TURN UP THE VOLUME’s 25 Best Tracks Of 2022… So Far

Time flies. Oh yes, we already have six months of 2022 behind us.

Mad summer parties are just around the corner. And here’s the perfect
loud/quiet soundtrack… Turn Up The Volume’s 25 best tracks of 2022,
so far!

ALL TOGETHER on Spotify…

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TRACK BY TRACK
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1. I’ll Make You See God’ by THE AFGHAN WHIGS

The by now legendary passion rockers from Cincinnati, Ohio with mastermind Greg Dulli leading the troops have their new longplayer How Do You Burn? out on 9 September.

This lead single is a sturdy steamroller, a red-hot-heated ripsnorter, an unstoppable cannonball going everywhere fast. Manic blitzkrieg guitars, ruthless drum/bass attacks, Greg Dulli‘s rush of blood vocality, and a brutal finish. Flabbergasting.

Dulli: “That’s one of the hardest rock songs we’ve ever done.
It was written and performed on sheer adrenalin.”

See God here…

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2. ‘Slowly Separate by CROWS (London)

This London post-punk team unleashed their 2nd scorching album
Beware Believers, last April. One of TUTV’s best full-lengths of 2022 (so far).

Single Slowly Separate is a schizo sonic serpent generating a mind-blowing backwash
while chainsaw guitars turn up the decibels to an illegal peak, and man-in-the-middle James Fox rages and blazes through his teeth.

Fucktastic!

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3. ‘I Am Kate Moss’ by DITZ (Brighton, UK)

This frenetic Brit force hit big time with their dazzling debut album
The Great Regression last March (more about it in a couple of days).

Let’s focus now on one of its cast-iron brainbreakers. It’s a poignant, biting, and
anxious uppercut. I’m pretty sure Moss would love this hit-and-run drone when
it would hit her ears. She is, after all, the Femme Punk Fatale of fashion.

Turn up the heat…

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4. ‘Twitchin’ in The Kitchen’ by WARMDUSCHER (London)

This punky-funky disco corker is the perfect pick-me-up tune for all the wacky weirdos who are always in the kitchen at parties waiting for free drinks and waiting for Warmduscher to come in and kick their lazy asses. Big stroke, big chorus, big fun!

From the gang’s thrilling 4th LP At The Hotspot.

Twitch as much as you want here…

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5. ‘Demolition Row’ by METZ (Toronto, CA)

“It’s a warning, an unflinching assessment of the vastness and insignificance of this
life, is precisely counterbalanced by their lesson, which models the resilience that this understanding demands. ‘Demolition Row’ is persistent, concise, and alarmingly physical.”

This blustery belter is vintage Metz. Full blast ahead, no brakes, no breaks.
The track featured on a split 7” with London-based group Adult Life.

From Dylan’s Desolation Row
to Metz’s Demolition Row


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6. ‘Frankenstein’ by TRAMP (Northern Ireland)

“As a story or metaphor, we are all ‘Frankenstein’s monster’ – made up of other people’s opinions and parts that don’t belong to us. That we were born perfect but people, in their
own conditioning, come along and can make us feel undesirable/inadequate/the monster.
But we can choose to be real instead.”

This is without a shadow of a doubt the best debut single I heard so far this year.

A towering tune going low, high and back. A sickly sticky pop gem wrapped in
a big-boisterous-wall-of-sound. And upfront, Sianna Lafferty ‘s phenomenal voice
causes goosebumps when she goes sky-high on the chorus. The ardency of
Porridge Radio comes to mind.

One word: AWESOME.

“I am not what you want me to be
Uncle Sam won’t even point at me
Even the eyes of the Virgin Mary wall
hanging won’t even stare at me.”

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7. ‘Shaman’ by THE CHRONICLES OF MANIMAL AND SAMARA (London)

Shaman progresses like a vicious viper sliding to its prey. Determined, but always
wary of sudden danger. It dumbfounds and flummoxes while the song’s tension
intensifies and sends shivers down your spine.

