Turn Up The Volume’s 20 BEST TRACKS Of The Month – SEPTEMBER 2022

A stream of rattling rippers, jagged jams, and magnific musings

All 20 on Spotify.

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TRACK BY TRACK

Band: AUS!Funkt
Who: Post-punk misfits from Toronto, embracing in the process
the elements of electronica, dub, disco, garage rock and blues
while maintaining grittiness, simplicity, and repetitiveness.

Track: PROLOGUE (SHALLOW).
My favorite cut of their new dance-crazy
EP Hey! I See You.

If your limbs don’t get activated by this stomping synth stunner
it’s time to get on the phone and fire your shrink. Right now.

For everybody else, shake your booty.


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AUS!FUNKT: Instagram – Facebook
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GORILLAZ share new – their 8th – album, titled Cracker Island with the world next year, on 24 February 2023. As usual Damon Albarn invited a big-name cast of guests, like here for this song, called New Gold with Tame Impala’s Kevin Parker and Bootie Brown behind the mic.

Feel the vibe.

GORILLAZ: Instagram – All Albums
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Band: BURN THE LOUVRE
Who: The musical project of singer/songwriter Jordan Speare
assisted by guitarist/bassist and friend Andrew Billone

Their debut album Silhouettes lands after all this
year’s singles (one per month) are released. .

The September one, DUMB is my favorite (so far).

Frisky, tingling, and totally catching.

Earworm!


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BURN THE LOUVRE: Facebook – Instagram
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LUKE HAINES (mastermind of former Britpop-rock outfit The Auteurs
and R.E.M. guitarist PETER BUCK have their second collaborative album,
named All Kids Are Super Bummed Out on 26th October.

First single, titled Psychedelic Sitar Casual is a jangly R.E.M. like
rocker that gets under your skin sooner than you can say fuck Putin.

Tune in and pogo like you used to.

HAINES & BUCK; Website
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(Photo by Turn Up The Volume – Brussels, 2019)

Toronto‘s noise generator METZ celebrate the 10th anniversary
of their smashing self-titled debut LP with a new tour.

Along the tour announcement, the trio shared two tracks, of which one is
pretty special. COME ON DOWN features their longtime friend Joe Talbot
of Bristol punks Idles.

A perfect match in noise hell.

METZ: Bio – Discography – Instagram – Spotify
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Band: ON
Who: An punk-rock-experienced Toronto trio

New album: ON
Released: 20 September 2022 via Indiestructable Records

Closing cracker AMENDS is my kind of electrical eruption.
It’s an imposing Led-Zeppelin-like heavy blues-rock knockout
including unhinged wah-wah electricity. Nasty stuff!

No, it’s not Jimmy Page on guitar, or is it?


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ON: Facebook – Bandcamp
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American/Celtic punks DROPKICK MURPHYS have their 11th album, named
This Guitar Still Kills Fascists out on 30 September. The LP accentuates
the sharp-cutting lyrics of the late great and heavily influential (ask Bob Dylan)
American folk hero Woody Guthrie (1912-1967).

If you’re a Murphys fan you know what to do when
this massive chant ALL YOU FONIES comes on.
Yes, screaming your lungs out.

Hallelujah!

DROPKICK MURPHIES: Facebook – Instagram
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Band: DEAD LEVEE
Who: Old-school no-nonsense five-piece rock
band from Regina, Saskatchewan, Canada.

New single SHOUT is a wallbreaker, a let-it-all-out loud haymaker.
Think The Black Crows and Guns ‘n Roses have a nasty rollicking riff fight.
I wonder if it’s Axl Rose who’s screaming his head off in the end.

Holy riff smoke.
Play it to the max.


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DEAD LEVEE: Facebook
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(Pic by Turn Up The Volume!)

Boston‘s noise rock icons PIXIES have no intention whatsoever to retire.
They have a new – their 9th – album out on 30th September. It’s baptized
Doggerel.

This taster, titled DREGS OF WINE
off the new LP is a burning belter.

Check it out.

PIXIES: Website – Instagram
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Band: ALEX JAMES
Who: A wheelchair-fronted, high-energy
alternative rock band from the North East.

