TURN UP THE VOLUME’s 30 BEST TRACKS OF 2022
ALL TOGETHER on Spotify…
1. ‘Twitchin’ in The Kitchen’ by WARMDUSCHER (London)
This punky-funky disco corker is the perfect pick-me-up tune for all the wacky
weirdos who are always in the kitchen at parties waiting for free drinks and waiting
for Warmduscher to come in and kick their lazy asses. Big stroke, big chorus, big fun!
From the gang’s rad 4th LP At The Hotspot.
Twitch as much as you want.
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2. ‘I Saw’ by YOUNG FATHERS (Scotland)
The Scottish dance-funk-punk trio YOUNG FATHERS launch
their 5th LP called HEAVY HEAVY on 3 February.
Ahead of hit came this ridiculously sticky stunner I SAW.
A master blaster that makes your blood stream faster
through your veins. The addition of a choir in the back
works on the spot.
Touchdown!
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3. ‘Slowly Separate by CROWS (London)
This London post-punk team unleashed their 2nd scorching album
Beware Believers, last April. One of TUTV’s best full-lengths of 2022.
Slowly Separate is a schizo sonic serpent generating a mind-blowing backwash
while chainsaw guitars turn up the decibels to an illegal peak, and vox-in-the-middle
James Fox rages and blazes through his teeth.
Fucktastic!
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4. I’ll Make You See God’ by THE AFGHAN WHIGS
The by now legendary passion rockers from Cincinnati, Ohio with mastermind Greg Dulli leading the troops. Their new 10th LP How Do You Burn? was voted Best Album Of 2022 on Turn Up The Volume.
I’ll Make You See God was the lead single. A sturdy steamroller, a red-hot-heated juggernaut, an unstoppable cannonball going everywhere fast. Manic blitzkrieg
guitars, ruthless drum/bass attacks, Greg Dulli‘s rush of blood vocality, and a brutal
finish. Flabbergasting.
Dulli: “That’s one of the hardest rock songs we’ve ever done.
It was written and performed on sheer adrenalin.”
Hear God here.
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5. ‘I Am Kate Moss’ by DITZ (Brighton, UK)
This frenetic Brit force hit big time with their dazzling
debut album The Great Regression last March.
Single I Am Kate Moss is a cast-iron brainbreaker. It’s a poignant, biting, and
anxious uppercut. I’m pretty sure Moss would love this hit-and-run drone when
it would hit her ears. She is, after all, the Femme Punk Fatale of fashion.
I cut a striking figure
And it cuts me back
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6. ‘The Prophet by THE CHRONICLES OF MANIMAL AND SAMARA (London)
The Prophet progresses like a vicious viper sliding to its prey until a horrific explosion strikes you in the face. Next is a titanic bass riff that keeps the roller coaster turning with scary speed. This flabbergasting monster is part of their 2nd notable longplayer Trust No Leaders.
Helter Skelter!
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7. ‘Frankenstein’ by TRAMP (Northern Ireland)
About: “As a story or metaphor, we are all ‘Frankenstein’s monster’ – made up of
other people’s opinions and parts that don’t belong to us. That we were born
perfect but people, in their own conditioning, come along and can make us feel
undesirable/inadequate/the monster. But we can choose to be real instead.”
This is without a shadow the best debut single of 2022.
A towering tune going low, high and back. A sickly sticky pop gem wrapped in
a big-boisterous wall-of-sound. And up front, Sianna Lafferty‘s phenomenal voice
causes goosebumps when she reaches for the sky on the chorus. The ardency of
Porridge Radio comes to mind.
“I am not what you want me to be
Uncle Sam won’t even point at me
Even the eyes of the Virgin Mary wall
hanging won’t even stare at me.”
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8. ‘Kill Me Again’ by THE WAEVE (UK)
British duo THE WAEVE – Graham Coxon (Blur) and songstress
Rose Elinor Dougall – uncage their first collaborative, self-titled
album on 3 February. Pre-order info here.
Kill Me Again, one of three pieces shared so far, is an infectious groove
propelled by a pounding synth/bass riff, spiced with Coxon on saxophone
and mesmerizing (duet) vocals. Splendid stuff. Bring on the LP.
Play the killer here.