No metallic explosions or abrupt pace changes this time, although it feels like a thunderstorm can happen as the mesmeric music swells along its ominous path
towards a demonic climax. Another appealing piece de resistance, another
psychedelic exploit another step closer to the new album.

From their brand new LP Trust No Leaders, out today.

Face your nature
Face your fears
Face your demons
Wake the dead

Roll the tape and get impressed…

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8. ‘Mañana’ by JAMES DOMESTIC (Essex/Suffolk, UK)

“A paean to taking your foot off the gas and letting things slide, or a warning of the perils of procrastination, perhaps? It’s hard to tell whether ‘Mañana’ is meant to serve as a confessional regarding Domestic’s own perceived lack of willpower, or a celebration of idleness. It could be either of these things; and that’s one of its many joys.”.

A sirens intro, David Bowie‘s saxophone, and steel drums straight from Trinidad. Sounds like an exotic swing and shake ditty is coming up. No folks, it’s a lazy rap-sody you can play the morning after a booze marathon to get up and sober up, slowly.

Soul voice Clare Gillet takes care of the chirpy chorus.

Press play here…

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9. ‘Digging’ by NOTHINGHEADS (London)

“Propelled by a motorik rhythm and abrasive guitars, it stomps toward a doom-laden finale. Inspired by Sebastião Salgado’s (note TUTV: Brasilian photographer) anarchic photos of the Gold Mines of Serra Peladain the Amazon in 1985: the track explores the relentless obsession with grasping a glint of glory from the mud. “

Once I learned that this startling belter is about the horrible exploitation of human
beings by ferocious money sharks this jagged jackhammer blew my mind even harder than I heard it the first time before knowing about the band’s inspiration for this stunner.

Expect rabid guitars, doom and gloom vocals, and frantic
twists and turns until the chaotic finale. Post-punk at
its razorblade best.

Dynamite


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10. ‘Welcome To Hell’ by BLACK MIDI (London)

Geordie Greep (vocalist, guitar): “Almost everything I write is from a true thing, something
I experienced and exaggerated and wrote down. I don’t believe in Hell, but all that old world folly is great for songs, I’ve always loved movies and anything else with a depiction of Hell.”

A screwy zig-zagging haymaker it is. From upcoming, 3rd, LP Hellfire.

Burn here…

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11. ‘Cream’ by BOTCHED TOE (UK)

My fav track from one of my fav albums of the year (so far), baptized
A False Glimmer Of Hope with loudmouth James Domestic (yep, the
guy from above) going bonkers.

This red-hot-blistering hardcore missile punks up your adrenalin and
invites you to open all windows and doors and yell your tits off.

(S)cream here…


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12. ‘Zick Zack’ by RAMMSTEIN (Germany)

The bombastic German metal machine have
a new, their 8th, longplayer out, called Zeit.

Their same old recipe still works.

My fav sledgehammer on the LP is Zick Zack.

Ridiscouly infectious
Great Scheiße shit!

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13. ‘Edie’ by STEPH SWEET (UK)

This is the spellbinding title track of this enigmatic songstress’ new album.

The dark garage guitar swagger of this nightmarish cracker is irresistibly
magnetic. Think trash-and-slash duo Royal Trux. Both eerie and haunted.

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14. ‘Eris’ by VIOLET NOX (Boston, MA)

My favored sonic sci-fi symphony from the duo’s excellent Eris Wakes EP.
Trippy, spooky, trancy. With repetitive mind-twisting Krautrock eurhythmics
that take you on an otherwordly voyage. Top-flight!

Launch your spaceship here…


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15. ‘TV Or Not TV’ by JODIE LANGFORD (UK)

After the piano intro (sounds like the theme tune of classic horror-thriller Halloween) this young outspoken artist fumes with barbed wire temper towards the supersonic chorus that resonates like hardcore rap.