New single: TELL ME

Expect a rollicking ripper bucking up all the way. A sterling crackerjack that
scurries full tilt with steamy swagger pushed by a flat-out rhythm section,
storming guitars – think Black Sabbath‘s Paranoid riff – and James‘ lively
vocals. When the sizzling chorus kicks in, it’s go mental time.

Tell all your friends about this exuberant score!

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ALEX JAMES: Facebook – Instagram
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Band: DETROIT REBELLION
Who: Singer/songwriter/guitarist Jeff Tostee uniquely exploring
a world of gritty blues and garage rock with drummer Micaiah
Castro
, taking their name from the 1967 Detroit Riot

New single: CLAP OF THUNDER
From the forthcoming – 3rd – album
Fake News, due this fall.

This red-hot-roaring corker thunders all the way with
turned-up decibels for the psychotic guitar-charged chorus.
Think Queens oF The Stone Age fronted by Jack White.

Hurry yourself to a green field and freak out.

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(Photo credit Paul Elledge – press via website)

Chicago‘s bombastic veteran rockers THE SMASHING PUMPKINS
orchestrated by main man Billy Corgan are back in town.

Next year, on 23 April, they’ll share their new longplayer
ATUM: A Rock Opera In Three Acts with the world,
with no less than 33 songs.

The first single is an uppercut called BEGUILED.
A mid-tempo upper with a rotating heavy metal riff.

Nice one, Billy.

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THE SMASHING PUMPKINS: Facebook – Instagram
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Artist: JEEN
Who: All-round Canadian singer/songwriter who has written for many recording
artists such as ‘Great Big Sea’, ‘Serena Ryder’, ‘Res’, ‘Hawksley Workman’, ‘Brendan Canning’, ‘FUWA FUWA’, Martin ‘Doc’ McKinney and more. She was a member of ‘Cookie Duster‘ with ‘Brendan Canning‘ of ‘Broken Social Scene‘.

New single: CHEMICAL EMOTION
It’s the lead-off track of new – her 6th – album Tracer, out October 21st.

Jeen: “It’s about letting yourself drift in the flow of everything and hanging
on as hard as you can to what makes the shitty parts more tolerable.”

After only one spin, you’ll know that Chemical Emotion is a mesmerizing humdinger.
Jeen‘s emotive voice bewitches right away, the mid-tempo cadence emphasizes
the meditative reflection perfectly, the compelling chorus brings Alanis Morissette
to mind, and overall the orchestral sonority and the layered harmonies lead to
a thrilling triumph.

And I know it sounds trite, but you made impossible possible sometimes

JEEN: Facebook – Instagram
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(Press photo via YYYs)

Band: YEAH YEAH YEAHS
Who: Pop/rock trio from New York fronted
by the gorgeous Karen O

Today their new – 5th – longplayer Cool it down is out,
their first in 8 years. A few weeks ago my ears started
trembling when single BURNING came through my
speakers.

Still love you Karen.

YYYs: Facebook – Website
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(photo via AYU – press)

Artist: AYU
Who: Singer/songwriter/producer born in Bern (Switzerland), and living in Hamburg (Germany) delivering a mixture of contemporary pop, future-thinking electronics,
catchy RnB tunes and sweet indie.

AYU seduced me before with her infectious tunes and this one
is another one to embrace. Tremendously sticky with an irresistible
I love-you chorus.

Delightful!

AYU: Facebook – Instagram – Twitter 
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Artist: AUGUST GONZALEZ
Who: Drawing from an array of influences ranging from hip-hop, indie-pop,
to pop-punk, Gonzalez is an artist that refuses to be put into a box.

Track LXXKN 4 THE L!TE
From her upcoming debut solo EP

Gonzalez serves an effervescent cocktail of hip-hop-pop-rock sparks
inviting you to jump out of your lazy couch for a hip-swaying two-step.

Make your move here…

August Gonzalez: Instagram
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Band: WIDOWS GOLD
Who: Riveting rock outfit from Costa Messa, California that
made an auspicious entrance onto the music scene last year.

New single: I CAN’T HELP YOU
From their upcoming debut LP, out January 2013.

Expect a melancholic smooth guitar pop uplifter. The brisk combination of a jaunty rhythm section, flickering guitars, a toe-tapping melody, a contagious chorus, and last but not least Madeline Star‘s soulful and romantic voice, turn I Can’t Help You into a glam gem.

