TURN UP THE VOLUME’s 20 Best Tracks – Februrary 2023

ALL TOGETHER on Spotify…

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TRACK BY TRACK

1. ‘Someone Up There’ by THE WAEVE (UK)

British duo THE WAEVE feat. Graham Coxon (Blur‘s guitarist) and songstress
Rose Elinor Dougall – launched their sterling self-titled album early February.

One of the highlights is this turbulent, riff-rotating and capricious groover
named Someone Up There that works as a mesmerizing magnet.

Touchdown!

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2. ‘Casting No Light’ by NOBLE ROT (Canada)

Clamorous frontman Alex Edkins of Canadian noise engine Metz and Graham Walsh, keyboardist of dance punks Holy Fuck, got together for a project of their own, named, Noble Rot. They have their debut ‘Heavenly Bodies, Repetition, Control.‘ out next month.

They just dropped first single Casting No Light. A motorik Krautrock-like mindfucker that circles around like forever, pushed by a pumping synth/drum/guitar riff-boom-beat that grows in hypnotic intensity along the way. Fucktastic!

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3. ‘Drum’ by YOUNG FATHERS (Scotland)

This Scottish dance-funk-punk trio is on an unstoppable roll. Their new, 3rd LP Heavy Heavy is a total triumph (Turn Up The Volume‘s Album of the Month) and their swirling concert in Antwerp (Belgium) blew the roof off the building.

One of the standout tracks on the album is Drum.
A flamboyant, head-over-heels stormer.

Vibe!

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4. ‘How To Replace It’ by dEUS (Belgium)


(Photo by Turn Up The Volume)

The Belgian Gods released their new longplayer How To Replace It?,
their first in 10 years, a couple of weeks ago.

The title song is a phenomenal piece. A mid-tempo stunner, driven by big
drums and frontman Tom Barman‘s bewitching vocality. It advances with
swelling orchestration toward the grand symphonic climax.

Top!

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5. ‘Islands In The Sky’ by DEATH VALLEY GIRLS (Los Angeles, CA)


(Photo by Turn Up The Volume)

The amazing Los Angeles Amazons delivered their
best album (so far) Islands In The Sky only last Friday.

The title track is a blissful guitar-pop earworm that sticks from the get-go
with Bonnie Bloomgarden‘s spell-binding vocals inviting you to her island of joy.
I’m on my way. Join me.

You’re in charge of your perception of your life
You can choose what you keep
And what you leave behind

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6. ‘Heart On’ by 2LIBRAS (Seattle)

This Seattle-based Cyberpunk duo – Wesley and Jewels Foster – nailed it with this arousing mid-tempo, electro-drum-beat-driven knockout from their upcoming full length World’s End. It’s sexy, catchy, trippy, and makes your blood pumping through your heart.

Je T’Aime Moi Non Plus for the dancefloor.

Sonic sex.

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7. ‘Samo’ by A CERTAIN RATIO (Manchester, UK)


(Press credit)

Manchester’s vibrant dance legends A Certain Ratio
canned their 11th LP, named 1982. It lands at the end
of March.

Single SAMO is as funky as hell. Consult your doctor
if your limbs refuse to move to this nightclub corker.

Tune in.

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8. ‘Sinatra Drive Breakdown’ by YO LA TENGO (New Jersey)


(Press photo)

The imperishable indie veterans keep on doing what they do best,
releasing notable LPs, this time with fresh one titled This Stupid World.

Riveting psych-riff jam Sinatra Drive Breakdown
is the track I always go back to.

Here’s why.

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9. ‘Scatterbrain’ by FILIBUSTER (Belgium)

This Belgian 4-piece outfit is gearing up for their 2nd longplayer, baptized
Quiet Part Out Loud
, out next month, on 15 March, via Fons Records and
Gazer Tapes
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Newest single Scatterbrain is a riff-roaring rocker that grows on your ears
with every spin. It has a moody, shoegazy resonance annex reflective vocals.
Striking stroke. Bring on the album.

Press play here.

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10. ‘What If?’ by QUIZ SHOW (US)


(Photo by Phil Silverberg)

This fresh high-energetic trio features members from
Shudder To Think, Guided By Voices and The Dambuilders.

Their self-titled debut LP will see the day of light on 17 March.

What If? is a freaked-out, riff-drunk sucker punch that could
easily come from a Hüsker Dü LP. Herky-jerky electricity with
a steamrollin’ sticky chorus. Wowzers.