This rushing rollercoaster swings forth and back with grim impetus until the gloomy
synth climax makes way for that ominous piano fragment again. TV or not TV, that’s
the question? The answer is easy. To hell with the relentless idiocy of reality TV stars and influencers constantly putting pressure on growing minds to behave in ways unattainable to most.

Find the answer here…

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16. ‘We Are Ukraian’ by OSCAR MIC (London)

Oscar Mic wrote this song after witnessing the horrific violence of
psycho Putin’s illegal invasion of Ukraine on the news. All proceeds of
the song go to Save The Children’s Ukraine Appeal.

We Are Ukrainian is a tremendously catchy hip-rap-pop jam featuring steel drums
and timpani balancing somewhere between Roots Manuva and Mr. Scruff.

“Fleeing people running scared, so tell me Where’s the justice? Our leaders say they care,
tell me can you trust this? Urban warfare, your home’s done and dusted, Aiming at the
public, they wouldn’t? They just did,”

Fuck Putin


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17. ‘White Skin’ by THE BANKROBBER (Italy)

The titillating electro- intro echoes early Depeche Mode before they became the darkwave Goth-esque rockers we all know. But in an eye-blink White Skin turns into a swirling synth-pop stomper to fill dancefloors with. It’s an instantly infectious nightclub earworm with an ecstatic chorus.

From the siblings’ forthcoming, second, album.

Start the tape and make your move…

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18. ‘Worthless Souls’ by MELTED WINGS (Toronto, CA)

“A track that calls out how sexism and power corrupt all levels of society.
We all need to recognize this going forward and make sure that it doesn’t
go unchecked.”

The sickly sticky synth beat comes across like an invitation for my feet to kick the butts of vicious sexists and power-horny billionaires ruining people’s lives. Middle finger to them while spinning around mad as a hatter to this bang-on electro buzz. Trust me, you’ll feel much better afterward

From their new Cheer For The Deer album.

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19. ‘Hello Dreamer Baby’ by THE ROYAL FOUNDRY (Canada)

This is what ecstatic pop grandeur is all about. Music that elevates
your state of mind to a titillating level. This pearl generates a feel-good
entrancing buzz.

When the multi-layered vocals/harmonies pop up in a gospel-like choir delight
creates an atmosphere of utter joy comparable with the euphoric drive of
The Polyphonic Spree. Vitalizing vibe, refreshing rapture.

Listen/watch

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20. ‘Life And Lies’ by LEE ROGERS (Northern Ireland)

A mixed-emotions lullaby with Rogers‘ sky-reaching voice as the star. It’s an emotional
and bluesy reflection. Wurlitzer jukeboxes should be reinvented for these heartbreakers so moody minds can cry their eyes out (or cry in their beer) at night in a downtown bar where lonely ones gather and muse about life and lies.

This one is for all barflies out there…

From his new heart and soul album Gameblood.

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21. ‘Chaise Lounge’ by WET LEG
22. ‘Up The Mountain’ by REGINA SPEKTOR
23. ‘All The Good Times'</a> by ANGEL OLSEN
24. ‘Come Back’ by SHARON VAN ETTEN
25. ‘The Dripping Tap’ by KING GIZZARD & THE LIZARD WIZARD

WEIRD NIGHTMARE Searches For You – METZ Main Man ALEX EDKINS Solo With Riff-Rolling Debut Single

Daily electricity to load your batteries

3 March 2022


(photo by Ryan Thompson)

Artist: WEIRD NIGHTMARE
Who: Solo moniker of the main man of
Canadian noise-bulldozer Metz (one of my
fav bands of the past 10 years)

Debut album: WEIRD NIGHTMARE.
Self-titled full lenght out May 20 via Sub Pop.

Debut single: SEARCHING FOR YOU

Edkins: “It’s a fun, no nonsense rock ‘n’ roll song. It’s about searching for meaning and inspiration all around us. In my mind, the “you” in the chorus refers to something bigger
than companionship or love; it’s that intangible thing we all look for but never find.”

