echoes, bass-synth-riffs à la German legends D.A.F. and spice it all up with spooky vocals. And it looks like 2023 will even be bigger than 2022.

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20. ‘Leader’ by MEMES (Scotland)

After their eponymous bonkers debut EP (2020) followed by some staggering singles,
the high-decibels tandem nail it with another sucker punch. Leader is a funk-punk riff ripsnorter that kicks forth and back before a freakish guitar outbreak slashes and
trashes its way to the end.

Watch out for the pigman,
he looks like a meme in disguise.

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21. ‘Demolition Row’ by METZ (Toronto, CA)

“It’s a warning, an unflinching assessment of the vastness and insignificance of this
life, is precisely counterbalanced by their lesson, which models the resilience that this understanding demands. ‘Demolition Row’ is persistent, concise, and alarmingly physical.”

This blustery belter is vintage Metz. Full blast ahead. The track
featured on a split 7” with London-based group Adult Life.

From Dylan’s Desolation Row
to Metz’s Demolition Row


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22. ‘Digging’ by NOTHINGHEADS (London)

Once I learned that this startling belter is about the horrible exploitation of human
beings by ferocious money sharks this jagged jackhammer blew my mind even harder than I heard it the first time before knowing about the band’s inspiration for this slam.

Expect rabid guitars, doom-and-gloom vocals, and frantic
twists and turns until the chaotic finale. Post-punk at
its razorblade best.

Dynamite.


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23. ‘Chemical Emotion’ by JEEN (Canada)

Jeen: “It’s about letting yourself drift in the flow of everything and hanging on as hard as you can to what makes the shitty parts more tolerable…I was thinking of that Hunter S. Thompson quote, “buy the ticket, take the ride.” It was written in April 2021, which was a rough part of last year for me. I needed to write something that reminded me to tread lightly, to forget about the heaviness of everything.

After only one spin, my ears told me that Chemical Emotion is an bewitching pop doozy. Jeen‘s emotive voice bewitches right away, the mid-tempo cadence emphasizes the meditative reflection perfectly, the compelling chorus brings Alanis Morissette to mind, and overall the orchestral sonority and the layered harmonies lead to a thrilling triumph.

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24. ‘Edie’ by STEPH SWEET (UK)

This is the spellbinding title track of this enigmatic songstress’ newest album

The dark garage guitar swagger of this nightmarish cracker is irresistibly
magnetic. Think trash-and-slash duo Royal Trux. Both eerie and haunted.

Top!

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25. ‘We Are Ukraian’ by OSCAR MIC (London)

Oscar Mic wrote this song after witnessing the horrific violence of
psycho Putin’s illegal invasion of Ukraine on the news. All proceeds of
the song weent to Save The Children’s Ukraine Appeal.

We Are Ukrainian is a vivid hp-rap-pop anthem featuring steel drums
and timpani balancing somewhere between Roots Manuva and Mr. Scruff.

“Fleeing people running scared, so tell me Where’s the justice? Our leaders say they care,
tell me can you trust this? Urban warfare, your home’s done and dusted, Aiming at the
public, they wouldn’t? They just did,”

Fuck Putin.


.

26. ‘Zick Zack’ by RAMMSTEIN
27. ‘Forever In Sunset’ by EZRA FURMAN (Chicago)
28. ‘Troglodyte’ by Viagra Boys (Sweden)
29. ’15 Again’ by SUEDE (UK)
30. 30. ‘The Dripping Tap’ by KING GIZZARD AND THE LIZARD WIZARD

TURN UP THE VOLUME’s 25 Best Tracks Of 2022… So Far

Time flies. Oh yes, we already have six months of 2022 behind us.

Mad summer parties are just around the corner. And here’s the perfect
loud/quiet soundtrack… Turn Up The Volume’s 25 best tracks of 2022,
so far!