Lit up here.


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11. ‘I Expire‘ by MALE TEARS (L.A.)

This dark-Goth-wave duo from the City of Angels look like vampires,
they sound like vampires and they fabricate vampirish stuff.

The torrid tandem unleash their
new album KRYPT on 28 April.

Ahead of the release, to get us in the right make-up mood, they hit us
with first single I Expire. A punked-up electro uppercut to set batcaves
on fire with. One listen and the brisk beats will haunt you all day long.

In the accompanying video, Male Tears get straight in
your scared face and suck you into their wicked world.

Roll the tape.

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12. ‘The Court’ by PETER GABRIEL (UK)


Press photo GB – FB

No retirement yet for the once-upon-a-time face/voice
of art-prog-rock titans Genesis. His 9th, solo album,
named i/o lands next month.

Newest single The Court is Gabriel trippin’ in synth-pop land.

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13. ‘Tiger Girl’ by TEROUZ (France)

Canadian pop noir artist Terouz, as I said before, has a midnight-hour voice, that resembles the tone and timbre of Tindersticks frontman Stuart Staples and The National‘s maestro Matt Berninger’s.

His new song is a groovy love-drunk gem featuring the sensuous voice
of his ex-partner. It gets under your skin from the kick-off. Two spins and
you’re hooked.

Beware, tiger girl is a femme fatale.


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14. ‘Death Beats’ by NECRØ (Lisboa, Portugal)

NECRØ is the latest project of Portuguese musician João Vairinhos
featuring idiosyncratic singer and keyboard player Sara Inglês,.

The title track of their 6-track EP Death Beats
is Turn Up The Volume‘s favorite.

A dark-techno-wave rumbling that stomps and whomps with intense
impetus doing your head in from the get-go. Doomed beats for twilight parties.
The tenebrous vibe at play here sends shivers down your spine, while Sara Inglês‘s
ghostly wailing is reminiscent of shadowy Siouxsie Sioux moments.

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15. ‘What A Day’ by THE MYSTERY PLAN (Charlotte, US)


(photo: Daniel Coston)

This Charlotte-based collective seduced my sensitive ears with the title track of
their 3-track EP What A Day. The harbinger for upcoming 7th LP ‘Haunted Organic Machines’.

Feel-good tunes like these are always welcome on my headphones. What A Day is
a breezy synth-scintillating vibration that triggers sensual body moves. Its featherlight tonality causes a dreamy state of mind with trancy tinglings. And when that sweet flute came on, I swear, I saw a Spring bird flutter in the blue sky.

Enjoy!

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16. ‘Lonely Town’ by GALEN & PAUL (UK)

Multi-instrumentalist and songstress GALEN AYERS and former The Clash
bassist PAUL SIMONON have a collaborative album, named Can We Do
Tomorrow Another Day?
out on 19 May.

I’ll be a pretty special one as the pair wrote a collection of bilingual duets, with both of them singing in English and Spanish and explore a variety of European music cultures. First single Lonely Town is a sweet, little pop ditty. You can sing/hum/whistle along.

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17. ‘I Remember What You Said’ by Artist: DYAN VALDÉS (Cuban-American)


(Photo credit: Petra Valdimardottir)

This Cuban-American singer-songwriter, living in Berlin, played/plays
in several bands and works as a solo artist too and has now a new single
out, named I Remember What You Said.

It follows her last year’s excellent debut album Stand.

The pretty poppy song is about a nightmarish memory of a poisonous
relationship. With its agitated words-flowing drive it feels like Valdés
wants to wash away all the BS and move on. Mission accomplished.

Check it out.


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18. ‘Dust’ by SUMMIT OF THE BIG LOW (UK)

Summit Of The Big Low is the moniker of British musician Toby Uffindell-Phillips,
who was a member of the early 00s folktronica group Sound Sanctuary.

This new piece, from his self-titled album out on 19 May, is an affecting folk-pop reverie that streams as a brisk brook. Sparkling, crystal clear, and glimmering in the sun. Its wistful tone, smooth vocals, and frisky finger-picking guitar play combine for a sweet little pearl.

Stream/buy.


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19. ‘Prisoner’ by 7DESCENT (Nashville, TN)

This 4-piece from Nashville produces a mix of metal, opera & 80’s rock.