Help yourself right here.

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WIDOWS GOLD: Instagram
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PPhoto by Arne Frøkedal

Band: MISTY COAST
Who: Chamber psych-pop duo – Linn Frøkedal
and Richard Myklebust – from Norway.

New single: THE END OF THE BEGINNING

For this new composition, the duo’s minds went down memory lane
to get inspired by the musical preferences of their
adolescent years.

They came back and cemented the experiences of those bygone
times for the future, in a song. The End Of The Beginning is a shoegaze rainbow,
but one that’s sepia colored. The mood is blue-sky, idyllic, and halcyon. So is
the musing’s slo-mo progression, Frøkedal‘s foggy vocals, and the glowing
synth waves.

Start dreaming here.

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MISTY COAST: Facebook – Spotify
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Artist: COLESNO JONES
Who: Folk-pop singer-songwriter from West-Wales

Debut single: BISCUIT TIN

This is a firm energizer with a resistless pick-me-up groove
and a highly stimulating sonority from start to finish. Its lively
melodiousness, vigorous vivacity and zealous vocality make
you reach for the repeat button again and again.

Bingo!

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COLENSO JONES: Facebook
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(photo by Turn Up The Volume)

Artist: EZRA FURMAN
Who: Chicago born singer songstress

Furman released her new album
All Of Us Flames last month.

A very notable one with this sepia-colored beauty, named
TRAIN COMES THROUGH as one of the many highs on
the record.

Enjoy.

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EZRA FURMAN: Instagram – Facebook
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See/hear you next month, music junkies

Turn Up The Volume’s 20 BEST KNOCKOUTS Of The Month – JULY 2022

A stream of rattling rippers, jagged jams, and magnific musings

All 20 knockouts together on Spotify

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Knockout by Knockout…

1. ‘Silenced’ by THE BRIAN JONESTOWN MASSACRE (Los Angeles/Berlin)

Early this month psych rock virtuoso Anton Newcombe and his orchestra
released new LP Fire Doesn’t Grow On Trees. Their 19th and one of their
best to my keen ears.

And Silenced is one of its standout grooves.

Here’s why

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2. ADD bY VIAGRA BOYS (Sweden)

The Swedish allies launched their 3rd longplayer CAVE WORLD a couple
of weeks ago. Another swell one with ADD as one of the pithiest tracks.

Make your best move here…

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3. ‘Eight Fivers’ by GILLA BAND (Ireland)

The Irish noiseniks are back in town. Their 3rd
full-length Most Normal arrives in October.

With the lead-single they do again what
they do best, making bone-chilling
chainsaw music.

Cuts like a knife.

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4. ‘Live To Love’ by ILA (Belgium)

Ila is a Belgian post-punk trio fronted by bewitching songstress Ilayda Cicek.
Last year they had their stunning debut album Felt out, containing one of the
best singles of 2021 with Leave Me Dry.

Brand new piece Live To Love confirms
the immense intensity of ILA.
They are here to stay!

Press play and get puzzled…

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5. O.K. Sis by HEY TEAM (The Netherlands)

“This song is about a friend that you loved but just cannot be near. They always get
into trouble, always cause drama/fights, make a bunch of empty promises and get
you to do a bunch of intense stuff for them without getting anything in return.”

It’s a blazing bass/drum tandem that ignites this jiggish jackhammer with ardency
and flamboyance and keeps on steamrolling for the full 140 seconds.

And when an avid Amazon jumps in with pithy and bouncy vocals
you know, you feel and you hear straight away that we have a winner.

Check for yourself…

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6. ‘Baby, I Had An Abortion’ by PETROL GIRLS (UK/Austria)

Last month this raging feminist post-hardcore 4-piece unleashed their 3rd album
named Baby. A badass beast of a record mixing raw power, mouthy screams, and a tsunami of loud and clear messages.

In the light of the incredible Roe v Wade debacle, disrespecting women’s fundamental
human rights, this LP’s sassy slam is a middle finger to all anti-abortion idiots.