ALL TOGETHER on Spotify…

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TRACK BY TRACK
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1. I’ll Make You See God’ by THE AFGHAN WHIGS

The by now legendary passion rockers from Cincinnati, Ohio with mastermind Greg Dulli leading the troops have their new longplayer How Do You Burn? out on 9 September.

This lead single is a sturdy steamroller, a red-hot-heated ripsnorter, an unstoppable cannonball going everywhere fast. Manic blitzkrieg guitars, ruthless drum/bass attacks, Greg Dulli‘s rush of blood vocality, and a brutal finish. Flabbergasting.

Dulli: “That’s one of the hardest rock songs we’ve ever done.
It was written and performed on sheer adrenalin.”

See God here…

_________________________________________________________________________________________________

2. ‘Slowly Separate by CROWS (London)

This London post-punk team unleashed their 2nd scorching album
Beware Believers, last April. One of TUTV’s best full-lengths of 2022 (so far).

Single Slowly Separate is a schizo sonic serpent generating a mind-blowing backwash
while chainsaw guitars turn up the decibels to an illegal peak, and man-in-the-middle James Fox rages and blazes through his teeth.

Fucktastic!

_________________________________________________________________________________________________

3. ‘I Am Kate Moss’ by DITZ (Brighton, UK)

This frenetic Brit force hit big time with their dazzling debut album
The Great Regression last March (more about it in a couple of days).

Let’s focus now on one of its cast-iron brainbreakers. It’s a poignant, biting, and
anxious uppercut. I’m pretty sure Moss would love this hit-and-run drone when
it would hit her ears. She is, after all, the Femme Punk Fatale of fashion.

Turn up the heat…

_________________________________________________________________________________________________

4. ‘Twitchin’ in The Kitchen’ by WARMDUSCHER (London)

This punky-funky disco corker is the perfect pick-me-up tune for all the wacky weirdos who are always in the kitchen at parties waiting for free drinks and waiting for Warmduscher to come in and kick their lazy asses. Big stroke, big chorus, big fun!

From the gang’s thrilling 4th LP At The Hotspot.

Twitch as much as you want here…

_________________________________________________________________________________________________

5. ‘Demolition Row’ by METZ (Toronto, CA)

“It’s a warning, an unflinching assessment of the vastness and insignificance of this
life, is precisely counterbalanced by their lesson, which models the resilience that this understanding demands. ‘Demolition Row’ is persistent, concise, and alarmingly physical.”

This blustery belter is vintage Metz. Full blast ahead, no brakes, no breaks.
The track featured on a split 7” with London-based group Adult Life.

From Dylan’s Desolation Row
to Metz’s Demolition Row


.
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6. ‘Frankenstein’ by TRAMP (Northern Ireland)

“As a story or metaphor, we are all ‘Frankenstein’s monster’ – made up of other people’s opinions and parts that don’t belong to us. That we were born perfect but people, in their
own conditioning, come along and can make us feel undesirable/inadequate/the monster.
But we can choose to be real instead.”

This is without a shadow of a doubt the best debut single I heard so far this year.

A towering tune going low, high and back. A sickly sticky pop gem wrapped in
a big-boisterous-wall-of-sound. And upfront, Sianna Lafferty ‘s phenomenal voice
causes goosebumps when she goes sky-high on the chorus. The ardency of
Porridge Radio comes to mind.

One word: AWESOME.

“I am not what you want me to be
Uncle Sam won’t even point at me
Even the eyes of the Virgin Mary wall
hanging won’t even stare at me.”

_________________________________________________________________________________________________

7. ‘Shaman’ by THE CHRONICLES OF MANIMAL AND SAMARA (London)

Shaman progresses like a vicious viper sliding to its prey. Determined, but always
wary of sudden danger. It dumbfounds and flummoxes while the song’s tension
intensifies and sends shivers down your spine.

No metallic explosions or abrupt pace changes this time, although it feels like a thunderstorm can happen as the mesmeric music swells along its ominous path
towards a demonic climax. Another appealing piece de resistance, another
psychedelic exploit another step closer to the new album.

