Turn Up The Volume’s 20 KNOCKOUT TRACKS Of 2020 – Simply The Best!

22 December 2020

I love the smell of rock and roll.
Here come Turn Up The Volume’s
20 Knockout Tracks
of 2020.
Nothing but the best! Hands down!

1. ‘State Of The Union’ by PUBLIC ENEMY (Long Island, New York)
Time to get up and leave the White House, Donald Dumped. You split the USA right down the middle, you’re a disgrace for America, for humanity and the whole wide world. GO!

From brill album: What You Gonna Do When the Grid Goes Down?

Unprecedented, demented, many president’d / Nazi Gestapo dictator defended / State of the Union, shut the fuck up / Sorry ass motherfucker / Stay away from me / State of the Union,
shut the fuck up

2. ‘Ultra Plus Ultra’ by ELEFANT (Belgium)
The Belgian sound-exploring motherrockers unleashed their second stupefying album Behajung  early this year with Ultra Plus Ultra‘ as one of the dazzling highlights.
A schizophrenic sonic blast with balls. Abso-fucking-lutely cool! VREE WIJS! You betcha!

3. ‘Hot Slick’ by PINS (Manchester, UK)
A hot stuff disco stomper that should be played in all discotheques around the globe,
from one of the coolest gangs on the planet. Bad girls forever. Title track from their swirling party album. Saturday night pins fever all the way!

4. ‘Under The Spell Of Joy’ by DEATH VALLEY GIRLS (Los Angeles)
Sickly sticky like first-class glue. With an angelic choir, feet-tapping drum beats, sweaty
sax flames and a mental finale. Yes, it’s Death Valley Girls en-joy-ing themselves in a new sonic zone. Don’t resist the spell! From the rad, same titled full length.

5. ‘I Found Out’ by OFFWORLD (UK)
Hard-Fi‘s frontman Richard Archer and imposing vox Krysten Cummings realized a high-powered tour de force. An epic heart and soul explosion! TOP! Waiting for the album!

6. ‘Never Ever Ever’ by BOA Vs COBRA (Belgium)
Don’t mess with charismatic frontwoman Sandy Fee who rants unambiguously about a toxic relationship from the very start when ‘Bad bad bad boy‘ bursts out of your speakers. The decibels turn up when the ablaze chorus kicks in. Stunning uppercut!

7. ‘American Dream’ by TOKYO TABOO (London, UK)
A steamy stunner with an explosive in-your-orange-face-intro, kick-starting this
clamorous jackhammer instantly with a titanic wall-of-blazing-riff hurly-burly and deafening percussion slams. YEAHHHHHHHHHHH!

Hey Mr President
You’re just a joke
Kids dodging bullets
World’s up in smoke

8. ‘Sweet’ by PORRIDGE RADIO (UK)
A towering loudQUIETloud haymaker with Margolin‘s repeating magnetically ‘I’m charming, I’m sweet and she will love me when she meets me‘. Emotive belter from the band’s excellent album Every Bad. Porridge Radio is on its way to world domination! Capeesh??

9. ‘Mr. Motivator’ by IDLES (Bristol, UK)
A riff-roaring ripper made to start crowded moshpits at gigs (for now you need to pirouette yourself bananas at home). A red-hot-blooded corker that does your head in. Hells Bells! Album: Ultra Mono.

10. ‘A Hero’s Death’ by FONTAINES D.C. (Ireland)
‘Life isn’t always empty ‘ states frontman Grian Chatten in his characteristic parlando
flow while the band grooves non-stop. Album: A Hero’s Death.

11. ‘Dark Blue’ by THROWING MUSES (California)
A firm banger driven by a solid beat with a pounding guitar groove, Kristin Hersh‘s characteristic sensual voice, and a catchy polyphonic chorus. Throwing Muses rocks!
From the band’s highly acclaimed longplayer Sun Racket

12. ‘The Rise And Fall Of America’ by THE MOODS (Manchester, UK)
A crystal clear stream of cutting lines as sharp as a brand-new Swiss knife. It’s The Moods‘ towering take on the bombastic American National Anthem. They rock, roar and rage. The Moods kick ass! Go home Donald Duck Trumpet!