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7. ‘Kick Me’ by DANNY ELFMAN and IGGY POP (US)

American film soundtrack composer DANNY ELFMAN has a new album
out, titled BIGGER. MESSIER., on 12 August with reimagined versions of
songs from his last year’s Big Mess longplayer. More info here.

It features guest vocals from Trent Reznor, HEALTH, Zach Hill
of Death Grips, Xiu Xiu, Squarepusher, Ghostemane.

And the omnipresent Iggy Pop joined the fun too with this kick-ass jam.

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8. ‘Living Dead’ by TV DEATH (Newcastle UK)

These psycho-billy maniacs produce a wall-of-holy-smoke havoc on this horror-ific haymaker with sawing guitars, punk turbulence, hellish vocals a pulverizing chorus.

Deadly knockout, right? You betcha.

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9. ‘Blue Skies’ by FEVA (Newcastle, UK)

This razzle-dazzle master blaster races and rushes with vivid vigor and fervid
firmness. Punk ‘n roll at its razor-sharp best. And when the towering chorus kicks
in the sky-screaming vocals go through the roof. Amazeballs energy in overdrive.

Steaming score!

Go beserk

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10. ‘Love Is Free’ by THEM VIBES (Nashville)

A few years ago I saw these striking Nashville gunslingers
live in Belgium. A sweaty rawk and roll gig I’ll never forget.

The band’s new single is another convincingly proof of their
let the good times roll spirit.

Its bang-on boogie woogie drive awakes your lazy limbs
and invites you to jump around to the heated beat.

Elevating – in sound and story – corkers like
this are totally welcome in these grim times.

Hail hail

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11. ‘Repetition’ by HATIF (Sweden)

If this Krautrock-like rotating electro ripper doesn’t trigger
your body, mind, and senses you need to change your meds.

Its repetitive rhythm mesmerizes and stupefies. Its sickly sticky synth swirl is simply irresistible and its magnetic voice brought the late great Talk Talk leader Mark Hollis
to mind.

Check the vibes here…

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12. ‘Bystander’ by DROPBEAR (Boston)

Talking about a victorious debut single.

On this Herculian stroke metal, shoegaze and classic guitar rock mania (think Eddie Van Halen and Neil Young‘s Crazy Horse) meet with forceful effect, while Rachel Bacon‘s vocals float above the giant raucousness. Bystander is a slow-burning torch, a powerhouse with mammoth riffs. Hefty score from their sterling 5-track EP Spiralized.

Tune in here…

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13. ‘No Exit’ by HVIRESS (Brighton UK)

The obscure slow-progressing synth/guitar intro could easily be the shadowy intro
theme of a film noir starring this duo – Hana Piranha and Mishkin Fitzgerald – as Femmes Fatales with spine-chilling voices that cause a sensation of puzzlement and perturbation strengthened by the heavy metallic reverberations in the back.

Spellbinding!

Roll the tape below.

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14. ‘You Don’t Live Around Here Anymore’ by THE CRAWLING EYE (UK)

This splendid mid-tempo electronic-pop-rock belter wouldn’t
be out of place on a Garbage album, especially vocally.

Singer Regan Meredith has that charismatic Shirley Manson tonality.
When her vivid voice reaches for the sky midway, shivers roll down
your spine.

What a thrill!


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15. ‘No More Good News’ by JO-JO & THE TEETH (London)

When you look glamorous, move glamorous, and sound glamorous,
you have my attention in a flash. This London’s colorful gang’ new wallop
mourns the loss of heroes such as Tom Petty and genius Bowie.

Its avid flow gets under your skin from the get-go. A voltaic retro-resounding
guitar goes solo midway and challenges the somber mood. And Amazon
Jo-Jo spices the ripper with her notable rock voice.

A solid gold glam rock punch.

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16. ’20 Questions’ by LITTLE FUSS (Boston MA)

This starry-eyed pop peach with a booming bass beat and
a vibrant flavor entertains your eager ears on the spot.

This is what pop-ular music is all about. You can sing along,
hum along, whistle along and it puts a big smile on your face.

Any questions? Ask Little Fuss.

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17. ‘A Line Of Shots’ by THE AFGHAN WHIGS (Cincinnati)

High-passionate mavericks The Afghan Whigs from Ohio
with general Greg Dulli upfront will share their 9th longplayer
named How Do You Burn? with the world on 9 September.