From their brand new LP Trust No Leaders, out today.

Face your nature
Face your fears
Face your demons
Wake the dead

Roll the tape and get impressed…

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8. ‘Mañana’ by JAMES DOMESTIC (Essex/Suffolk, UK)

“A paean to taking your foot off the gas and letting things slide, or a warning of the perils of procrastination, perhaps? It’s hard to tell whether ‘Mañana’ is meant to serve as a confessional regarding Domestic’s own perceived lack of willpower, or a celebration of idleness. It could be either of these things; and that’s one of its many joys.”.

A sirens intro, David Bowie‘s saxophone, and steel drums straight from Trinidad. Sounds like an exotic swing and shake ditty is coming up. No folks, it’s a lazy rap-sody you can play the morning after a booze marathon to get up and sober up, slowly.

Soul voice Clare Gillet takes care of the chirpy chorus.

Press play here…

_________________________________________________________________________________________________

9. ‘Digging’ by NOTHINGHEADS (London)

“Propelled by a motorik rhythm and abrasive guitars, it stomps toward a doom-laden finale. Inspired by Sebastião Salgado’s (note TUTV: Brasilian photographer) anarchic photos of the Gold Mines of Serra Peladain the Amazon in 1985: the track explores the relentless obsession with grasping a glint of glory from the mud. “

Once I learned that this startling belter is about the horrible exploitation of human
beings by ferocious money sharks this jagged jackhammer blew my mind even harder than I heard it the first time before knowing about the band’s inspiration for this stunner.

Expect rabid guitars, doom and gloom vocals, and frantic
twists and turns until the chaotic finale. Post-punk at
its razorblade best.

Dynamite


.
_________________________________________________________________________________________________

10. ‘Welcome To Hell’ by BLACK MIDI (London)

Geordie Greep (vocalist, guitar): “Almost everything I write is from a true thing, something
I experienced and exaggerated and wrote down. I don’t believe in Hell, but all that old world folly is great for songs, I’ve always loved movies and anything else with a depiction of Hell.”

A screwy zig-zagging haymaker it is. From upcoming, 3rd, LP Hellfire.

Burn here…

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11. ‘Cream’ by BOTCHED TOE (UK)

My fav track from one of my fav albums of the year (so far), baptized
A False Glimmer Of Hope with loudmouth James Domestic (yep, the
guy from above) going bonkers.

This red-hot-blistering hardcore missile punks up your adrenalin and
invites you to open all windows and doors and yell your tits off.

(S)cream here…


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12. ‘Zick Zack’ by RAMMSTEIN (Germany)

The bombastic German metal machine have
a new, their 8th, longplayer out, called Zeit.

Their same old recipe still works.

My fav sledgehammer on the LP is Zick Zack.

Ridiscouly infectious
Great Scheiße shit!

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13. ‘Edie’ by STEPH SWEET (UK)

This is the spellbinding title track of this enigmatic songstress’ new album.

The dark garage guitar swagger of this nightmarish cracker is irresistibly
magnetic. Think trash-and-slash duo Royal Trux. Both eerie and haunted.

.
_________________________________________________________________________________________________

14. ‘Eris’ by VIOLET NOX (Boston, MA)

My favored sonic sci-fi symphony from the duo’s excellent Eris Wakes EP.
Trippy, spooky, trancy. With repetitive mind-twisting Krautrock eurhythmics
that take you on an otherwordly voyage. Top-flight!

Launch your spaceship here…


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15. ‘TV Or Not TV’ by JODIE LANGFORD (UK)

After the piano intro (sounds like the theme tune of classic horror-thriller Halloween) this young outspoken artist fumes with barbed wire temper towards the supersonic chorus that resonates like hardcore rap.

This rushing rollercoaster swings forth and back with grim impetus until the gloomy
synth climax makes way for that ominous piano fragment again. TV or not TV, that’s
the question? The answer is easy. To hell with the relentless idiocy of reality TV stars and influencers constantly putting pressure on growing minds to behave in ways unattainable to most.

