Band: THE CHRONICLES OF MANIMAL AND SAMARA Who: London-based duo – Daphne Ang (Singapore) and
Andrea Papi (Italy) – that fills a gap in music by bringing
literature, art, and history together into a space where
rock and metal meet electronica.
This always surprising duo launched their sophomore LP Trust No Leaders yesterday (more about this new ace
achievement next week).
One of the metallic highlights on the album isTHE CHEFS SONG.
A rumble of menacing thunder. 130 seconds of brutal turmoil.
And its video clip is as stupefying as the track itself.
Manimal and Samara are formidable sound and vision artists…
The by now legendary passion rockers from Cincinnati, Ohio with mastermind Greg Dulli leading the troops have their new longplayer How Do You Burn? out on 9 September.
This lead single is a sturdy steamroller, a red-hot-heated ripsnorter, an unstoppable cannonball going everywhere fast. Manic blitzkrieg guitars, ruthless drum/bass attacks, Greg Dulli‘s rush of blood vocality, and a brutal finish. Flabbergasting.
Dulli: “That’s one of the hardest rock songs we’ve ever done.
It was written and performed on sheer adrenalin.”
This London post-punk team unleashed their 2nd scorching album Beware Believers, last April. One of TUTV’s best full-lengths of 2022 (so far).
Single Slowly Separate is a schizo sonic serpent generating a mind-blowing backwash
while chainsaw guitars turn up the decibels to an illegal peak, and man-in-the-middle James Fox rages and blazes through his teeth.
This frenetic Brit force hit big time with their dazzling debut album The Great Regression last March (more about it in a couple of days).
Let’s focus now on one of its cast-iron brainbreakers. It’s a poignant, biting, and
anxious uppercut. I’m pretty sure Moss would love this hit-and-run drone when
it would hit her ears. She is, after all, the Femme Punk Fatale of fashion.
4. ‘Twitchin’ in The Kitchen’ byWARMDUSCHER (London)
This punky-funky disco corker is the perfect pick-me-up tune for all the wacky weirdos who are always in the kitchen at parties waiting for free drinks and waiting for Warmduscher to come in and kick their lazy asses. Big stroke, big chorus, big fun!
“It’s a warning, an unflinching assessment of the vastness and insignificance of this
life, is precisely counterbalanced by their lesson, which models the resilience that this understanding demands. ‘Demolition Row’ is persistent, concise, and alarmingly physical.”
This blustery belter is vintage Metz. Full blast ahead, no brakes, no breaks.
The track featured on a split 7” with London-based group Adult Life.
From Dylan’s Desolation Row
to Metz’s Demolition Row…
“As a story or metaphor, we are all ‘Frankenstein’s monster’ – made up of other people’s opinions and parts that don’t belong to us. That we were born perfect but people, in their
own conditioning, come along and can make us feel undesirable/inadequate/the monster.
But we can choose to be real instead.”
This is without a shadow of a doubt the best debut single I heard so far this year.
A towering tune going low, high and back. A sickly sticky pop gem wrapped in
a big-boisterous-wall-of-sound. And upfront, Sianna Lafferty ‘s phenomenal voice
causes goosebumps when she goes sky-high on the chorus. The ardency of Porridge Radio comes to mind.
One word: AWESOME.
“I am not what you want me to be
Uncle Sam won’t even point at me
Even the eyes of the Virgin Mary wall
hanging won’t even stare at me.”
Shaman progresses like a vicious viper sliding to its prey. Determined, but always
wary of sudden danger. It dumbfounds and flummoxes while the song’s tension
intensifies and sends shivers down your spine.
No metallic explosions or abrupt pace changes this time, although it feels like a thunderstorm can happen as the mesmeric music swells along its ominous path
towards a demonic climax. Another appealing piece de resistance, another
psychedelic exploit another step closer to the new album.
“A paean to taking your foot off the gas and letting things slide, or a warning of the perils of procrastination, perhaps? It’s hard to tell whether ‘Mañana’ is meant to serve as a confessional regarding Domestic’s own perceived lack of willpower, or a celebration of idleness. It could be either of these things; and that’s one of its many joys.”.
A sirens intro, David Bowie‘s saxophone, and steel drums straight from Trinidad. Sounds like an exotic swing and shake ditty is coming up. No folks, it’s a lazy rap-sody you can play the morning after a booze marathon to get up and sober up, slowly.
Soul voice Clare Gillet takes care of the chirpy chorus.
“Propelled by a motorik rhythm and abrasive guitars, it stomps toward a doom-laden finale. Inspired by Sebastião Salgado’s (note TUTV: Brasilian photographer) anarchic photos of the Gold Mines of Serra Peladain the Amazon in 1985: the track explores the relentless obsession with grasping a glint of glory from the mud. “
Once I learned that this startling belter is about the horrible exploitation of human
beings by ferocious money sharks this jagged jackhammer blew my mind even harder than I heard it the first time before knowing about the band’s inspiration for this stunner.