Searching For You is a riff-rolling ripper sounding like rockabilly on skates. It’s a straightforward steamer ringing like Bob Mould‘s guitar ruckus to my excited ears.
I’m quite sure Edkins wrote this cracker while having an electrical nightmare.

I want more.

Press the play button here…

WEIRD NIGHTMARE: Twitter – Instagram

Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – FEBRUARY 2022

A stream of rattling rippers, jagged jams, and romantic reveries

All 20 together on Spotify

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Knockout by knockout…

1. ‘Demolition Row’ by METZ (Canada)

The hard-hitting Canadian bolide is on a supersonic roll here, rockin’
their tails off. Full blast ahead, no brakes, no looking back. Holy smoke!

The track comes as a vinyl 7″ split with British
band Adulkt Life. Out 4 March, buy here.

Holy guacamole…


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2. ‘I Am Kate Moss’ by DITZ (Brighton, UK)

“The best band in the world” according to Joe Talbot (frontman of Idles).

I Am Kate Moss will be on this ace indie mavericks’ upcoming
debut LP The Great Regression, out at the end of this week.

Order info here.

If your ears are looking for some badass fireworks you really should
play Kate Moss out loud. She’ll turn the heat up the way you like it.

C’mon, Kate…

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3. ‘Room 165’ by CROWS (London, UK)

James Cox (frontman): ““I used to be quite obsessed with true crime, and this song was
kind of born out of researching H.H Holmes and the World Trades Hotel in the 1860’s where
he would murder people staying at his hotel informally called ‘The Murder Castle’. I also got quite obsessed with a faith healer from the early 1900’s called Reverend Major Jealous Divine and reading transcripts of his old sermons, so this is basically just a weird amalgamation of mad shit I read about.”

Post-punk at its psych-o-tic best…

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4. ‘Digging’ by NOTHINGHEADS (London, UK)

A wham-bloody-bam drum intro, scorching guitars, filthy grooves, angry vocals,
all in just 50 seconds. Sounds like Nick Cave and his freakish gang The Birthday Party
are back with a filthy blues-injected blast. If you like creepy doom and gloom hullabaloo from a smelly basement you’ll love this to death.

Release the bats…

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5. ‘Cream’ by BOTCHED TOE (UK)

A razorblade uppercut as intimidating as a bulldozer and
cutting as a Swiss knife. No rest for the wicked. One of the
clamorous highlights of these hardcore junks’ debut album
A False Glimmer Of Hope.

Go bonkers, folks…


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6. ‘Junk Man’ by JON SPENCER & THE HITMAKERS (US)

Garage blues-rock junk Jon Spencer is back in town.
This time with his HITmakers. This razzle-dazzle cracker
is pushed by a bouncy synth touch and, schizophrenic
guitars and, of course, Spencer‘s freaky vocals.

Turn it up…

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7. ‘Staring Into The Sun’ by 50 FOOT WAVE (USA)

The wonderful Kristin Hersh has an impressive résume.
10 albums with Throwing Muses, 10 solo albums and one
full LP and several EPs with 50 Foot Wave (trio with
Throwing Muses‘ bassist Bernard Georges).

And Hersh doesn’t think about retiring yet, she never will.
A new 7-track 50 Foot Wave album, entitled Black Pearl
comes our way on 15 April. Order info here.

Taster Staring Into The Sun is, a boisterous and metallic
slo-mo groove with a hammering beat, pumped-up guitars,
and Hersh’s manic vocals augmenting the shadowy tone of
this belter.

So what’s next for 50 Foot Wave? Playing at
metalfest Aftershock in Sacramento in October?


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8. ‘Clowns For President’ by BAD SKIN (Montreal, CA)

Think legendary gritty grrrls Bikini Kill having a ball with
Pussy Riot while kicking Russian president Putin up the ass.
These 4 steamy sisters in punchy punk crime buzz and fuzz
like a hot rod on the run.