Find the answer here…

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16. ‘We Are Ukraian’ by OSCAR MIC (London)

Oscar Mic wrote this song after witnessing the horrific violence of
psycho Putin’s illegal invasion of Ukraine on the news. All proceeds of
the song go to Save The Children’s Ukraine Appeal.

We Are Ukrainian is a tremendously catchy hip-rap-pop jam featuring steel drums
and timpani balancing somewhere between Roots Manuva and Mr. Scruff.

“Fleeing people running scared, so tell me Where’s the justice? Our leaders say they care,
tell me can you trust this? Urban warfare, your home’s done and dusted, Aiming at the
public, they wouldn’t? They just did,”

Fuck Putin


.
_________________________________________________________________________________________________

17. ‘White Skin’ by THE BANKROBBER (Italy)

The titillating electro- intro echoes early Depeche Mode before they became the darkwave Goth-esque rockers we all know. But in an eye-blink White Skin turns into a swirling synth-pop stomper to fill dancefloors with. It’s an instantly infectious nightclub earworm with an ecstatic chorus.

From the siblings’ forthcoming, second, album.

Start the tape and make your move…

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18. ‘Worthless Souls’ by MELTED WINGS (Toronto, CA)

“A track that calls out how sexism and power corrupt all levels of society.
We all need to recognize this going forward and make sure that it doesn’t
go unchecked.”

The sickly sticky synth beat comes across like an invitation for my feet to kick the butts of vicious sexists and power-horny billionaires ruining people’s lives. Middle finger to them while spinning around mad as a hatter to this bang-on electro buzz. Trust me, you’ll feel much better afterward

From their new Cheer For The Deer album.

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19. ‘Hello Dreamer Baby’ by THE ROYAL FOUNDRY (Canada)

This is what ecstatic pop grandeur is all about. Music that elevates
your state of mind to a titillating level. This pearl generates a feel-good
entrancing buzz.

When the multi-layered vocals/harmonies pop up in a gospel-like choir delight
creates an atmosphere of utter joy comparable with the euphoric drive of
The Polyphonic Spree. Vitalizing vibe, refreshing rapture.

Listen/watch

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20. ‘Life And Lies’ by LEE ROGERS (Northern Ireland)

A mixed-emotions lullaby with Rogers‘ sky-reaching voice as the star. It’s an emotional
and bluesy reflection. Wurlitzer jukeboxes should be reinvented for these heartbreakers so moody minds can cry their eyes out (or cry in their beer) at night in a downtown bar where lonely ones gather and muse about life and lies.

This one is for all barflies out there…

From his new heart and soul album Gameblood.

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21. ‘Chaise Lounge’ by WET LEG
22. ‘Up The Mountain’ by REGINA SPEKTOR
23. ‘All The Good Times'</a> by ANGEL OLSEN
24. ‘Come Back’ by SHARON VAN ETTEN
25. ‘The Dripping Tap’ by KING GIZZARD & THE LIZARD WIZARD

Turn Up The Volume’s 5 Best EPs Of 2022 (So Far)

More than a single, less than an album

Turn Up The Volume‘s ears say that these
are the 5 best EPs of 2022… so far.

Band: NOTHINGHEADS
Who: Hit team formed through a shared love for London’s DIY music scene.
Their songs draw no boundaries – no subject is too confusing, no sound too
eclectic. The band write collaboratively, harnessing the noise and energy
that comes from playing together.

EP: DIGGING

Turn Up The Volume said: Three riff-mental haymakers. Three vitriolic sucker-punches. Three intimidatory knockouts. The Nothingheads‘ frontman sounds like his own meanest demon, threatening and ready to kick badasses. This EP was made to scare all the human-destroying rulers of our paranoid world. If we go to the dogs don’t forget to take this EP with you. It’ll help to channel your frustrations while Armageddon is grinning around the corner.