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9. ‘Chaise Lounge’ by WET LEG
This power pop sensation impressed big time with their self-titled debut album. The outstanding dingle Chaise Longue – catchy, funny and witty caused choirs of thousands of sing-along people at festivals this past summer as I experienced myself, not at Glastonbury (below), but in Belgium at Hear!Hear! fest.
Fabulous!
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10. ‘Live To Love’ by ILA
After releasing her sterling debut LP last year, songstress Ilayda Cicek and her band
came back this year for a series of riveting concerts (I saw 5 of them) and this sublime single. Her passion, her vivaciousness and vocal fervency push this electrifying pearl
way up to the stars.
Top emo-stroke.
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10. ‘Power’ by WHERE WE SLEEP (London, UK)
Where We Sleep is the alter ego of Beth Rettig,
former front force of electro-rock band Blindness
On this boiling groover Rethig rants non-stop with anger and frustration.
A nasty bass riff is the backbone here, while layers of menacing guitar
electricity augment this ripper’s rowdy roll.
A crystal clear statement, a menacing projectile.
“They Don’t Want The Truth / They Just Want The Power”
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11.’Backwash’ by GILLA BAND (Gilla band)
The raw Irish post-punk bulldozer bombarded our ears
last October with their third LP, titled Most Normal.
One of the singles was this straightforward stonker.
YEAH!.
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12. ‘Nothing Good Comes Easy’ by DEAD LEVEE (Canada)
What a wowzer! This uplifting motherrocker boosts your state of mind with
fired-up dynamism from the get-go. Rapid-fire rawk and roll riffs switch on
a fervent feel of euphoria. It did it in the past, it does it in the present and
it will do it in the future.
Despite all the BS we have to endure (pandemic, Ukraine, natural disasters,
and other threats) it’s never too late to get back on track and why not start
with 4 and a half minutes of heart-warming guitar-fueled boogie-woogie
that triggers hope and assurance.
Let’s roll.
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13. ‘Frenzy’ by IGGY POP (Detroit)
Stoogefather IGGY POP still wants to be your dog.
He has his new – 19th – LP, named Every Loser
lands out next week, on 6 January.
Lead-single was the perfect harbinger. A motherfucker of a punk bomb
featuring an all-star band including Watt, Guns N’ Roses‘ Duff McKagan
and Red Hot Chili Peppers‘ Chad Smith.
I’m in a frenzy
Fucking prick
I’m in a frenzy
Goddamn dick
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14. ‘Something Good’ by CASUAL DRAG (Scotland)
It’s been two years since these Scottish hound dogs made
my speakers tremble with their furious Johnny single.
But on their steamy comeback stomper they still have the same barnstorming
groove and move drive. Something Good is a nasty rip-roaring-riff jackhammer,
annex agitated vocals, rotating in your head in an ear-blink. Think NYC’s darlings
Interpol playing The Fall. Something good? Way better, something ace!
Play it loud.
.
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15. ‘Welcome To Hell’ by BLACK MIDI (London)
Geordie Greep (vocalist, guitar): “Almost everything I write is from a true thing, something
I experienced and exaggerated and wrote down. I don’t believe in Hell, but all that old world folly is great for songs, I’ve always loved movies and anything else with a depiction of Hell.”
A screwy zig-zagging haymaker it is.
From their head-spinning 3rd LP
Hellfire.
Burn here…
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16. ‘Dumb’ by BURN THE LOUVRE (Canada)
The musical project of singer/songwriter Jordan Speare
assisted by guitarist/bassist and friend Andrew Billone
They just have their debut album, titled Silhouettes out after
releasing its 11 songs the past 12 months, one per month. Dumb
is my absolute favorite.
An instant earworm. Pop perfection. I lost track of the number
of times I had this gem on my headphones. Say no more.
Press play.
.
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17. ‘Mañana’ by JAMES DOMESTIC (Essex/Suffolk, UK)
“A paean to taking your foot off the gas and letting things slide, or a warning of the perils of procrastination, perhaps? It’s hard to tell whether ‘Mañana’ is meant to serve as a confessional regarding Domestic’s own perceived lack of willpower, or a celebration of idleness. It could be either of these things; and that’s one of its many joys.”.
A sirens intro, David Bowie‘s saxophone, and steel drums straight from Trinidad. Sounds like an exotic swing and shake ditty is coming up. No folks, it’s a lazy rap-sody you can play the morning after a booze marathon to get up and sober up, slowly.
