London’s Post-Punk Whirlwind CROWS Blew The Roof Off At SONIC CITY In Belgium

15 November 2022

Band: CROWS
Who: Earthquake-causing post-punks out of London

Works: 2 full albums so far. Silver Tongues (2019)
and the brand new killer one Beware Believers
(on my end-of-the-year list).

Concert: Sonic City Fest (indoors)
in Kortrijk, Belgium
When: 12 November 2022

Keywords: Blitzkrieg post-punk fury – screeching guitars – battering drum/bass turbo – charismatic and hyperkinetic frontman – no fillers, all killers – an illegal amount of decibels – hype Dry Cleaning did the talking, Crows did the screaming – two words: AWESOME GIG!

Highlights: Slowly Separate / The Itch / Garden Of England

– SLOWLY SEPARATE –
(One of my top-3 singles of 2022)


– THE ITCH –

(Set favorite)

– GARDEN OF ENGLAND –
(Knockout drone)

Frontman James Cox going Beavis bonkers
at times, just like this …

Setlist

1.Silver Tongues
2. Garden of England
3. Slowly Separate
4. Only Time
5. The Itch
6. Healing
7. Closer Still
8. Room 156
9. Wild Eyed & Loathsome
10. Pray
11. Chain of Being

Stream/buy the new album Beware Believers here…


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CROWS: Facebook – Spotify

Pictures by Turn Up The Volume

TURN UP THE VOLUME’s 25 Best Tracks Of 2022… So Far

Time flies. Oh yes, we already have six months of 2022 behind us.

Mad summer parties are just around the corner. And here’s the perfect
loud/quiet soundtrack… Turn Up The Volume’s 25 best tracks of 2022,
so far!

ALL TOGETHER on Spotify…

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TRACK BY TRACK
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1. I’ll Make You See God’ by THE AFGHAN WHIGS

The by now legendary passion rockers from Cincinnati, Ohio with mastermind Greg Dulli leading the troops have their new longplayer How Do You Burn? out on 9 September.

This lead single is a sturdy steamroller, a red-hot-heated ripsnorter, an unstoppable cannonball going everywhere fast. Manic blitzkrieg guitars, ruthless drum/bass attacks, Greg Dulli‘s rush of blood vocality, and a brutal finish. Flabbergasting.

Dulli: “That’s one of the hardest rock songs we’ve ever done.
It was written and performed on sheer adrenalin.”

See God here…

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2. ‘Slowly Separate by CROWS (London)

This London post-punk team unleashed their 2nd scorching album
Beware Believers, last April. One of TUTV’s best full-lengths of 2022 (so far).

Single Slowly Separate is a schizo sonic serpent generating a mind-blowing backwash
while chainsaw guitars turn up the decibels to an illegal peak, and man-in-the-middle James Fox rages and blazes through his teeth.

Fucktastic!

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3. ‘I Am Kate Moss’ by DITZ (Brighton, UK)

This frenetic Brit force hit big time with their dazzling debut album
The Great Regression last March (more about it in a couple of days).

Let’s focus now on one of its cast-iron brainbreakers. It’s a poignant, biting, and
anxious uppercut. I’m pretty sure Moss would love this hit-and-run drone when
it would hit her ears. She is, after all, the Femme Punk Fatale of fashion.

Turn up the heat…

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4. ‘Twitchin’ in The Kitchen’ by WARMDUSCHER (London)

This punky-funky disco corker is the perfect pick-me-up tune for all the wacky weirdos who are always in the kitchen at parties waiting for free drinks and waiting for Warmduscher to come in and kick their lazy asses. Big stroke, big chorus, big fun!

From the gang’s thrilling 4th LP At The Hotspot.

Twitch as much as you want here…

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5. ‘Demolition Row’ by METZ (Toronto, CA)

“It’s a warning, an unflinching assessment of the vastness and insignificance of this
life, is precisely counterbalanced by their lesson, which models the resilience that this understanding demands. ‘Demolition Row’ is persistent, concise, and alarmingly physical.”

This blustery belter is vintage Metz. Full blast ahead, no brakes, no breaks.
The track featured on a split 7” with London-based group Adult Life.

From Dylan’s Desolation Row
to Metz’s Demolition Row


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6. ‘Frankenstein’ by TRAMP (Northern Ireland)

“As a story or metaphor, we are all ‘Frankenstein’s monster’ – made up of other people’s opinions and parts that don’t belong to us. That we were born perfect but people, in their
own conditioning, come along and can make us feel undesirable/inadequate/the monster.
But we can choose to be real instead.”