A Line Of Shots is one of the brill tracks we heard so far off the LP.

A slo-mo diamond.

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18.Too Close To The Sun‘ by THE SEA AT MIDNIGHT (Los Angeles)

Vince Grant is no stranger to Turn Up The Volume. His dedication to darkwave
is infectious as he shows again here with his new shadowy single. Sonically you still
hear Joy Division and The Cure echoes.

Too Close To The Sun is an addictive melody at heart locked in tenebrous eurhythmics. Think of lots of The Cure hits (Close To You / Friday I’m In Love / Lovecats and so many more). They were experts in writing uncomplicated pop tunes and made them sound instantly captivating.

Grant also unites aural catchiness with shady musicality including
a melancholic saxophone solo in this new composition. Top.

Press play here.

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19. ‘Big Shot City’ by INTERPOL (NYC)

Two weeks ago New York City‘s darlings dropped their 7th LP titled
The Other Side Of Make Believe. In my aural opinion their best
since their 2002 debut.

Big Shot City is a musing for the midnight hours.

Moony and moody.

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20. ‘Great White Shark’ by JESSIE KILGUSS (Brooklyn, NY)

Kilguss‘s voice is just amazing. Resonating somewhere between the magnific
voices of nightingales Angel Olsen and Sharon Van Etten. Yes, that is amazing and
Great White Shark is also a heartfelt sort of musing that those two emotive ladies love. Say no more.

He tears open
From the heart
From the root
From intuition
He tears open
From the gut
From the soul
From inner vision

Wonderful!


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See/hear you next week, music junkies

TURN UP THE VOLUME’s 25 Best Tracks Of 2022… So Far

Time flies. Oh yes, we already have six months of 2022 behind us.

Mad summer parties are just around the corner. And here’s the perfect
loud/quiet soundtrack… Turn Up The Volume’s 25 best tracks of 2022,
so far!

ALL TOGETHER on Spotify…

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TRACK BY TRACK
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1. I’ll Make You See God’ by THE AFGHAN WHIGS

The by now legendary passion rockers from Cincinnati, Ohio with mastermind Greg Dulli leading the troops have their new longplayer How Do You Burn? out on 9 September.

This lead single is a sturdy steamroller, a red-hot-heated ripsnorter, an unstoppable cannonball going everywhere fast. Manic blitzkrieg guitars, ruthless drum/bass attacks, Greg Dulli‘s rush of blood vocality, and a brutal finish. Flabbergasting.

Dulli: “That’s one of the hardest rock songs we’ve ever done.
It was written and performed on sheer adrenalin.”

See God here…

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2. ‘Slowly Separate by CROWS (London)

This London post-punk team unleashed their 2nd scorching album
Beware Believers, last April. One of TUTV’s best full-lengths of 2022 (so far).

Single Slowly Separate is a schizo sonic serpent generating a mind-blowing backwash
while chainsaw guitars turn up the decibels to an illegal peak, and man-in-the-middle James Fox rages and blazes through his teeth.

Fucktastic!

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3. ‘I Am Kate Moss’ by DITZ (Brighton, UK)

This frenetic Brit force hit big time with their dazzling debut album
The Great Regression last March (more about it in a couple of days).

Let’s focus now on one of its cast-iron brainbreakers. It’s a poignant, biting, and
anxious uppercut. I’m pretty sure Moss would love this hit-and-run drone when
it would hit her ears. She is, after all, the Femme Punk Fatale of fashion.

Turn up the heat…

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4. ‘Twitchin’ in The Kitchen’ by WARMDUSCHER (London)

This punky-funky disco corker is the perfect pick-me-up tune for all the wacky weirdos who are always in the kitchen at parties waiting for free drinks and waiting for Warmduscher to come in and kick their lazy asses. Big stroke, big chorus, big fun!

From the gang’s thrilling 4th LP At The Hotspot.

Twitch as much as you want here…

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5. ‘Demolition Row’ by METZ (Toronto, CA)

“It’s a warning, an unflinching assessment of the vastness and insignificance of this
life, is precisely counterbalanced by their lesson, which models the resilience that this understanding demands. ‘Demolition Row’ is persistent, concise, and alarmingly physical.”