Their new single Prisoner is about being captured and trapped by someone’s love.
It’s a mid-tempo power ballad that slowly but surely infiltrates your ears with its
anthemic dynamics, impassioned vocals, and weeping guitars.

Play here.

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20. ‘Tongue Of Kalina’ EYEMOUTH (Sweden)

This musical project started in Gothenburg, Sweden in 2014 and presents a soundscape based on electronic backgrounds and a more classic rock instrumentation blended with mellotrons, vibraphone, santur, harmonium and other alluring sounding instruments. In short, atmospheric psychedelic darkness with occult undertones.

Eyemouth‘s new longplayer, titled A Headlong Fall Into The Vast Ocean Of Anxiety reverberates a cinematic synth soundtrack to an atmospheric, hallucinatory dream
movie yet to be made.

Closing track Tongue Of Kalina gives you a perfect idea of it.

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Electro Pop-Noir Artist TEROUZ Grooves With His Teasing ‘TIGER GIRL’

Daily electricity to load your batteries

13 February 2023

Artist: TEROUZ
Who: Hypno pop-noir artist
from Montreal, Canada

New single: TIGER GIRL

Terouz: “Tiger Girl is a testament to resilient women and the empowering effects they have on not just other women, but people altogether. The story is as much about growth through a deeper connection with someone as it is about the hardness of growing apart and finally letting go. It’s also about a deeper understanding of closeness. An introspective look at what it is to really know somebody, from the smell of their skin to the way their brain works. It wouldn’t have been as complete or as authentic as it is right now without my ex’s permission to sample her real personal vocal messages that we exchanged at the time. She has also been a major influence in the creation of this character.”

TUTV: Canadian pop noir artist Terouz isn’t a productive artist as such since the release of his debut single Outstanding in 2019, but the 4 pieces he shared so far (including this new one) are top compositions. As I said before his voice, tone, and timbre balance between Tindersticks frontman Stuart Staples‘ midnight hour voice and The National‘s maestro Matt Berninger’s melancholic candlelight musing.

Tiger Girl‘s love-drunk groove featuring the sensuous vocals of his ex-partner brought the sexy Je T’Aime Mois Non Plus sultriness to my mind but wrapped here in a funky swagger and dance-seducing pulsation.

“She loves to tease
She’ll fight you while
she’s being killed.”

She’s a femme fatale.


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Also trippin’ on Spotify.

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TEROUZ: Facebook

Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – SEPTEMBER 2021

Turn Up The Volume‘s 20 Knockout Tracks for September 2021!
A stream of rattling rippers, jagged jams and romantic reveries.

All together on Spotify…

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Track by Track…

‘Hertz’ by AMYL AND THE SNIFFERS (Australia)

Blustering blast from their second smoking LP Comfort To Me
with punked-up Amyl, as we know her, on an adrenalin rush.

Join her wild ride…

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‘Queen Of Swords’ by TYPHOID ROSIE (Brooklyn, New York)

Rousing Riot grrrl Rosie Rebel and her riff-racing rascals go full steam ahead on
the tense title track of their smoking new album. If you want to know more about this lively gang check the recent interview Rosie Rebel did with Turn Up The Volume right here.

Start your own moshpit…


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‘Leave Me Dry’ by ILA (Belgium)

With this new standout, ILA reveals a total turnover in resonance. She rocks, raves, and rolls backed by steamy wall-of-towering turbulence. Mind you, the heartfelt fervency, personal turmoil and vocal vehemence are still intact. Can’t wait to find out if this is actually another page in her magical music book.

Turn it up…

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‘I Know You Know’ by LORE CITY (Portland, Oregon)

A highlight of Participation Mystique, the fourth longplayer by this most thrilling duo with Laura Mariposa Williams‘ bewitching voice as the heroine. Her psychedelic, gothic,
far-out, and at times wailing timbre magnetizes and hypnotizes while wandering in an orchestral space. Learn more about these intriguing artists in their recent interview
with Turn Up The Volume.

Discover and enjoy…


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‘Spirit Power And Soul’ by JOHNNY MARR (Manchester, UK)

“It’s a kind of mission statement. I had an idea about in electro sound
with gospel feeling. In my own words, an electro soul anthem.”

It’s a pithy psych jam, with spirit, power, and soul of course.

Here comes Johnny…

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‘The Aftermath’ by BEECH (Belgium)

This Belgian quartet brings Scottish daydreamers Teenage Fanclub to mind. Combine this with the band’s slacker rock sensibility and jingle-jangle jives and what you get is a tingling tune. It’s called pop-ular music.