Expect rabid guitars, doom and gloom vocals, and frantic
twists and turns until the chaotic finale. Post-punk at
its razorblade best.
Geordie Greep (vocalist, guitar): “Almost everything I write is from a true thing, something
I experienced and exaggerated and wrote down. I don’t believe in Hell, but all that old world folly is great for songs, I’ve always loved movies and anything else with a depiction of Hell.”
A screwy zig-zagging haymaker it is. From upcoming, 3rd, LP Hellfire.
My fav track from one of my fav albums of the year (so far), baptized A False Glimmer Of Hope with loudmouth James Domestic (yep, the
guy from above) going bonkers.
This red-hot-blistering hardcore missile punks up your adrenalin and
invites you to open all windows and doors and yell your tits off.
My favored sonic sci-fi symphony from the duo’s excellent Eris Wakes EP.
Trippy, spooky, trancy. With repetitive mind-twisting Krautrock eurhythmics
that take you on an otherwordly voyage. Top-flight!
After the piano intro (sounds like the theme tune of classic horror-thriller Halloween) this young outspoken artist fumes with barbed wire temper towards the supersonic chorus that resonates like hardcore rap.
This rushing rollercoaster swings forth and back with grim impetus until the gloomy
synth climax makes way for that ominous piano fragment again. TV or not TV, that’s
the question? The answer is easy. To hell with the relentless idiocy of reality TV stars and influencers constantly putting pressure on growing minds to behave in ways unattainable to most.
Oscar Mic wrote this song after witnessing the horrific violence of
psycho Putin’s illegal invasion of Ukraine on the news. All proceeds of
the song go to Save The Children’s Ukraine Appeal.
We Are Ukrainian is a tremendously catchy hip-rap-pop jam featuring steel drums
and timpani balancing somewhere between Roots Manuva and Mr. Scruff.
“Fleeing people running scared, so tell me Where’s the justice? Our leaders say they care,
tell me can you trust this? Urban warfare, your home’s done and dusted, Aiming at the
public, they wouldn’t? They just did,”
The titillating electro- intro echoes early Depeche Mode before they became the darkwave Goth-esque rockers we all know. But in an eye-blink White Skin turns into a swirling synth-pop stomper to fill dancefloors with. It’s an instantly infectious nightclub earworm with an ecstatic chorus.
18. ‘Worthless Souls’ by MELTED WINGS (Toronto, CA)
“A track that calls out how sexism and power corrupt all levels of society.
We all need to recognize this going forward and make sure that it doesn’t
go unchecked.”
The sickly sticky synth beat comes across like an invitation for my feet to kick the butts of vicious sexists and power-horny billionaires ruining people’s lives. Middle finger to them while spinning around mad as a hatter to this bang-on electro buzz. Trust me, you’ll feel much better afterward
This is what ecstatic pop grandeur is all about. Music that elevates
your state of mind to a titillating level. This pearl generates a feel-good
entrancing buzz.
When the multi-layered vocals/harmonies pop up in a gospel-like choir delight
creates an atmosphere of utter joy comparable with the euphoric drive of The Polyphonic Spree. Vitalizing vibe, refreshing rapture.
20. ‘Life And Lies’ by LEE ROGERS (Northern Ireland)
A mixed-emotions lullaby with Rogers‘ sky-reaching voice as the star. It’s an emotional
and bluesy reflection. Wurlitzer jukeboxes should be reinvented for these heartbreakers so moody minds can cry their eyes out (or cry in their beer) at night in a downtown bar where lonely ones gather and muse about life and lies.
Shaman progresses like a vicious viper working its way to a grandiose climax. Determined, but always wary of sudden danger. Shaman dumbfounds and flummoxes while the song’s tension intensifies and has a spine-chilling effect. From the duo’s upcoming album Trust No Leaders, out 1st of July.
A roaring riff slashes and thrashes throughout this psych-o-tic hellraiser. Add Lunadon‘s freakish vocals and you know that this brainbreaker will test the resilience of your stereo. Fucktastic! From new album Beyond Everything
7. ‘Striking Like Thunder’ by LOWERY MILLS (Canada)
This thunder and lighting corker strikes big time from the first chord on, to the final one. Classic riffage rock with an anthemic plangency, a flaming drive, and a mammoth chorus. Add aroused vocals and the overall result is an ear-popping champion you’ll have on repeat for a while.
These DIY misfits have a new 5-track EP out, titled DIGGING.
You can buy it on Bandcamp.
My numero uno cracker is the title track.
The band’s frontman sounds like his own meanest demon.
Threatening and ready to kick badasses. This uppercut goes
mental on schizophrenic guitars and merciless drums.
To hell with all ruthless power abusers. That’s the central sharp-cutting message
of this new Janis jackhammer that causes a racing rush of blood through your veins.
This cocksure swipe is stoked up by jagged guitars,
by a steadfast drums/bass force, and by biting vocals.
