Band: NIXER Who: Energizing indie duo from Dublin, Ireland. It began as
a conversation online between two friends at the beginning
of the global pandemic. What seemed like an ordinary catch-up
back in April 2020, turned into something very exciting.
New track: OUTSIDER
Second release from the upcoming EP
“‘Outsider welcomes, or unwelcomes, two characters to the narrative.
The song deals with isolation and the feeling of being unwanted but
from the perspective of the empathetic observer. The track opens with
discrete chatter about these ‘other’ people, but as the track develops we
learn that the song is about worry and concern for others, rather than
the exclusion of them.”
Turn Up The Volume: It’s pretty crowdy at the start of this instant
knockout and pretty awesome when a recklessly rotating riff blasts
out of your quavering stereo and races like a supersonic bolide towards
the glowing guitar outro. Synths infiltrate here and there to augment the
dance vibration of this Krautlike flare-up to an irresistible level. Warning:
your head will spin 360° like Linda Blair‘s in The Excorcist.
Now, get together all you in/out-siders
and start to jump around, united.
People are so hard to read
People are so hard to read
Outsider sympathiser
People are so hard to read
People are so hard to read
Outsider sympathiser
The by now legendary passion rockers THE AFGHAN WHIGS from Cincinnati, Ohio
with mastermind GREG DULLI in the middle are back from never been away, although
it’s 5 years since last album In Spades made my ears shake.
New singleI’ll MAKE YOU SEE GOD is a striking steamroller, a red-hot-heated ripsnorter, an unstoppable cannonball going everywhere fast. Manic blitzkrieg guitars working their way to an explosive finish, ruthless drum/bass attack with merciless force, and Greg Dulli‘s avid vox add a rush of blood vocality. This slam dunk will feature in the upcoming PlayStation game Gran Turismo 7.
Dulli: “That’s one of the hardest rock songs we’ve ever done.
It was written and performed on sheer adrenalin.”
Info: “The album is about the life and legacy of Dave’s father, indigenous identity, death,
grief and God. And also the Angel, Islington. Although the album is eclectic – influences range from American minimalism and contemporary classical, to drawing upon the legacy of Britain’s alternative/indie scenes, from drum ‘n’ bass to the most transcendent moments of Britpop .” (Rough Trade)
New track: SPIRIT BOY
4th track from the forthcoming album
I thought at first it was a Bright Eyes song as frontman David Le’aupepe’s voice
resembles Conor Oberst‘s one wondrously well here. Also, Spirit Boy has that same
emotive intensity as Bright Eyes ballads. Mesmeric magnificence in motion.
“Our beloved friend Mark Lanegan passed away this morning at his home in Killarney,
Ireland. A beloved singer, songwriter, author and musician he was 57 and is survived
by his wife Shelley. No other information is available at this time. We ask Please respect
the family privacy.”
Kate Bush is on the cover of Uncut, on sale now. The issue
also comes with a 15-track CD of new folk visionaries. There’s
also Nick Drake, Ronnie Spector, Fontaines D.C., Television, Shane
MacGowan, Radiohead and plenty more.
Artist: ALICE GLASS Who: Canadian singer/songwriter who was electro
act Chrystal Castles‘ voice for 8 years. She left in
2014 to start her solo trip.
Debut album: PREY///IV Released: 18 February 2022 – Order infohere
NME: “The unbreakable artist has reemerged from the wreckage of her former band,
Crystal Castles, with a lazer-focused, brutally honest solo debut… As well as functioning
as a pun, the title of Alice Glass’ debut solo album ‘PREY//IV’ is a strong statement.
Continuing with the Roman numeral naming-scheme used on the three albums she released with former electroclash band Crystal Castles, it’s a clear middle finger in the direction of her ex-collaborator Ethan Kath, whom she accused of abuse and manipulation (which he denies)… An astoundingly honest, and at times brutal, listen, ‘PREY//IV’ still ends on a note of hope.” Score: 4/5.
Alice Glass (in an interview with NME): “If I could take a pill and erase all my memories, I would. I didn’t think I would be here – I thought I’d be dead for sure. I was very suicidal as a teenager and young person… There’s so much suffering in the world, and I bring [up my difficult experiences] now because, in a weird way, every time I open up about this, somebody writes me or sends a really nice message where they can relate to what I’m saying. It’s been really helpful for me psychologically to put things out. That’s what this record is like for me: I’m going to put my pain out into the world and then I don’t own it anymore.”
TURN UP THE VOLUME: Black electro-pop. Industrial hits and drones.
Excorcistic escapes. Alice in horrorland. Transfixing and nerve-racking.
Singles/clips: Fair Game / Baby Teeth / Love Is Violence
The artwork was designed by actor and friend Dean Stockwell (who passed away last year, he was 85), It features Connie Moskos, then the girlfriend of producer David Briggs, with a bottle of Canadian whisky in her hand and an intoxicated Young with his face pressed against the glass floor.
Danna Margolin: “Back To The Radio” feels like a huge introductory hello or
a big ceremonial goodbye. I wrote it at the end of 2019 when we were gearing
up for the release of Every Bad and I felt like a lot of things were coming that I
wasn’t sure I knew how to handle.
The song grew out of a feeling of intense loneliness and being unprepared for
what everybody was promising me was about to happen – and a strong desire
to escape without knowing what I wanted to escape to. To me there’s a huge
feeling of catharsis in this song, of letting go and letting it sweep you away.”
Turn Up The Volume: This is one of those songs that hypnotise from
the get-go to the eager finale. A feverish chant, one long chorus with Marglin‘s delirious voice causing goosebumps. Stupendous piece!