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‘My Drug’ by DAILY WORKER (Austin, Texas)

The alter ego of Texan prize-winning poet and guitarist Harold Whit Williams.

This is a sickly sticky dope tune, one that makes me smile from left to right
and back. One shot of this, and you’ll jump around the room like a kangaroo
on speed.

Feel the vibrant vibe…

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‘Sometime’ by THE HIGH LOVES (Toronto, Canada)

This has everything a perky pop pearl needs. Play it in the morning, in the evening and every hour in between and at the end of the day you feel so much better and most of all it’s a truly helpful way to process a breakup. So much cheaper than therapy.

Press play to change your mood…

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‘Regrets’ by TIDAL WAVE (Toronto, Canada)

Regrets floats on layers of shoegaze guitars and fervid vocals while growing to an engrossing level of electrifying epicness when the glowing chorus kicks in. Trust me,
a couple of spins and you’re addicted. Fact!

Here’s why…

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‘Medicate + Alleviate’ by LIONS OF DISSENT (Wolverhampton, UK)

The fever of The Verve‘s urban hymns, the sassy swagger of Oasis in slo-mo
with 60s organs and the fervent flair of 90s Britpop. The final result is obvious.
A bittersweet blistering symphony. Touchdown!


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‘Young Foxes’ by ULTRA SUNN (Brussels, Belgium)

The darkwave tandem is on depeche modus with this shadow-dancing single from their brand new, second EP Body Electric. Expect booming beats, doomed drones, eerie vocals, and a repetitive bass synth riff that sticks as first-rate glue. A club cracker!

Put your black leather jacket on and shake your booty…

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‘Big Boy Games’ by TEROUZ (Montreal, Canada)

This riveting ripper starts with a mid-tempo drum-driven intro, gliding quickly into
a swing and sway your hips chorus, followed by a moment of reflection. The whole
process repeats itself and gets slowly but surely under your skin. You’ll love every
second of this electro roller coaster.

Here‘s why…

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‘I Miss It’ by JODIE LANGFORD (Hull / East Yorkshire, UK)

This young, outspoken, and observative artist – a female Mike Skinner – reflects the dreadful freedom-restricting sentiments of the past lockdown times in her new word rap waterfall jam. An intoxicating and groovetastic house stomper making you euphoric now that you can freak out again in nightclubs.

Hip, hop and pop this way…

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‘It’s Fine’ by BLACKOUT ORCHESTRA (UK)

“It’s Fine” examines themes of jealousy and insecurity in open relationships.”

Not an easy issue to write a song about, but embedded in an ebullient earworm like
this, it’s fine. Impossible to resist this tremendously infectious corker spinning around like forever inviting you to pirouette yourself dizzy while duet vocals push the pace. No pause, no breathing space, no interval, always straight on.

One spin and you’re hooked…

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‘Wytch Lych’ by VAZUM (Detroit, MI)

Sonically this surreal saga wouldn’t be out of place on a Gary Numan album. Lyrically it’s like an ode to the unknown eternity. In my imagination Wytch Lych resonates like a funeral hymn, celebrating the imperishability of the soul. Stunning vocals, striking synth shadows, and an overall spellbinding impressiveness. Top stuff!


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‘Case History’ by LOSSLINE (Manchester, UK)

When I listened to this new little pearl on Spotify for the first time, it was followed
by the title track of the upcoming LP of The War On Drugs. I swear I thought that
it was another Lossline song. It was that melancholic guitar glow that confused
my ears. It wasn’t until Adam Granduciel‘s voice came up that I knew it wasn’t
the Manchester duo.

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‘I Don’t Live Here Anymore’ by THE WAR ON DRUGS (Philadelphia)

See track above. The moony title track of the new upcoming album, out 29 October.

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‘Lights In The Expanse Of The Sky’ by DREW FIVE (London)

Close your eyes, relax and imagine you’re floating into space where Spiritualized‘s mastermind Jason Pierce lives while playing this hallucinatory ambient trip on your headphones.

The sky is the limit…


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‘Freedom’ by CHRISTINE AND THE QUEENS (France)

French songstress Héloïse Adélaïde Letissier returns with two new songs,
with this one as my favorite. A slow-burning and emotive humdinger with
a gospel-like choir.