Bad Skin storm full steam ahead with front Amazon Dope sneering
like a raging riot grrrl. Yep, Dope is dope. And this stunning stonker
is dope too!

To hell with Putin…

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9. ‘Alone Again’ by AVA VOX (Dublin, Ireland)

Sounds like Patti Smith‘s Because The Night ends in a painful break-up
for the lovers. Ava Vox‘s heartache vocality and hurt timbre emphasise
the confused state of mind of the abused one and the melodramatic
sonic boom of this emotional eruption expresses sorrow, distress,
and angst. Another gripping Vox piece.

Affecting performance…


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10. ‘This Cost Of Life’ by TIDAL WAVE (Toronto, CA)

Oh my, oh my. This sky-reaching gem left me out of breath after just one spin.

A tower of a song with an imposing impact. A masterstroke that explodes after the foreplay-intro and moves up and down like a roller coaster. Stellar tune, stellar sound, stellar guitars, stellar emotions, and a stellar chorus. Anthemically orchestrated with goosebumps arrangments. I’m quite sure their awesome fellowmen Arcade Fire would
like this grand exploit.

Here‘s why…

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11. ‘Fear Of The Dawn’ by JACK WHITE (Detroit, US)

The former white stripe plans the release of two
albums this year. Fear Of Of The Dawn, out 8 April
and Entering Heaven Alive, out 22 July.

Here comes the title track of the first LP.
Expect 120 seconds of flaming guitar
hysteria with White going totally blue…

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12. ‘Back To The Radio’ by PORRIDGE RADIO (Brighton, UK)

The lead-single of new, upcoming full-length album
Waterslide, Diving Board, Ladder To The Sky out
in May.

This is one of those songs that hypnotise from the get-go
to the eager finale. A feverish chant, one long chorus with
Marglin‘s delirious voice causing goosebumps.

Stupendous stroke…

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13. ‘Alone’ by STALKER (Sweden)

This is classic heavy metal. Huge sound, huge vocals, huge tune
with a huge chorus. If you’re a metal addict you will not mind if this
Swedish hit team stalks you. After an ominous violin intro, all burners
are on and frontman Michael Storck’s overwhelming pipes take over.

Self-titled debut longplayer comes on
11th February 2022 via WormHoleDeath.

Holy shit!

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14. ‘Colorful White Lies’ by ELECTRIC HIGH (Bergen, Norway)

After a dancey handclap intro, it’s all burners on with
a headbanging impact. Heavy boogie drones to play air
guitar to, in front of the mirror.

Echoes of muscular American motherrockers – like Van Halen,
Sammy Hagar
and Aerosmith – are all over the heated place.

Add firm Lynryd Skynyrd harmonies and you know you’ll
have this blaring beast on your speakers for quite some time.

Press the start button here…


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15. ‘Hostile Music’ by SALEM WOLVES (Boston, MA)

This boiling-hot-cooking stroke hit me and my ears from
the moment the first chord blasted out of my shaking stereo.

Ardent anxiety and edgy excitability dominate this fanatical
outburst. And when the hair-rising chorus erupts you’ll
go mental just as these wolves do.

Right here, right now…

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16. ‘Love Burns’ by ODAWIN (Italy)

A twist and turn prog-pop-rock composition bringing legends
Genesis (early years with Peter Gabriel) and YES (with voice Jon Anderson)
to mind. My favorite cut from Odawin‘s triumphant debut EP ‘Untitled.

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17. ‘Golden Apple’ by HVIRESS (Brighton, UK)

Sensual, puzzling, tempting, synth-matic,
imaginative, seductive, esoteric, and relaxing.

HVIRESS are here to stay.