13. Psychopath’s Monologue by THE CHRONICLES OF MANIMAL AND SAMARA
A 2020 Apocalypse Now Odyssey. It all starts enigmatically with Samara reciting her Dante’s Inferno inspired poem in a haunting foreplay tone until Manimal shows up and all metallic hell breaks loose. Learn more about this year’s most intriguing act in their interview with Turn Up The Volume right here.

14. ‘Paycheck’ by LEG PUPPY
A dizzy disco-ball drone making you jump up and down like a kangaroo on E. It goes bang, bang, bang, and bang with crazy duet vocals all over it and that psych-o-delic surf guitar riff that messes up your mind the way you like it. Dance floor blast. PAY THEM!

15. ‘A Reason To Celebrate’ by bdrmm (Hull, UK)
Delightful shoegaze rainbow. Like a nightingale symphony waking you up in the morning. From – yes, ladies and gents – the best debut LP of the year with Bedroom.

16. ‘Out Of The Shadows’ by GREAT HARE (Sweden)
From the stimulating intro on you’ll tap your feet, without even noticing it. This is the wake-up-call I want to hear when I can’t get out of my bed in the morning. You simply can’t resist this shot of adrenaline. This is what elevating pop is all about.


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17. ‘Man Of Chaos’ by FLIGHT ATTENDANT (Nashville, US)
A feverish cracker and jaw-dropping power slam. The sensual, magnetic, and spellbinding vocals create a sort of delirious trance. And when, unexpectedly, bouncy strings kick in as a harbinger for a vibrant finish you’ll reach a sonic orgasm.

18. ‘Rainbow Records’ by OCEANOGRAPHY (Oakland, CA)
Glorious guitar pop stonker getting your aural attention from the get-go with a repetitive riff sticking immediately. Inflammable passion, scintillating ardency, and vehement fervor. Big tune, big sentiments and a big voice reminding me of Greg Dulli‘s imposing vocals at times.


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19. ‘Maggot Line’ by THE BATTERY FARM (Manchester, UK)
“We all gonna die and it’s our fault.” This is not just a punk slogan. It’s the fucking truth. Middle-finger to all those buffoons who ignore global warming, corona and The Battery Farm. NO MERCY!

20. ‘No Rock Save In Roll’ by CORNERSHOP (UK)
A rattling Stones-esque garage rocker with an unstoppable groove that makes you
want to jump in the street and have a sweet little dance (with mouth mask on).

All together on Spotify

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One Of The Sensations Of 2020 – Discover Soul-Stirring And Electrotonic Power Duo BOA VS COBRA

1 October 2020

Artist: BOA VS COBRA
Who: A new indie Belgo-Canadian electro-pop-soul-rock duo with towering voice
Sandy Fee (vocals-lyrics-composition) and JP King (bass guitar-percussions-lyrics-composition)

This Brussels based duo met each other two years ago, built up a stunning sonic
chemistry, and hit the scene this year with 4 striking singles. All killers, no fillers.
Let’s have a closer look.

NEVER EVER EVER: When ‘Bad bad bad boy‘ bursts out of your speakers you know something really special is about to happen. Expect a fulminating rap eruption, a
smashing chorus, and pounding beats. This cracker will definitely end up in Turn
Up The Volume’
s top ten of 2020.

DEVIATE: A booming disco knockout, a deep pop-house hook, and a striking synth whopper that raises your body temperature on the spot and invites you to do a
seducing cobra dance. Don’t hesitate. Stand up and move!

BLACK SHEEP: A new wave hymn propelled by rhythm and blues verses. A Béyonce like
cry out! Funky, groovy, haunting, and full of angry passion and emotive disappointment. Again Fee‘s voice is the star in the middle. Again the fascinating sound is superb.

BRIGHT DAYS: The soul-stirring debut single showing immediately the high potential
of these two artists. Vocally, musically and lyrically. No songs about the birds and bees. Only songs about deep-rooted emotions, daily experiences, doubts, but still hope for
a better future.

All on Spotify too…

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BOA VS COBRA: Facebook

TURN UP THE VOLUME’S Fifteen Knockout Tracks Of 2020 (So Far) – Hands Down!