Enrapturing…

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‘Sunday Morning’ by MICHAEL STIPE (US)

Last Friday ‘I’ll Be Your Mirror – A Tribute To The Velvet Underground’
came out with a cast of big names honoring the iconic band’s 1967 debut LP.

It’s impossible to top the classic original Sunday Morning (sung by Lou Reed)
but Michael Stipe‘s is pretty impressive.

Have a listen…

See/hear you next month, music junkies…

Darkwave Artist TEROUZ Fascinates With Electro Roller Coaster ‘BIG BOY GAMES’

Daily electricity to load your batteries

16 September 2021

Artist: TEROUZ
Who: Hypno-noir artist
from Montreal, Canada

New single: BIG BOY GAMES

Terouz: “it’s about massive ego wars. A dark twist that reimagines
epic tales of vengeance and betrayal in retrowave galore!
. ‘Big Boy
Games’ will hype you up before any challenge you viciously mean to
obliterate. It’s why I built it for myself. I need the beast in me caged
but ready.”


(Photo by Felipe Collado)

Turn Up The Volume: This riveting piece starts with a mid-tempo
drum-driven intro gliding quickly into a swing and shake your hips
chorus, followed by a moment of reflection. The whole process
repeats itself and gets slowly but surely under your skin. Trust
me, you’ll love every second of this electro roller coaster.

And again Terouz‘s dark voice reminds me of Stuart A. Staples,
the frontman of British band Tindersticks. Haunting, sombre
and tenebrific. Yes, pretty fascinating.

You can buy Big Boy Games via Bandcamp

TEROUZ: Facebook

Turn Up The Volume’s 15 KNOCKOUT TRACKS For AUGUST 2020…

This past month’s best…

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Fifteen Knockout Tracks on repeat this past month!
A fervent fusion of robust rippers and striking strokes.
Here’s Turn Up The Volume‘s Knockout August Team.

‘Vote That Fucker Out‘ by WRECKLESS ERIC and AMY RIGBY (UK/US)
An anger-fueled uppercut, the whole wide world should scream along. A firm middle-finger knockout. Let’s get together and shout at the top of our lungs until the elections
in November. Exit Trump is the world-saving goal, ladies and gents! Let’s act! Let’s sing…

‘A Hero’s Death’ by FONTAINES D.C. (Ireland)
Rollicking title track from the Irish post-punk misfits’ second album.
An unquestionable contender for longplayer of this science-fiction-like 2020.

‘Hail Taxi’ by METZ (Canada)
These Canadians deafening noiseniks have slash and trash chromosomes in their DNA. Don’t even try to resist this wall-balls-breaker, just surrender. New LP Atlas Vending arrives 9th October.

‘Fixer Upper’ by YARD ACT (Leeds, UK)
A mind-twisting crackerjack that’ll do your head in the way you like it. This funky as bloody hell banger sounds as if Mike Skinner and Sleaford Mods joined forces to experiment with intoxicating guitar riffs and turn up the decibels on for once. Cuts like a Swiss knife…

‘Hold My Hand’ by DEATH VALLEY GIRLS (Los Angeles)
Gloriously catchy, peppery and poppy with a cool vintage organ, shake and swing beats, 60s garage glow and Bonnie Bloomberg‘s peek-a-boo vocals. “Love is just like the ocean.

‘You Say’ by MADAME SO (Paris/London)
A spunky standout. A warning message for all hostile killjoys out there. Kicking off
with a powered guitar riff, soon followed by Madame So‘s vox hitting the roof with
the titanic You Say chorus. Smoking stuff, ladies and gents…

‘The Soul Singer’ by THE WATERBOYS (Scotland)
High-energy stroke! A horns fueled belter from amplified folk troubadour
Mike Scott and his band’s new – fourteenth – solid album Good Luck, Seeker.

‘Late At A Festival’ by BLUE STRAGGLERS (Sussex, UK)
Razorblade melodiousness drenched in a pool of kamikaze guitars, going forth and black like a roller coaster on the run. Blur‘s Britpop flair pumped up with tons of illegal decibels. Don’t come late at a festival with Blue Stragglers on the bill or they will find you and make you beg for mercy. You have been warned!…


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‘Trump’s Still In Washington’
by BROKEN SOCIAL CONTRACT (Washington, US)
A razor-sharp rant about that 24/7 idiot in the White House. One-man-band
Justin Donnelly delivers the fitting belter to ventilate our own fury. Play it loud,
play it on repeat, play it until a new real POTUS arrives in Washington.