The ladies have once again teamed up with Scott Chalmers
to create an unsettling music video that leaves the viewer
pondering what they’ve just seen, a perfect partner to
the song’s opening lines…

“What is it that you see? It almost seems unreal
What is responsible for all the things you feel”

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18. ‘Impossible’ by RÖYSKOPP and ALISON GOLDFRAPP (Norway / UK)

Norway’s synth heroes teamed up with the gorgeous
Alison Goldfrapp for this trippy and sultry dance thrill.

Shake your booty, ladies and gents…

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19. ‘Shallow Graves’ by THE MINIMUM WAGE (Ontario, CA)

This riff-rowdy ripper flames with fervid fervency and resonates
as if Bob Mould was invited to play guitar. Ace tune, towering
sound, impassioned vocals, and a sickly sticky chorus.

Just what you need to activate your serotonin production.
Maximum result for a minimum wage.

Be yourself, stay yourself…

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20. ‘Hello Dreamer Baby’ by THE ROYAL FOUNDRY (Canada)

This is what ecstatic pop grandeur is all about. Music that elevates
your state of mind to a titillating level. This new majestic single
generates a spellbinding buzz we all can use in these difficult
pandemic times.

When the multi-layered vocals/harmonies kick in, a gospel-like choir delight
creates an atmosphere of utter joy comparable with the euphoric drive of
The Polyphonic Spree. Vitalizing vibe, refreshing rapture.

Enjoy here…

See/hear you next month, music junkies

Hard-Hitting Bolide METZ Full Blast Ahead On New Single ‘DEMOTION ROW’

New striking strokes

10 February 2022

Band: Website
Who: High-powered trio from Ottawa, Ontario
Active: Since 2008 / 4 studio albums (so far)

New single: DEMOLITION ROW

It’s a split 7” with London-based group Adulkt Life. The two bands are paired perfectly: their shared, resolute force carries an urgency that belongs to this era alone. Both are capable of goading listeners, both are capable of unearthly moments of alloyed beauty. And both bands are made for that unflinching space between the truths that can’t be absorbed and the truths that can’t be forgotten.

About Demolition Row: “A warning, an unflinching assessment of the vastness and insignificance of this life, is precisely counterbalanced by their lesson, which models the resilience that this understanding demands. ‘Demolition Row’ is persistent, concise, and alarmingly physical.”

Turn Up The Volume: The hard-hitting Canadian bolide is on a supersonic roll here, rockin’ their tails off. Full blast ahead, no brakes, no looking back. On repeat now
on my headphones.

Holy guacamole.

A clear vinyl 7″ (with 2 Adulkt Life tracks)
is available from 4 March on.
Pre-order here.

Stream/buy here, digitally…


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METZ: Facebook

LIVE ALBUM Of 2021 – Canadian Turbo ‘METZ LIVE AT THE OPERA HOUSE’

14 December 2021

Band: METZ (Toronto, Canada)
Who: A trio of noise titans based in Toronto. They spent the majority of their 11-year tenure criss-crossing the globe and bringing their unparalleled energy directly to the people. The release of their stunning 4th LP Atlas Vending last year saw the band
pushing into new sonic territory while retaining their trademark aural maelstrom.

New album: LIVE AT THE OPERA HOUSE
Released: 4 August 2021
Order info: here

The band: “We were determined to find a way within the confines of the pandemic
to create a live experience that felt dynamic and let us connect with you all. So we
took to the stage in October 2020 at the Opera House in Toronto, a hometown favorite
independent venue, to livestream a performance of Atlas Vending in its entirety.”


(photo by Turn Up The Volume)

Along with the album
came a film of the concert.
More info here.

Turn Up The Volume: To be honest, most live albums do not reflect what the artist(s) accomplish on a podium. This one is remarkably different. As I saw these wall-of-havoc crusaders multiple times, I know what they’re capable of. From the first chord on, the trio explodes as if they’re on a kamikaze mission.