Stream/buy/dig the whole 5-track EP here…


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NOTHINGHEADS: Facebook – Spotify

Act: VIOLET NOX
Who: Experimental electro duo, Dez DeCarlo and Andrew Abrahamson,
from Boston who collaborate frequently with other artists.

EP: ERIS WAKES

Turn Up The Volume said: Violet Nox compose their spaced-out symphonies in an
electronic universe of their own where ambient music dominates in all its different reverberations. Soothing and meditative (opener Spaceport 5), tripping out (Eris / Bellatrix), spooky (Magnetar), and mind-puzzling (Ghost Star). It all feels utopian and cosmic. Foggy harmonies with Portishead‘s vocalist Beth Gibbons transcended timbre and repetitive eurhythmics echoing German legends Tangerine Dream.

Close encounters of the third kind.
Sonic science-fiction. Stupefying

Buy/stream  ‘Eris Wakes’ here…


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VIOLET NOX: Facebook

Band: THE DARTS
Who: Inflammable engine
from Phoenix, Arizona

Turn Up The Volume: wrote: The Darts? They sound cool, look cool and rawk ‘n roll cool.

This Devilish American Rip-roaring Turbo Squad do it again on this new 3-track EP
with a garage hurricane (Love Tsunami), a mid-tempo groover (Shit Show) and another
brisk belter (Underground). And again, Nicole Laurenne, the utterly charismatic dart in
the middle, fires up the cuts with her sexy 60s-sounding organ.

The electrifying Amazons hit the bullseye once more.

Press play here…

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THE DARTS: Instagram

Artist: ROBIN GUTHRIE (Scotland)
Who: Co-founder of Cocteau Twins (1979–1997)

EP: RIVIERA

Turn Up The Volume wrote: An instrumental 4-track one with a featherlight, heavenly and spiritual magnificence. Stardust everywhere. If you’re not into all that festive end-of-the-year fuss (like me) play all Guthrie‘s 2021 releases on repeat. It’ll give you (and me) a mind-relaxing, soothing, and idyllic feel. Sparkling vibrations for the midnight hours. Guthrie transfers you to a blissful place.

Enjoy


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ROBIN GUTHRIE: Facebook

Last November sharp-rapping poets SLEAFORD MODS  played in their
hometown Nottingham. Now 6 of the performed tracks (2 of the latest
album ‘Spare Ribs‘, a cover of Yazoo’s ‘Don’t Go, and 2 oldies) are cemented
in a live EP called LIVE AT NOTTZ ARENA.

Mork In Mindy features big soul voice Billy Nominates
and Amyl Taylor was a guest on Nudge It (which she did
too on the duo’s 2021 LP).

Get up and let your feet and your hips do the talking…

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SLEAFORD MODS: Instagram

Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – MAY 2022

A stream of rattling rippers, jagged jams, and romantic reveries

All 20 knockouts together on Spotify

.
Knockout by Knockout…

1. ‘Shaman’ by THE CHRONICLES OF MANIMAL AND SAMARA (London)

Shaman progresses like a vicious viper working its way to a grandiose climax. Determined, but always wary of sudden danger. Shaman dumbfounds and flummoxes while the song’s tension intensifies and has a spine-chilling effect. From the duo’s upcoming album Trust No Leaders, out 1st of July.

Watch the grandiose video clip…

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2. ‘Welcome To Hell’ by BLACK MIDI (UK)

The band’s third LP, baptized Hellfire is ready for release on 15th July.

The first single is a screwy zig-zagging masterstroke doing your head in.

Hell yeah

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3. ‘It’s The Truth’ by DION LUNADON (New Zealand)

Echoes like a neurotic chainsaw flare-up.

A roaring riff slashes and thrashes throughout this psych-o-tic hellraiser. Add Lunadon‘s freakish vocals and you know that this brainbreaker will test the resilience of your stereo. Fucktastic! From new album Beyond Everything

Probably your favorite nightmare…

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4. ‘Zick Zack’ by RAMMSTEIN (Germany)

The bombastic German metal machine have
a new, their 8th, longplayer out, called Zeit.