This blustery belter is vintage Metz. Full blast ahead, no brakes, no breaks.
The track featured on a split 7” with London-based group Adult Life.

From Dylan’s Desolation Row
to Metz’s Demolition Row


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6. ‘Frankenstein’ by TRAMP (Northern Ireland)

“As a story or metaphor, we are all ‘Frankenstein’s monster’ – made up of other people’s opinions and parts that don’t belong to us. That we were born perfect but people, in their
own conditioning, come along and can make us feel undesirable/inadequate/the monster.
But we can choose to be real instead.”

This is without a shadow of a doubt the best debut single I heard so far this year.

A towering tune going low, high and back. A sickly sticky pop gem wrapped in
a big-boisterous-wall-of-sound. And upfront, Sianna Lafferty ‘s phenomenal voice
causes goosebumps when she goes sky-high on the chorus. The ardency of
Porridge Radio comes to mind.

One word: AWESOME.

“I am not what you want me to be
Uncle Sam won’t even point at me
Even the eyes of the Virgin Mary wall
hanging won’t even stare at me.”

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7. ‘Shaman’ by THE CHRONICLES OF MANIMAL AND SAMARA (London)

Shaman progresses like a vicious viper sliding to its prey. Determined, but always
wary of sudden danger. It dumbfounds and flummoxes while the song’s tension
intensifies and sends shivers down your spine.

No metallic explosions or abrupt pace changes this time, although it feels like a thunderstorm can happen as the mesmeric music swells along its ominous path
towards a demonic climax. Another appealing piece de resistance, another
psychedelic exploit another step closer to the new album.

From their brand new LP Trust No Leaders, out today.

Face your nature
Face your fears
Face your demons
Wake the dead

Roll the tape and get impressed…

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8. ‘Mañana’ by JAMES DOMESTIC (Essex/Suffolk, UK)

“A paean to taking your foot off the gas and letting things slide, or a warning of the perils of procrastination, perhaps? It’s hard to tell whether ‘Mañana’ is meant to serve as a confessional regarding Domestic’s own perceived lack of willpower, or a celebration of idleness. It could be either of these things; and that’s one of its many joys.”.

A sirens intro, David Bowie‘s saxophone, and steel drums straight from Trinidad. Sounds like an exotic swing and shake ditty is coming up. No folks, it’s a lazy rap-sody you can play the morning after a booze marathon to get up and sober up, slowly.

Soul voice Clare Gillet takes care of the chirpy chorus.

Press play here…

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9. ‘Digging’ by NOTHINGHEADS (London)

“Propelled by a motorik rhythm and abrasive guitars, it stomps toward a doom-laden finale. Inspired by Sebastião Salgado’s (note TUTV: Brasilian photographer) anarchic photos of the Gold Mines of Serra Peladain the Amazon in 1985: the track explores the relentless obsession with grasping a glint of glory from the mud. “

Once I learned that this startling belter is about the horrible exploitation of human
beings by ferocious money sharks this jagged jackhammer blew my mind even harder than I heard it the first time before knowing about the band’s inspiration for this stunner.

Expect rabid guitars, doom and gloom vocals, and frantic
twists and turns until the chaotic finale. Post-punk at
its razorblade best.

Dynamite


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10. ‘Welcome To Hell’ by BLACK MIDI (London)

Geordie Greep (vocalist, guitar): “Almost everything I write is from a true thing, something
I experienced and exaggerated and wrote down. I don’t believe in Hell, but all that old world folly is great for songs, I’ve always loved movies and anything else with a depiction of Hell.”

A screwy zig-zagging haymaker it is. From upcoming, 3rd, LP Hellfire.

Burn here…

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11. ‘Cream’ by BOTCHED TOE (UK)

My fav track from one of my fav albums of the year (so far), baptized
A False Glimmer Of Hope with loudmouth James Domestic (yep, the
guy from above) going bonkers.

This red-hot-blistering hardcore missile punks up your adrenalin and
invites you to open all windows and doors and yell your tits off.

(S)cream here…


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12. ‘Zick Zack’ by RAMMSTEIN (Germany)

The bombastic German metal machine have
a new, their 8th, longplayer out, called Zeit.

Their same old recipe still works.