This is without a shadow of a doubt the best debut single I heard so far this year.

A towering tune going low, high and back. A sickly sticky pop gem wrapped in
a big-boisterous-wall-of-sound. And upfront, Sianna Lafferty ‘s phenomenal voice
causes goosebumps when she goes sky-high on the chorus. The ardency of
Porridge Radio comes to mind.

One word: AWESOME.

“I am not what you want me to be
Uncle Sam won’t even point at me
Even the eyes of the Virgin Mary wall
hanging won’t even stare at me.”

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7. ‘Shaman’ by THE CHRONICLES OF MANIMAL AND SAMARA (London)

Shaman progresses like a vicious viper sliding to its prey. Determined, but always
wary of sudden danger. It dumbfounds and flummoxes while the song’s tension
intensifies and sends shivers down your spine.

No metallic explosions or abrupt pace changes this time, although it feels like a thunderstorm can happen as the mesmeric music swells along its ominous path
towards a demonic climax. Another appealing piece de resistance, another
psychedelic exploit another step closer to the new album.

From their brand new LP Trust No Leaders, out today.

Face your nature
Face your fears
Face your demons
Wake the dead

Roll the tape and get impressed…

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8. ‘Mañana’ by JAMES DOMESTIC (Essex/Suffolk, UK)

“A paean to taking your foot off the gas and letting things slide, or a warning of the perils of procrastination, perhaps? It’s hard to tell whether ‘Mañana’ is meant to serve as a confessional regarding Domestic’s own perceived lack of willpower, or a celebration of idleness. It could be either of these things; and that’s one of its many joys.”.

A sirens intro, David Bowie‘s saxophone, and steel drums straight from Trinidad. Sounds like an exotic swing and shake ditty is coming up. No folks, it’s a lazy rap-sody you can play the morning after a booze marathon to get up and sober up, slowly.

Soul voice Clare Gillet takes care of the chirpy chorus.

Press play here…

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9. ‘Digging’ by NOTHINGHEADS (London)

“Propelled by a motorik rhythm and abrasive guitars, it stomps toward a doom-laden finale. Inspired by Sebastião Salgado’s (note TUTV: Brasilian photographer) anarchic photos of the Gold Mines of Serra Peladain the Amazon in 1985: the track explores the relentless obsession with grasping a glint of glory from the mud. “

Once I learned that this startling belter is about the horrible exploitation of human
beings by ferocious money sharks this jagged jackhammer blew my mind even harder than I heard it the first time before knowing about the band’s inspiration for this stunner.

Expect rabid guitars, doom and gloom vocals, and frantic
twists and turns until the chaotic finale. Post-punk at
its razorblade best.

Dynamite


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10. ‘Welcome To Hell’ by BLACK MIDI (London)

Geordie Greep (vocalist, guitar): “Almost everything I write is from a true thing, something
I experienced and exaggerated and wrote down. I don’t believe in Hell, but all that old world folly is great for songs, I’ve always loved movies and anything else with a depiction of Hell.”

A screwy zig-zagging haymaker it is. From upcoming, 3rd, LP Hellfire.

Burn here…

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11. ‘Cream’ by BOTCHED TOE (UK)

My fav track from one of my fav albums of the year (so far), baptized
A False Glimmer Of Hope with loudmouth James Domestic (yep, the
guy from above) going bonkers.

This red-hot-blistering hardcore missile punks up your adrenalin and
invites you to open all windows and doors and yell your tits off.

(S)cream here…


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12. ‘Zick Zack’ by RAMMSTEIN (Germany)

The bombastic German metal machine have
a new, their 8th, longplayer out, called Zeit.

Their same old recipe still works.

My fav sledgehammer on the LP is Zick Zack.

Ridiscouly infectious
Great Scheiße shit!

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13. ‘Edie’ by STEPH SWEET (UK)

This is the spellbinding title track of this enigmatic songstress’ new album.

The dark garage guitar swagger of this nightmarish cracker is irresistibly
magnetic. Think trash-and-slash duo Royal Trux. Both eerie and haunted.

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14. ‘Eris’ by VIOLET NOX (Boston, MA)

My favored sonic sci-fi symphony from the duo’s excellent Eris Wakes EP.
Trippy, spooky, trancy. With repetitive mind-twisting Krautrock eurhythmics
that take you on an otherwordly voyage. Top-flight!