Soul voice Clare Gillet takes care of the chirpy chorus.
Subscribe!
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18. ‘The Hurt Within’ by HOLY COVES (Wales)
These Welshmen released their new excellent album Druids and Bards
displaying mastermind Scott Marsden high-quality songwriting.
This impassioned hard-luck story is my fav cut. It grows slowly but surely into a soul-stirring and mesmerising heartbreaker with an epic finale. Glowing guitars, a steady drumbeat, and mixed-emotions vocals all come together for a poignant performance.
‘Love Is Cruel / The Hurt Within’. You can feel it.
Enjoy.
.
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19. The Speed’ by ULTRA SUNN (Brussels)
This wholly charismatic and fast up-and-coming darkwave duo mixes Gothic Depeche Mode beats, with sonic Human League echoes, bass-synth-riffs à la German legends D.A.F. and spice it all up with spooky vocals. And it looks like 2023 will even be bigger than 2022.
.
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20. ‘Leader’ by MEMES (Scotland)
After their eponymous bonkers debut EP (2020) followed by some staggering singles,
the high-decibels tandem nail it with another sucker punch. Leader is a funk-punk riff ripsnorter that kicks forth and back before a freakish guitar outbreak slashes and
trashes its way to the end.
Watch out for the pigman,
he looks like a meme in disguise.
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21. ‘Demolition Row’ by METZ (Toronto, CA)
“It’s a warning, an unflinching assessment of the vastness and insignificance of this
life, is precisely counterbalanced by their lesson, which models the resilience that this understanding demands. ‘Demolition Row’ is persistent, concise, and alarmingly physical.”
This blustery belter is vintage Metz. Full blast ahead. The track
featured on a split 7” with London-based group Adult Life.
From Dylan’s Desolation Row
to Metz’s Demolition Row…
.
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22. ‘Digging’ by NOTHINGHEADS (London)
Once I learned that this startling belter is about the horrible exploitation of human
beings by ferocious money sharks this jagged jackhammer blew my mind even harder than I heard it the first time before knowing about the band’s inspiration for this slam.
Expect rabid guitars, doom-and-gloom vocals, and frantic
twists and turns until the chaotic finale. Post-punk at
its razorblade best.
Dynamite.
.
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23. ‘Chemical Emotion’ by JEEN (Canada)
Jeen: “It’s about letting yourself drift in the flow of everything and hanging on as hard as you can to what makes the shitty parts more tolerable…I was thinking of that Hunter S. Thompson quote, “buy the ticket, take the ride.” It was written in April 2021, which was a rough part of last year for me. I needed to write something that reminded me to tread lightly, to forget about the heaviness of everything.
After only one spin, my ears told me that Chemical Emotion is an bewitching pop doozy. Jeen‘s emotive voice bewitches right away, the mid-tempo cadence emphasizes the meditative reflection perfectly, the compelling chorus brings Alanis Morissette to mind, and overall the orchestral sonority and the layered harmonies lead to a thrilling triumph.
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24. ‘Edie’ by STEPH SWEET (UK)
This is the spellbinding title track of this enigmatic songstress’ newest album
The dark garage guitar swagger of this nightmarish cracker is irresistibly
magnetic. Think trash-and-slash duo Royal Trux. Both eerie and haunted.
Top!
.
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25. ‘We Are Ukraian’ by OSCAR MIC (London)
Oscar Mic wrote this song after witnessing the horrific violence of
psycho Putin’s illegal invasion of Ukraine on the news. All proceeds of
the song weent to Save The Children’s Ukraine Appeal.
We Are Ukrainian is a vivid hp-rap-pop anthem featuring steel drums
and timpani balancing somewhere between Roots Manuva and Mr. Scruff.
“Fleeing people running scared, so tell me Where’s the justice? Our leaders say they care,
tell me can you trust this? Urban warfare, your home’s done and dusted, Aiming at the
public, they wouldn’t? They just did,”
Fuck Putin.
.
26. ‘Zick Zack’ by RAMMSTEIN
27. ‘Forever In Sunset’ by EZRA FURMAN (Chicago)
28. ‘Troglodyte’ by Viagra Boys (Sweden)
‘29. ’15 Again’ by SUEDE (UK)
30. 30. ‘The Dripping Tap’ by KING GIZZARD AND THE LIZARD WIZARD