This year’s best tracks (so far)…

Yes, we have already reached the middle of 2020. A surreal year we will never forget.
Fortunately, the music – on record that is – kept most of us alive and kicking.
Here are Turn Up The Volume’s 15 best tracks of 2020, so far…

‘I Found Out’ by OFFWORLD (UK)
Hard-Fi‘s frontman Richard Archer and imposing vox Krysten Cummings have the right human mindset and rad songs to confirm that. ‘I Found Out’ is a high-powered soul tour
de force. An epic heart and soul explosion from their upcoming album. Top stroke!

‘Hot Slick’ by PINS (Manchester, UK)
A hot stuff disco stomper that should be played in all discotheques around the globe,
from one of the coolest gangs on the planet. These bad girls forever also made one of
the best party albums of the year (so far) with eponymous longplayer Hot Slick. Bingo!


‘Ultra Plus Ultra’
by ELEFANT(Belgium)
The Belgian sound-exploring motherrockers unleashed their second stupefying album Behajung  early this year with Ultra Plus Ultra‘ as one of the dazzling highlights.
A schizophrenic sonic uppercut with balls. Abso-fucking-lutely mental! You betcha!

‘Dark Blue’ by THROWING MUSES (Boston, US)
A firm banger driven by a solid beat with a pounding guitar groove, Kristin Hersh‘s characteristic sensual voice, and a catchy polyphonic chorus. Throwing Muses rocks!
The band’s brand new longplayer SUN RACKET hits the street on 4th September.

‘Never Ever Ever’ by BOA Vs COBRA (Belgium)
Don’t mess with charismatic frontwoman Sandy Fee who rants unambiguously about a toxic relationship from the crystal clear start when ‘Bad bad bad boy‘ bursts out of your speakers. Don’t forget to turn up the decibels, even more, when the ablaze chorus kicks in.

‘Man Of Chaos’ by FLIGHT ATTENDANT (Nashville, US)
A feverish cracker and jaw-dropping power slam. The sensual, magnetic, and spellbinding vocals create a sort of delirious trance. And when, unexpectedly, bouncy strings kick in as a harbinger for a vibrant finale you’ll reach a sonic orgasm. Heated stuff from Nashville!

‘Mr. Motivator’ by IDLES (Bristol, UK)
A riff-roaring ripper made to start crowded moshpits at gigs (for you only can pirouette yourself bananas at home). A red-hot-blooded corker that does your head it. Hell’s Bells!

‘Crossbow’ by TAMAR APHEK (Israel)
A shattering juggernaut, dynamized by a rattling machine-gun drum, mind-blowing bass vibrancy and a thunder and lighting guitar force. This is a cutting crackerjack rolling over you like an unstoppable high-speed train, with a fiery and exploding finale. Yeah!

Control‘ by AMYL AND THE SNIFFERS
This Australian tornado – the new Stooges fronted by head-spinning punkette AMYL – woke up the dead with their boiling debut LP last year. To keep up the heat they dropped a live EP recently with ‘Control‘ as the brain-breaking standout. Go nuts, right here right now…

‘Sweet’ by PORRIDGE RADIO (UK)
A towering loudQUIETloud haymaker with Margolin‘s repeating magnetically ‘I’m charming, I’m sweet and she will love me when she meets me‘. Passionate belter from their excellent album Every Bad. Porridge Radio is on its way to world domination! Capeesh??

‘Downer Surrounded By Uppers’ by MRS. PISS (US)
Bloodcurdling shrieks from hell. Goth hysteria by gloom and doom sisters in crime Chelsea Wolfe and Jess Gowrie. More bone-chilling screams on their pitch-black LP Self Surgery.

‘Home Thru Hell’ by DEAP LIPS (CA, US)
When led zep blues-rock duo Deap Vally and symphonic fairy-tale eccentrics
The Flaming Lips team up you can expect firework like on this Yahama motor highlight from their self-titled debut album. One of the best longplayers of 2020 (so far).

‘Hopeless Romantic’ by OH BROTHER (UK)
A loud and crystal clear invitation to get out of your straitjacket, to open your windows, and scream at the top of your lungs to ventilate all your rage, frustration, and fury while jumping like a kangaroo on tons of speed. A stone gold 24 Karat rocker. Bang Bang!

‘Lockdown’ by From The Specials – Neville Staple (UK)
Swinging 2Tone lockdown humdinger written in isolation by original Rude Boy Neville Staple and his wonderful wife Sugary. Perfect tune for a safe house-party. Get up, stand up, and fight for your right to do some ska moves in these special(s) times. Shake your booty.