Launch your spaceship here…


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15. ‘TV Or Not TV’ by JODIE LANGFORD (UK)

After the piano intro (sounds like the theme tune of classic horror-thriller Halloween) this young outspoken artist fumes with barbed wire temper towards the supersonic chorus that resonates like hardcore rap.

This rushing rollercoaster swings forth and back with grim impetus until the gloomy
synth climax makes way for that ominous piano fragment again. TV or not TV, that’s
the question? The answer is easy. To hell with the relentless idiocy of reality TV stars and influencers constantly putting pressure on growing minds to behave in ways unattainable to most.

Find the answer here…

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16. ‘We Are Ukraian’ by OSCAR MIC (London)

Oscar Mic wrote this song after witnessing the horrific violence of
psycho Putin’s illegal invasion of Ukraine on the news. All proceeds of
the song go to Save The Children’s Ukraine Appeal.

We Are Ukrainian is a tremendously catchy hip-rap-pop jam featuring steel drums
and timpani balancing somewhere between Roots Manuva and Mr. Scruff.

“Fleeing people running scared, so tell me Where’s the justice? Our leaders say they care,
tell me can you trust this? Urban warfare, your home’s done and dusted, Aiming at the
public, they wouldn’t? They just did,”

Fuck Putin


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17. ‘White Skin’ by THE BANKROBBER (Italy)

The titillating electro- intro echoes early Depeche Mode before they became the darkwave Goth-esque rockers we all know. But in an eye-blink White Skin turns into a swirling synth-pop stomper to fill dancefloors with. It’s an instantly infectious nightclub earworm with an ecstatic chorus.

From the siblings’ forthcoming, second, album.

Start the tape and make your move…

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18. ‘Worthless Souls’ by MELTED WINGS (Toronto, CA)

“A track that calls out how sexism and power corrupt all levels of society.
We all need to recognize this going forward and make sure that it doesn’t
go unchecked.”

The sickly sticky synth beat comes across like an invitation for my feet to kick the butts of vicious sexists and power-horny billionaires ruining people’s lives. Middle finger to them while spinning around mad as a hatter to this bang-on electro buzz. Trust me, you’ll feel much better afterward

From their new Cheer For The Deer album.

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19. ‘Hello Dreamer Baby’ by THE ROYAL FOUNDRY (Canada)

This is what ecstatic pop grandeur is all about. Music that elevates
your state of mind to a titillating level. This pearl generates a feel-good
entrancing buzz.

When the multi-layered vocals/harmonies pop up in a gospel-like choir delight
creates an atmosphere of utter joy comparable with the euphoric drive of
The Polyphonic Spree. Vitalizing vibe, refreshing rapture.

Listen/watch

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20. ‘Life And Lies’ by LEE ROGERS (Northern Ireland)

A mixed-emotions lullaby with Rogers‘ sky-reaching voice as the star. It’s an emotional
and bluesy reflection. Wurlitzer jukeboxes should be reinvented for these heartbreakers so moody minds can cry their eyes out (or cry in their beer) at night in a downtown bar where lonely ones gather and muse about life and lies.

This one is for all barflies out there…

From his new heart and soul album Gameblood.

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21. ‘Chaise Lounge’ by WET LEG
22. ‘Up The Mountain’ by REGINA SPEKTOR
23. ‘All The Good Times'</a> by ANGEL OLSEN
24. ‘Come Back’ by SHARON VAN ETTEN
25. ‘The Dripping Tap’ by KING GIZZARD & THE LIZARD WIZARD

A Tornado Called CROWS Stormed Over Brussels

19 April 2022

Band: CROWS

Who: Fired-up 4-motor post-punk
engine from London.

Works: 2 full albums so far. Silver Tongues (2019)
and the brand new killer one Beware Believers
(already on my end-of-the-year list).

Concert: Botanique, Brussels – 18 April 2022
In the smallest venue of the huge building.
Actually a basement with a 200 cap.

Highlights: Slowly Separate / The Itch / Garden Of England

– SLOWLY SEPARATE –
(Absolute ace single)


– THE ITCH –

(Cooking live version)

– GARDEN OF ENGLAND –

Lowlights: None, not even the technical problems midway
and in the end could slow us all down. Happens when a tornado
storms through da house.