What do you think of this? Topliners Arctic Monkeys turning up their amps or Liverpool legends The La’s if they would have been a rapid-fire punk turbo. Sounds insane, right?
You bet.
Spiky guitars zigzagging madly all over the place, John Bonham-like
drum brutality hits hard, and Alex Turner‘s younger brother is singing.
Be ready to move like a nutter on
a pogo stick. Contagious pyrotechnics.
Dream pop splendor in motion, with shiny synths, bouncy basslines,
laid-back drums, sensual vocals, and majestic orchestration. This winsome
humdinger will find its way to your yearning heart and your restless soul.
This timeless Etta James gem is 55 years old. It was written
by Ellington Jordan and co-credited to Billy Foster and James.
Songstress Sam Casey‘s heart-and-soul touching rendition
sends shivers down your spine, with her goosebumps voice.
Casey about the video: It feels so vulnerable to see the results of my raw emotion and struggle that this is almost difficult to watch. As soon as we started filming, the lyrics (and most likely, the fact that I was crying between takes) took everyone to this dark yet loving place where tears were being shed, but there were hugs and kisses floating around all night.”
Desert Storm is a psychedelic thrill with the hypnotizing and repetitive dynamism
of Krautrock. Its vibrant vigor and steadfast swagger roll all the way.
Pounding drums push the track continuously, guitars glimmer,
and febrile vocals add a shadowy timbre. Bingo.
This synth dream-pop duo has their
debut album Soft Chaines out now.
A gripping work inspired by physical pain leading to psychological pain feeding doubt, despair, and anguish. Often musicians use their work to process adversity. That’s what happens on this album. The layered synth orchestrations add melancholic warmth and here and their guitars gently weep while Miller‘s voice is the wandering star in the middle. An enticing debut with a harrowing, human touch.
My favorite piece of the record is the opener The Order.
Last year the Scottish veterans excited critics and
fans with their 10th LP As The Love Continues.
One song, from the same sessions, didn’t make the album as it wasn’t finished yet at the time. But it’s now ready to meet the world. It’s classic Mogwai euphony with swelling layers of synths, sheeny guitars, and slow-paced drums. The finale is just Homeric.
Twinkling guitars draw you into this touchy-feely daydream from the get-go. The color is blue, the melody is melancholic, the voice is wondering. This is a shoegazy gem for heavyhearted hearts and vulnerable souls, a soothing score for all romantics among us. The vibe is idyllic, the tone is hazy, the end result is just wondrous.
I’m sure you know that feeling of awakening in the morning and your first thought is ‘I don’t want to get upand face the cruel world, out there, today‘. But some smart cells in your brains tell you that you have no choice as you can’t escape reality. Not today, not tomorrow, never.
That very moment smooth and soft shanties like this one help you to ease your
moody state of mind. By mingling shimmery guitar sparks, shooting synths, spirited melodiousness, and comforting vocals in a happy-go-lucky way you can imagine you’re
on a special satellite where life colors pink again.
Band: THE CHRONICLES OF MANIMAL AND SAMARA Who: London-based duo – Daphne Ang (Singapore) and
Andrea Papi (Italy) – that fills a gap in music by bringing
literature, art, and history together into a space where
rock and metal meet electronica.
Last week Samara and Manimal released a new piece from their forthcoming LP.
“Shaman’ narrates a journey of self-discovery into the depths of one’s psyche. Guided
by Jungian psychoanalytic theory, the song captures a personal confrontation with the unconscious in which one experiences the infinite and the energy of the universe. The song introduces the idea of attaining wholeness by uniting our inner and outer worlds.”
Turn Up The Volume wrote: Shaman progresses like a vicious viper working its way to a grandiose finale. Determined, but always wary of sudden danger. Shaman dumbfounds and flummoxes while the song’s tension intensifies and sends shivers down your spine.
They just launched a spectacularly animated video clip. As I said before
the duo has an ingenious vision when it comes to visualizing their hellraisers.
Band: THE CHRONICLES OF MANIMAL AND SAMARA Who: London-based duo – Daphne Ang (Singapore) and
Andrea Papi (Italy) – that fills a gap in music by bringing
literature, art, and history together into a space where
rock and metal meet electronica.
“Shaman’ narrates a journey of self-discovery into the depths of one’s psyche. Guided
by Jungian psychoanalytic theory, the song captures a personal confrontation with the unconscious in which one experiences the infinite and the energy of the universe. The song introduces the idea of attaining wholeness by uniting our inner and outer worlds.”
Turn Up The Volume: This new piece progresses like a vicious viper sliding to its prey. Determined, but always wary of sudden danger. Shaman dumbfounds and flummoxes while the song’s tension intensifies and sends shivers down your spine.
No metallic explosions or abrupt pace changes this time, although it feels like a thunderstorm can happen as the mesmeric music swells along its ominous path
towards a demonic climax. Another fascinating piece de resistance, another
psychedelic exploit, another step closer to the new album.
Face your nature
Face your fears
Face your demons
Wake the dead