Their same old recipe still works.

My fav sledgehammer on the LP is Zick Zack.

Ridiscouly infectious
Great Scheiße shit!

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5. ‘Troglodyte’ by VIAGRA BOYS (Sweden)

The Swedish mavericks have their 3rd full length Cave World out on 8 July.

But first this hot-blooded straightforward snorter. Gabba Gabba Viagra!

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6. ‘Nice Guy’ by FAB THE DUO (Los Angeles)

“Be You. Be Proud. And Be Loud!” is the duo’s motto.
So, I guess you know what to expect.

Sounds like a punked-up Weezer juggernaut.
This bang-on master blaster is bitch of a slam dunk.

Get up, stand up and fight for your right to be a nice guy…

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7. ‘Striking Like Thunder’ by LOWERY MILLS (Canada)

This thunder and lighting corker strikes big time from the first chord on, to the final one. Classic riffage rock with an anthemic plangency, a flaming drive, and a mammoth chorus. Add aroused vocals and the overall result is an ear-popping champion you’ll have on repeat for a while.

Titanic score.

Rock out…

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8.’Digging’ by NOTHINGHEADS (London)

These DIY misfits have a new 5-track EP out, titled DIGGING.
You can buy it on Bandcamp.

My numero uno cracker is the title track.

The band’s frontman sounds like his own meanest demon.
Threatening and ready to kick badasses. This uppercut goes
mental on schizophrenic guitars and merciless drums.

Get electrified here…

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9. ‘Not For You’ by JANIS (Berlin, Germany)

To hell with all ruthless power abusers. That’s the central sharp-cutting message
of this new Janis jackhammer that causes a racing rush of blood through your veins.

This cocksure swipe is stoked up by jagged guitars,
by a steadfast drums/bass force, and by biting vocals.

Fuck Putin!

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10. ‘Contagious’ by MIMOSA (Sheffield, UK)

What do you think of this? Topliners Arctic Monkeys turning up their amps or Liverpool legends The La’s if they would have been a rapid-fire punk turbo. Sounds insane, right?
You bet.

Spiky guitars zigzagging madly all over the place, John Bonham-like
drum brutality hits hard, and Alex Turner‘s younger brother is singing.

Be ready to move like a nutter on
a pogo stick. Contagious pyrotechnics.

Blitz-tastic…

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11. ‘The Frequency’ by RICHES

Dream pop splendor in motion, with shiny synths, bouncy basslines,
laid-back drums, sensual vocals, and majestic orchestration. This winsome
humdinger will find its way to your yearning heart and your restless soul.

Right here

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12. Up The Mountain’ by REGINA SPEKTOR (Russia/America)

Spektor will make her fans happy with Home, Before And After.
Her 7h longplayer landing on 24 June.

Ahead of it this sublime pop pearl. Frisky and catchy.

Enjoy

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13. ‘I’d Rather Go Blind’ by SAM CASEY (Toronto)

This timeless Etta James gem is 55 years old. It was written
by Ellington Jordan and co-credited to Billy Foster and James.

Songstress Sam Casey‘s heart-and-soul touching rendition
sends shivers down your spine, with her goosebumps voice.

Casey about the video: It feels so vulnerable to see the results of my raw emotion and struggle that this is almost difficult to watch. As soon as we started filming, the lyrics (and most likely, the fact that I was crying between takes) took everyone to this dark yet loving place where tears were being shed, but there were hugs and kisses floating around all night.”

Magnific

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14. ‘Desert Storm’ by HOLY COVES (Wales)

Desert Storm is a psychedelic thrill with the hypnotizing and repetitive dynamism
of Krautrock. Its vibrant vigor and steadfast swagger roll all the way.

Pounding drums push the track continuously, guitars glimmer,
and febrile vocals add a shadowy timbre. Bingo.