Frontman James Cox going Beavis bonkers
at times, just like this …

Setlist

Closer Still
Garden of England
Wednesday’s Child
Slowly Separate
The Itch
Healing
Whisper
Room 156
Wild Eyed & Loathsome
Pray
Hang Me High
Chain of Being

Pictures


“I have my eyes on you”


Hello Brussels


Madness in the basement

Stream/buy the new album Beware Believers here…


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CROWS: Facebook – Spotify

All pictures by Turn Up The Volume

Mean Herculean Rock Machine CROWS Rage And Roll On Their Second Album ‘BEWARE BELIEVERS’

16 April 2022

Band: CROWS
Who: Post-punk 4-piece from London

New album: BEWARE BELIEVERS
The follow-up to their smoking debut
LP Silver Tongues (2019).

Released: April 1st – Bad Vibrations Records

James Cox (frontman): “The majority of the themes on the album came from what was going on in the world around in summer 2019, Covid wasn’t in our lives and the biggest impact was Brexit and the madness our government were putting us through. I was reading a lot of J.G. Ballard and Kurt Vonnegut whilst all this craziness was going on around us and it was a weird headspace to get into.”


(photo by Turn Up The Volume)

Turn Up The Volume: Back in 2016 Crows blew my mind when they played a small club
gig in my hometown of Ghent, Belgium. A memorable one cemented in the aural side of my
brain. The immense intensity and their frenetic furiosity were no less than jaw-dropping. On Beware Believers, their high-powered passion is still intact and its sizzling sound evolved further into a mean Herculean rock machine.

Blistering hammer blows like Garden Of England, Slowly Separate, and Room 156 are already noted in my end-of-the-year list of best 2022 knockouts. And reflective reality checks like the Joy Division-esque Healing, Moderation, Wild Eyed & and Loathsome, and the fucktastic Meanwhile have the sonic vehemence to burn holes in your stereo.

Raging ad roaring all the way. Big tunes, big emotions, big scores.

This 2nd album strengthens Crows‘ already significant position in the British post-punk rebirth of the past gloomy years, with bands such as Shame, Black Midi, Ditz, Black Honey, Black Country New Road, Lice and The Mysterines. Beware and believe me, Crows is here to stay.

Singles/clips: Slowly Separate / Garden Of England / Room 156

– SLOWLY SEPARATE –

– GARDEN OF ENGLAND –

– ROOM 156 –

Stream/buy album here…


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CROWS: Facebook – Spotify


See you in Brussels on Monday, crows…

Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – FEBRUARY 2022

A stream of rattling rippers, jagged jams, and romantic reveries

All 20 together on Spotify

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Knockout by knockout…

1. ‘Demolition Row’ by METZ (Canada)

The hard-hitting Canadian bolide is on a supersonic roll here, rockin’
their tails off. Full blast ahead, no brakes, no looking back. Holy smoke!

The track comes as a vinyl 7″ split with British
band Adulkt Life. Out 4 March, buy here.

Holy guacamole…


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2. ‘I Am Kate Moss’ by DITZ (Brighton, UK)

“The best band in the world” according to Joe Talbot (frontman of Idles).

I Am Kate Moss will be on this ace indie mavericks’ upcoming
debut LP The Great Regression, out at the end of this week.

Order info here.

If your ears are looking for some badass fireworks you really should
play Kate Moss out loud. She’ll turn the heat up the way you like it.

C’mon, Kate…

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3. ‘Room 165’ by CROWS (London, UK)

James Cox (frontman): ““I used to be quite obsessed with true crime, and this song was
kind of born out of researching H.H Holmes and the World Trades Hotel in the 1860’s where
he would murder people staying at his hotel informally called ‘The Murder Castle’. I also got quite obsessed with a faith healer from the early 1900’s called Reverend Major Jealous Divine and reading transcripts of his old sermons, so this is basically just a weird amalgamation of mad shit I read about.”

Post-punk at its psych-o-tic best…

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4. ‘Digging’ by NOTHINGHEADS (London, UK)

A wham-bloody-bam drum intro, scorching guitars, filthy grooves, angry vocals,
all in just 50 seconds. Sounds like Nick Cave and his freakish gang The Birthday Party
are back with a filthy blues-injected blast. If you like creepy doom and gloom hullabaloo from a smelly basement you’ll love this to death.

Release the bats…

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5. ‘Cream’ by BOTCHED TOE (UK)

A razorblade uppercut as intimidating as a bulldozer and
cutting as a Swiss knife. No rest for the wicked. One of the
clamorous highlights of these hardcore junks’ debut album
A False Glimmer Of Hope.

Go bonkers, folks…


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6. ‘Junk Man’ by JON SPENCER & THE HITMAKERS (US)

Garage blues-rock junk Jon Spencer is back in town.
This time with his HITmakers. This razzle-dazzle cracker
is pushed by a bouncy synth touch and, schizophrenic
guitars and, of course, Spencer‘s freaky vocals.