They develop a slash and trash amount of illegal decibels. You actually feel the noise physically. Fact! Several times I really thought that frontman Alex Edkins would run out of oxygen. This live record reflects perfectly what you can expect when these 3 noise titans hit the stage. I hope your speakers will survive.

Stream/buy full album here…


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METZ: FacebookAll Tour Dates 2022

ALBUM OF THE MONTH – Power Trio METZ With ‘LIVE AT THE OPERA HOUSE’

30 August 2021

Band: METZ (Toronto, Canada)
Who: Titan noise junks based in Toronto, Canada.
Active: Since 2008 / 4 studio albums so far

New album: LIVE AT THE OPERA HOUSE
Released: 4 August 2021
Order info: here

The band: “We were determined to find a way within the confines of the pandemic
to create a live experience that felt dynamic and let us connect with you all. So we
took to the stage in October 2020 at the Opera House in Toronto, a hometown favorite
independent venue, to livestream a performance of Atlas Vending in its entirety.”

The live performance (2020 album Atlas Vending and two older tracks) is available on all digital service providers, with bundles at Bandcamp and Sub Pop that include also a film of the of the full concert.

Turn Up The Volume: To be honest, most live albums do not reflect what artists accomplish on a podium. Its hard to capture the live sound on a record. But this one is remarkably different. As I saw these wall-of-havoc crusaders multiple times, I know what they’re capable of. From the first chord on, the trio explodes as if they’re on a kamikaze mission.

They develop a slash and trash amount of illegal decibels. You actually feel the noise physically. Fact! Several times I really thought that frontman Alex Edkins would run out of oxygen. This live record is what you can expect from these noise titans when they hit the stage. Their sound is bigger than the Notre Dame Cathedral in Paris (before the fire).

ALBUM OF AUGUST 2021

Alert your neighbors before you press play…


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METZ: FacebookAll Tour Dates 2021-2022

(Live photos by Turn Up The Volume)

Canadian Noise Titans METZ Explode On New ‘LIVE AT THE OPERA HOUSE’ Album

6 August 2021

Band: METZ (Toronto, Canada)
Who: A trio of noise titans based in Toronto. They spent the majority of their 11-year tenure criss-crossing the globe and bringing their unparalleled energy directly to the people. The release of their stunning 4th LP Atlas Vending last year saw the band
pushing into new sonic territory while retaining their trademark aural maelstrom.

New album: LIVE AT THE OPERA HOUSE
Released: 4 August 2021
Order info: here

The band: “We were determined to find a way within the confines of the pandemic
to create a live experience that felt dynamic and let us connect with you all. So we
took to the stage in October 2020 at the Opera House in Toronto, a hometown favorite
independent venue, to livestream a performance of Atlas Vending in its entirety.”

The live performance (including two older tracks) is available on all digital service providers, with bundles at Bandcamp and Sub Pop that include also the full
concert film.

You can also order the album on tricolor black/white/oxblood vinyl on Bandcamp
and in our web stores. The LP includes a download of the film and is limited to 1,000 copies.

A taster (opening track Pulse) from the record/film…

Turn Up The Volume: To be honest, most live albums do not reflect what the artist(s) accomplish on a podium. This one is remarkably different. As I saw these wall-of-havoc crusaders multiple times, I know what they’re capable of. From the first chord on, the trio explodes as if they’re on a kamikaze mission.

They develop a slash and trash amount of illegal decibels. You actually feel the noise physically. Fact! Several times I really thought that frontman Alex Edkins would run out of oxygen. This live record reflects perfectly what you can expect when the noise titans hit the stage. They deserve the Olympic gold medal for playing till they drop. Hell Metz Yeah!

Stream/buy full album here…


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METZ: FacebookAll Tour Dates 2021-2022

(Live photos by Turn Up The Volume)

Five Firecrackers To STAY ON TRACK IN THE WEEKEND!