My fav sledgehammer on the LP is Zick Zack.

Ridiscouly infectious
Great Scheiße shit!

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13. ‘Edie’ by STEPH SWEET (UK)

This is the spellbinding title track of this enigmatic songstress’ new album.

The dark garage guitar swagger of this nightmarish cracker is irresistibly
magnetic. Think trash-and-slash duo Royal Trux. Both eerie and haunted.

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14. ‘Eris’ by VIOLET NOX (Boston, MA)

My favored sonic sci-fi symphony from the duo’s excellent Eris Wakes EP.
Trippy, spooky, trancy. With repetitive mind-twisting Krautrock eurhythmics
that take you on an otherwordly voyage. Top-flight!

Launch your spaceship here…


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15. ‘TV Or Not TV’ by JODIE LANGFORD (UK)

After the piano intro (sounds like the theme tune of classic horror-thriller Halloween) this young outspoken artist fumes with barbed wire temper towards the supersonic chorus that resonates like hardcore rap.

This rushing rollercoaster swings forth and back with grim impetus until the gloomy
synth climax makes way for that ominous piano fragment again. TV or not TV, that’s
the question? The answer is easy. To hell with the relentless idiocy of reality TV stars and influencers constantly putting pressure on growing minds to behave in ways unattainable to most.

Find the answer here…

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16. ‘We Are Ukraian’ by OSCAR MIC (London)

Oscar Mic wrote this song after witnessing the horrific violence of
psycho Putin’s illegal invasion of Ukraine on the news. All proceeds of
the song go to Save The Children’s Ukraine Appeal.

We Are Ukrainian is a tremendously catchy hip-rap-pop jam featuring steel drums
and timpani balancing somewhere between Roots Manuva and Mr. Scruff.

“Fleeing people running scared, so tell me Where’s the justice? Our leaders say they care,
tell me can you trust this? Urban warfare, your home’s done and dusted, Aiming at the
public, they wouldn’t? They just did,”

Fuck Putin


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17. ‘White Skin’ by THE BANKROBBER (Italy)

The titillating electro- intro echoes early Depeche Mode before they became the darkwave Goth-esque rockers we all know. But in an eye-blink White Skin turns into a swirling synth-pop stomper to fill dancefloors with. It’s an instantly infectious nightclub earworm with an ecstatic chorus.

From the siblings’ forthcoming, second, album.

Start the tape and make your move…

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18. ‘Worthless Souls’ by MELTED WINGS (Toronto, CA)

“A track that calls out how sexism and power corrupt all levels of society.
We all need to recognize this going forward and make sure that it doesn’t
go unchecked.”

The sickly sticky synth beat comes across like an invitation for my feet to kick the butts of vicious sexists and power-horny billionaires ruining people’s lives. Middle finger to them while spinning around mad as a hatter to this bang-on electro buzz. Trust me, you’ll feel much better afterward

From their new Cheer For The Deer album.

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19. ‘Hello Dreamer Baby’ by THE ROYAL FOUNDRY (Canada)

This is what ecstatic pop grandeur is all about. Music that elevates
your state of mind to a titillating level. This pearl generates a feel-good
entrancing buzz.

When the multi-layered vocals/harmonies pop up in a gospel-like choir delight
creates an atmosphere of utter joy comparable with the euphoric drive of
The Polyphonic Spree. Vitalizing vibe, refreshing rapture.

Listen/watch

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20. ‘Life And Lies’ by LEE ROGERS (Northern Ireland)

A mixed-emotions lullaby with Rogers‘ sky-reaching voice as the star. It’s an emotional
and bluesy reflection. Wurlitzer jukeboxes should be reinvented for these heartbreakers so moody minds can cry their eyes out (or cry in their beer) at night in a downtown bar where lonely ones gather and muse about life and lies.

This one is for all barflies out there…

From his new heart and soul album Gameblood.

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21. ‘Chaise Lounge’ by WET LEG
22. ‘Up The Mountain’ by REGINA SPEKTOR
23. ‘All The Good Times'</a> by ANGEL OLSEN
24. ‘Come Back’ by SHARON VAN ETTEN
25. ‘The Dripping Tap’ by KING GIZZARD & THE LIZARD WIZARD