Turn it up…

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7. ‘Staring Into The Sun’ by 50 FOOT WAVE (USA)

The wonderful Kristin Hersh has an impressive résume.
10 albums with Throwing Muses, 10 solo albums and one
full LP and several EPs with 50 Foot Wave (trio with
Throwing Muses‘ bassist Bernard Georges).

And Hersh doesn’t think about retiring yet, she never will.
A new 7-track 50 Foot Wave album, entitled Black Pearl
comes our way on 15 April. Order info here.

Taster Staring Into The Sun is, a boisterous and metallic
slo-mo groove with a hammering beat, pumped-up guitars,
and Hersh’s manic vocals augmenting the shadowy tone of
this belter.

So what’s next for 50 Foot Wave? Playing at
metalfest Aftershock in Sacramento in October?


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8. ‘Clowns For President’ by BAD SKIN (Montreal, CA)

Think legendary gritty grrrls Bikini Kill having a ball with
Pussy Riot while kicking Russian president Putin up the ass.
These 4 steamy sisters in punchy punk crime buzz and fuzz
like a hot rod on the run.

Bad Skin storm full steam ahead with front Amazon Dope sneering
like a raging riot grrrl. Yep, Dope is dope. And this stunning stonker
is dope too!

To hell with Putin…

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9. ‘Alone Again’ by AVA VOX (Dublin, Ireland)

Sounds like Patti Smith‘s Because The Night ends in a painful break-up
for the lovers. Ava Vox‘s heartache vocality and hurt timbre emphasise
the confused state of mind of the abused one and the melodramatic
sonic boom of this emotional eruption expresses sorrow, distress,
and angst. Another gripping Vox piece.

Affecting performance…


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10. ‘This Cost Of Life’ by TIDAL WAVE (Toronto, CA)

Oh my, oh my. This sky-reaching gem left me out of breath after just one spin.

A tower of a song with an imposing impact. A masterstroke that explodes after the foreplay-intro and moves up and down like a roller coaster. Stellar tune, stellar sound, stellar guitars, stellar emotions, and a stellar chorus. Anthemically orchestrated with goosebumps arrangments. I’m quite sure their awesome fellowmen Arcade Fire would
like this grand exploit.

Here‘s why…

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11. ‘Fear Of The Dawn’ by JACK WHITE (Detroit, US)

The former white stripe plans the release of two
albums this year. Fear Of Of The Dawn, out 8 April
and Entering Heaven Alive, out 22 July.

Here comes the title track of the first LP.
Expect 120 seconds of flaming guitar
hysteria with White going totally blue…

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12. ‘Back To The Radio’ by PORRIDGE RADIO (Brighton, UK)

The lead-single of new, upcoming full-length album
Waterslide, Diving Board, Ladder To The Sky out
in May.

This is one of those songs that hypnotise from the get-go
to the eager finale. A feverish chant, one long chorus with
Marglin‘s delirious voice causing goosebumps.

Stupendous stroke…

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13. ‘Alone’ by STALKER (Sweden)

This is classic heavy metal. Huge sound, huge vocals, huge tune
with a huge chorus. If you’re a metal addict you will not mind if this
Swedish hit team stalks you. After an ominous violin intro, all burners
are on and frontman Michael Storck’s overwhelming pipes take over.

Self-titled debut longplayer comes on
11th February 2022 via WormHoleDeath.

Holy shit!

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14. ‘Colorful White Lies’ by ELECTRIC HIGH (Bergen, Norway)

After a dancey handclap intro, it’s all burners on with
a headbanging impact. Heavy boogie drones to play air
guitar to, in front of the mirror.

Echoes of muscular American motherrockers – like Van Halen,
Sammy Hagar
and Aerosmith – are all over the heated place.

Add firm Lynryd Skynyrd harmonies and you know you’ll
have this blaring beast on your speakers for quite some time.

Press the start button here…


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15. ‘Hostile Music’ by SALEM WOLVES (Boston, MA)

This boiling-hot-cooking stroke hit me and my ears from
the moment the first chord blasted out of my shaking stereo.

Ardent anxiety and edgy excitability dominate this fanatical
outburst. And when the hair-rising chorus erupts you’ll
go mental just as these wolves do.

Right here, right now…

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16. ‘Love Burns’ by ODAWIN (Italy)

A twist and turn prog-pop-rock composition bringing legends
Genesis (early years with Peter Gabriel) and YES (with voice Jon Anderson)
to mind. My favorite cut from Odawin‘s triumphant debut EP ‘Untitled.