5 new firecrackers to boost your favorite 48 hours…

Band: MODEL CHILD (Los Angeles)
Who: Outspoken lone ranger from Los Angeles, California
Track: PILOT
TUTV says 2 minutes of schizophrenic rage, furious anger and endless
humanitarian struggle. Fuck the greedy rich! Fuck the military industry!
FUCK WAR!

“Blood is raining gold across the room /
Million dollar chains tied to your tomb.”

Band: METZ
Who: Premier shock rock trio from Toronto, Canada
Newest album: ATLAS VENDING – 4th LP
Track: SUGAR PILLL – new video clip

TUTV says: One of those vintage brain-breaking Metz
hammer blows sounding like a fucked-up hot rod on the run.

Press play

Band: PINKSHIFT (Baltimore, US)
Who: Fired-up grunge punks driven by tons of energy and grit
New EP: SACCHARINE – out today – buy here
Lead-single: MARS

TUTV says: This is a high-powered and barbed-wire punch-punk cannonball
celebrating hope and the band itself. The combination of rip-roaring-riff mania,
frenetic drum whacks, vocal Courtney Love swagger and a hectic chorus is what
you need to fight your panic lockdown attacks.


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Artist: ALAN VEGA
Who: The late vocalist of legendary
noise-exploring duo Suicide
New album: Mutator – out 23 April
Track: NIKE SOLDIER

TUTV says: Creepy groove. Haunting vibe. Scary story.

Let’s roll

Band: THE BODY (Portland, Orgeon)
Who: American experimental metal duo
formed in 1999 in Providence, Rhode Island.
New Album: I’VE SEEN ALL I NEED TO SEE
Track: A PAIN OF KNOWING

TUTV says: Expect a pitch-dark nightmare. You’re trapped in the sick mind
of a psycho. You want to get out, but you don’t know how. Frightening!

See/hear you next week, music junkies…

Sound Barrier-Breaking Electric-Chair Experience – ‘ATLAS VENDING’ By Toronto Turbo METZ Is Out Now!

13 October 2020

Band: METZ
Who: Razor-edged noise rock trio out of Toronto

Album: ATLAS VENDING – fourth LP
Released: 9 October 2020

Rough Trade label: “With ‘Atlas Vending’, Metz not only continues to push their music
into new territories of dynamics, crooked melodies, and sweat-drenched rhythms, they explore the theme of growing up and maturing within a format typically suspended in youth. Covering seemingly disparate themes such as paternity, crushing social anxiety, addiction, isolation, media-induced paranoia, and the restless urge to leave everything behind, each of Atlas Vending’s ten songs offer a snapshot of today’s modern condition and together form a musical and narrative whole.”

Alex Edkins (frontman/guitarist): “I think there’s a beauty to the simplistic style, and also
the physical and aggressive style we have and I don’t need us to make Kid A to make us feel like we’re progressing. Atlas Vending is a progression for me, and we don’t need to jump the gun in order to please other people.”
– Full interview with Guitar World here.


(photo by Turn Up The Volume!)

Kerrang! wrote: “METZ have established themselves as 21st Century standard-bearers for a particular variety of clatter, steeped in the sort of noise-rock which first emerged from the U.S. underground in the late 1980s. Each of their previous three albums have proven invigorating examples of their punishing aesthetic, but Atlas Vending finds them pushing things forward, broadening their horizons to tremendous effect.” Score: 4/5.

Turn Up The Volume: “Lock yourself up in isolation for 40 minutes in a soundproof panic room and use this earthquake album to exorcise all your viral 2020 demons without being arrested by the police for pulverizing the Richter Scale. Your spirit, your mind, and your soul will feel totally liberated. Trust me, this electric-chair experience will set you free. I know, I live in that room.”

Singles/clips: Blind Youth Industrial Park / Hail Taxi / A Boat To Drawn In

– BLIND YOUTH INDUSTRIAL PARK –

– HAIL TAXI –

– A BOAT TO DROWN IN –

Stream/buy album here…


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METZ: Facebook


Buy here