‘United We Stand’ by CONFIDENCE SURVIVAL (Nigeria born, Canadian based) )
Black lives matter. Black music matters. This the official COVID-!9 Victory Song
written by this highly caring Nigerian reggae artist. The only way to survive is by
doing it together in unity. Listen to her excellent full EP Confidence Is Key.


‘Murder Most Foul’
by BOB DYLAN
A 17-minute epos about America in the sixties, centered around the world-changing assassination of president John F. Kennedy on 22 November 1963. Only living legend Bob Dylan (the best singer-songwriter-poet of all time in my book) can write such a compelling, epic story. It sounds like a musical book. Brilliant piece by the Nobel Prize winner.

All together on Spotify

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Have a great summer, music junkies…

BOA vs COBRA Scores Again With New Third Single ‘NEVER EVER EVER’…

Daily electricity to load your sonic batteries…

6 May 2020

Talking about entering the music scene through the main gate with fervent fireworks.
After the first two singles, the affecting debut Brighter Days and mighty booming disco blow Deviate Belgo-Canadian BOA vs COBRA scores again with their brand new, third splendiferous slam.

‘NEVER EVER EVER’ is “dedicated to any person getting relieved from a toxic love affair. The revenge from this traumatic experience is that: After me, You (the toxic one) will (anyway) “never ever ever” want a woman again. Kind of cruel isn’t it?”. Oh yes indeed, this steaming stomper will scare all noxious lovers who fucked up a relationship real badly.

Frontwoman Sandy Fee rants unambiguously from the clear-cut start when ‘Bad bad bad boy‘ bursts out of your speakers. She switches to a fulminating rap eruption to express her deep-seated anger when the irresistible, smashing chorus kicks in followed by a pounding beat that detonates in your face. ‘Never Ever Ever’ is without a shadow of a doubt one of the most explosive singles of the year. You have been warned. Don’t mess with Fee, don’t even try or she’ll crush you like you never ever ever been crushed before. She’s a mean groove machine who does not hesitate to start a fight with bad boys. Hell yeah!

I strongly advise you not to cheat when you’re playing pool vs Boa…

BOA vs COBRA: Facebook

Electro Pop Duo ‘BOA vs COBRA’ Hits Again With Booming Beats – Here’s ‘DEVIATE’…

Only last week fresh electro-pop act BOA vs COBRA, a Belgo-Canadian tandem with Sandy Fee (vocals-lyrics-composition) and JP King (bass guitar-percussions-lyrics-composition) was Pick Of The Day on Turn Up The Volume with their intoxicating and ravishing debut single ‘Brighter Days‘ and the colorful pair is already back with another supreme stroke.

DEVIATE is a booming disco knockout, a deep pop house hook, and a striking synth whopper that raises your body temperature on the spot and invites you to do a seducing cobra dance. The reverberating beats and Fee‘s awe-inspiring voice make you forget these spooky quarantine days for a while. So don’t hesitate, clear your living room’s floor and have some Saturday night fever.

Tune in right here…

BOA vs COBRA: Facebook

New Electro Pop Duo ‘BOA vs COBRA’ Impresses With Debut Beauty ‘BRIGHTER DAYS’…

Daily electricity to load your sonic batteries…

19 April 2020

Artist: BOA vs COBRA

Who: A new indie Belgo-Canadian electro-rock-pop duo with Sandy Fee (vocals-
lyrics-composition) and JP King (bass guitar-percussions-lyrics-composition)

Song: BRIGHTER DAYS  – debut track – second song ‘Deviate‘ will be released
22 April and upcoming 5-track EP follows on 22 May.

Score: My oh my, talking about an impressive debut. ‘Brighter Days‘ gets under your
skin from the very start with Sandy Fee‘s spellbinding voice sounding at the end like Marianne Faithfull‘s nicotine infected vocals chords, while glittering guitar and bass
sparks are creating an electrifying feel with an excitatory touch. As this affecting humdinger moves on you feel the emotional intensity going up too, causing an
intoxicating effect. Marvelous performance, wondrous beauty.

Feel the vibe here…

BOA vs COBRA: Facebook