What you hear
is what you get…

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15. ‘The Order’ by MEAR (Toronto)

This synth dream-pop duo has their
debut album Soft Chaines out now.

A gripping work inspired by physical pain leading to psychological pain feeding doubt, despair, and anguish. Often musicians use their work to process adversity. That’s what happens on this album. The layered synth orchestrations add melancholic warmth and here and their guitars gently weep while Miller‘s voice is the wandering star in the middle. An enticing debut with a harrowing, human touch.

My favorite piece of the record is the opener The Order.

A shadowy musing with sparkling synths…

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16. ‘Boltfor’ by MOGWAI (Scotland)

Last year the Scottish veterans excited critics and
fans with their 10th LP As The Love Continues.

One song, from the same sessions, didn’t make the album as it wasn’t finished yet at the time. But it’s now ready to meet the world. It’s classic Mogwai euphony with swelling layers of synths, sheeny guitars, and slow-paced drums. The finale is just Homeric.

And a great video too…

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17. ‘Sunbleached’ by TIDAL WAVE (Canada)

Twinkling guitars draw you into this touchy-feely daydream from the get-go. The color is blue, the melody is melancholic, the voice is wondering. This is a shoegazy gem for heavyhearted hearts and vulnerable souls, a soothing score for all romantics among us. The vibe is idyllic, the tone is hazy, the end result is just wondrous.

Listen/watch and feel better…

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18. ‘Special Satellite’ by SUBATOMIC SATELLITE (Belgium)

I’m sure you know that feeling of awakening in the morning and your first thought is ‘I don’t want to get up and face the cruel world, out there, today‘. But some smart cells in your brains tell you that you have no choice as you can’t escape reality. Not today, not tomorrow, never.

That very moment smooth and soft shanties like this one help you to ease your
moody state of mind. By mingling shimmery guitar sparks, shooting synths, spirited melodiousness, and comforting vocals in a happy-go-lucky way you can imagine you’re
on a special satellite where life colors pink again.

Lou Reed called it the satellite of love.

Press play here…

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19. ‘The Getaway’ by THE AFGHAN WHIGS (Ohio)

The passionate rockers announced their 9th LP, named
HOW DO YOU BURN? I’ll land on 9/11.

After the lead firework single I’ll Make You See God
Greg Dulli
and Co
slow down for this evocative lullaby…

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20. ‘Anything’ by SHARON VAN ETTEN (New Jersey)

The wonderful songstress released her new longplayer
We’ve Been Going About This All Wrong
earlier this month.

One of the highlights is this longing love song…

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See/hear you next month, music junkies

Post-Punk At Its Razorblade Best With NOTHINGHEADS And Frantic Single ‘DIGGING’

Daily electricity to load your batteries

24 February 2022

Band: NOTHINGHEADS
Who: Hit team formed through a shared love for the capital’s DIY music scene.
Their songs draw no boundaries – no subject is too confusing, no sound too
eclectic. The band write collaboratively, harnessing the noise and energy
that comes from playing together.

New single: DIGGING

“Propelled by a motorik rhythm and abrasive guitars, it stomps toward a doom-laden finale. Inspired by Sebastião Salgado’s (note TUTV: Brasilian photographer) anarchic photos of the Gold Mines of Serra Peladain the Amazon in 1985: the track explores the relentless obsession with grasping a glint of glory from the mud. “


Gold Mines of Serra Pelada, Brasilphoto by Sebastião Salgado – 1985

Turn Up The Volume: Once I learned that this startling belter is about
the horrible exploitation of human beings by ferocious money sharks this
jagged jackhammer blew my mind even harder than I heard it the first time
before knowing about the band’s inspiration for this stunner.

Expect rabid guitars, doom and gloom vocals, and frantic twists and turns
until the chaotic finale. Post-punk at its razorblade best. Think fierce Canadian
turbine Metz and London‘s up-and-coming gunslingers Crows. Dynamite!

Here we go…

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