‘Everybody Will Be Forgotten’
by FAST FRIENDS (Bay Area/Boston/Denmark)
This paranoia punk punch sounds like Weezer on dope, like Green Day kicking that
American Idiot in the face, like the mental result of a lockdown psychosis, like if there
is no tomorrow. Jump and yell along before it’s too late. Right now, right here…


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‘Forever’ by FOLK DEVILS (London)
Once a devoted indie rocker always a devoted indie rocker. Even are all these years you can hear and feel this band’s beating heart and feverish soul burning with strong-willed bravado and hungry desire. Dynamite sound, dynamite tune. Seems like Folk Devils are back forever despite the taste of life going wrong…


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‘My Faith Is Larger’ by SAVING JACKIE (San Antonio, US)
A hot-tempered sucker-slam triggering every single nerve, every single muscle, and every single vein in your shuddering body. If you’re still mourning the loss of Rage Against The Machine, dry your eyes, rise from your bed, and go mental to Saving Jackie. Now!…

‘Burn’ by TEROUZ (Montreal)
This stunner wouldn’t be out if place on a Sisters Of Mercy album, while Terouz’s voice balances between Interpol‘s maestro Paul Banks and Editors‘ frontman Tom Smith.
Get up, stand up, and pirouette yourself dizzy…


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‘Dirty Little Sinner’ by REGENT (Southampton)
This cracker blends Oasis‘ northern flair and Blur‘s power-pop catchiness. A steaming kinetic stomper to play to the max on your stereo so the neighbours can jump around
like doped monkeys too when the boiling chorus kicks in. Pump your fists in the air…

‘It’s OK To Bleed’ by HEAVY SALAD (Manchester, UK)
A trippy, mantra-like chant that will set your free. Light a joint, steal your grandparents’ hippie outfits and join Heavy Salad up there, eight miles high and dream of better times…

All together on Spotify

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See/hear you next month, music junkies…

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Love And Lust Heartbeats – Pirouette Yourself Dizzy To Brand New Single ‘BURN’ By Montreal Artist TEROUZ

Daily fuel to load your sonic batteries…

22 August 2020

Montreal’s hypno-noir artist TEROUZ just dropped
a new bass-beat-rolling single called BURN.

“Originally politically charged, “Burn” was born from a place of anger and despair
in 2015 when I heard about the Charlie Hebdo incident. The lyric, some things are foul,
but no one deserves to burn, popped into my head. It’s a haunting call for intimacy, “Burn” exposes my own vulnerability. Empathy dangles from a string for a shot at love, passion
builds, and then culminates in cataclysmic proportion. Wildfire”
says Terouz.

Despite the fact that BURN is nestled in darkwave territory you will be overwhelmed
by inflammable love and lust. Burning love as Elvis once sang. This insanely guitar-synth banger is pushed all the way by a thumping heartbeat drone. Unstoppable, charged up, and highly propelling.

This stunner wouldn’t be out if place on a Sisters Of Mercy album, while Terouz’s voice balances between Interpol‘s maestro Paul Banks and Editors‘ frontman Tom Smith.
Get up, stand up, and pirouette yourself dizzy…

Press play


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TEROUZ: Facebook

(photo via artist Terouz – press)

Singer/Songwriter TEROUZ Dropped His Rad Debut Solo Single ‘OUTSTANDING’…

Daily fuel to load your sonic batteries…

11 August 2019

Artist: TEROUZ

Who: The guise of Cairo born Illustrator/singer/songwriter Karim Terouz, who moved to Montreal in 2008. He fronted and managed award-wining, brassy, folk/rock quintet ‘The Rsing Few‘ for several years

Pick: OUTSTANDING – solo debut single – “an ode to my journey of renewal. It documents a major growth spurt of self-acceptance, letting go, going for it, forgiveness and deep love, not to mention tons of hysterical and sombre sarcasm – my life experience steeped in loss, pain, and fierce reality checks. All of this led me to wisdom, strength, love, and a deep appreciation for good old, consistent groove” says Terouz

Score: This is high-quality songwriting. Pop noir at its very best. Both catching and touching with echoes from The National and Beirut. Amazingly orchestrated, richly arranged and Terouz’s appealing vox all over it. Capture the dancey vibe right here…

TEROUZ: Facebook