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17. ‘Golden Apple’ by HVIRESS (Brighton, UK)

Sensual, puzzling, tempting, synth-matic,
imaginative, seductive, esoteric, and relaxing.

HVIRESS are here to stay.

The ladies have once again teamed up with Scott Chalmers
to create an unsettling music video that leaves the viewer
pondering what they’ve just seen, a perfect partner to
the song’s opening lines…

“What is it that you see? It almost seems unreal
What is responsible for all the things you feel”

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18. ‘Impossible’ by RÖYSKOPP and ALISON GOLDFRAPP (Norway / UK)

Norway’s synth heroes teamed up with the gorgeous
Alison Goldfrapp for this trippy and sultry dance thrill.

Shake your booty, ladies and gents…

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19. ‘Shallow Graves’ by THE MINIMUM WAGE (Ontario, CA)

This riff-rowdy ripper flames with fervid fervency and resonates
as if Bob Mould was invited to play guitar. Ace tune, towering
sound, impassioned vocals, and a sickly sticky chorus.

Just what you need to activate your serotonin production.
Maximum result for a minimum wage.

Be yourself, stay yourself…

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20. ‘Hello Dreamer Baby’ by THE ROYAL FOUNDRY (Canada)

This is what ecstatic pop grandeur is all about. Music that elevates
your state of mind to a titillating level. This new majestic single
generates a spellbinding buzz we all can use in these difficult
pandemic times.

When the multi-layered vocals/harmonies kick in, a gospel-like choir delight
creates an atmosphere of utter joy comparable with the euphoric drive of
The Polyphonic Spree. Vitalizing vibe, refreshing rapture.

Enjoy here…

See/hear you next month, music junkies

Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – JANUARY 2021

Turn Up The Volume‘s 20 Knockout Tracks for January 2022!

A stream of rattling rippers, jagged jams, and romantic reveries.

All 20 together on Spotify

.
Here, knockout by knockout…

1. ‘Slowly Separate’ by CROWS (London)

Kamikaze guitars, boiling bluster, insane vocals. The London’s post-punks
are back with a holy smoke hammer as a warm-up for their second LP,
titled Beware Believers, out 1st of April.

I know it’s only January, but this is//will
be one of the best singles of 2022.

Bonkers time…

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2. ‘Piggy’ by SKUNK ANANSIE  (UK)

After 28 years, Skunk Anansie still is a massively popular band with Skin
screaming her lungs on this new killer single as if she’s still 28 years herself.
‘Piggy’ is an enraged eruption calling out all incompetent governments,
specifically UK’s short-sighted Brexit statesmen.

This red-hot-blistering shock wave explodes like
a metallic bomb with a volcanic Skin chorus.

Yeahhhhhh

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3. ‘Battery Not Included‘ by Ho99o9 (Los Angeles)

The industrial crossover punks scream that they
hate techno shit before going totally berserk
on this new slam dunk.

Ever had an electric chair experience?
Me neither, but I’m sure it sounds
like this…

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4. ‘Pour Another’ by YARD ACT (Leeds, UK)

These politically charged indie gunslingers from Leeds are the talk-of-the-town
lately. Every music website/zine is raving about, them. Their dazzling debut longplayer entered the British charts on #2 last weekend. One of the highlights is this bass-driven jackhammer. Infectious from the kick-off.

Topnotch

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5. ‘Mañana’ by JAMES DOMESTIC (Essex/Suffolk, UK)

A sirens intro, David Bowie‘s saxophone, and steel drums straight from Trinidad. Sounds like an exotic swing and shake ditty is coming up. No folks, it’s a lazy rap-sody you can play the morning after a drinking marathon. A slow start to get out of bed and sober up. Soul voice Clare Gillet takes care of the chirpy chorus and finally Domestic gets up for a couple of Mañana shouts.

Get up and move, ladies and gents…

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6. ‘Dead Weight’ by PLEASURE CRAFT (Toronto, CA)

After a ghostly intro, the drone machine starts up hitting like
a massive sledgehammer with an industrial exuberance. Merciless
and puissant. No rest for the wicked. Think The Horrors and NIN.

A master blaster! Absobloodylutely!


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7. ‘Fatso’ by WARMDUSCHER (London, UK)

Following in the soundsteps of legendary mega-funk-groover Sly Stone with
a 21st Century post-punk coolness and a pumped-up synth-tastic puissance
this London combo activates all of your muscles, your bloodstream, and your
appetite for behaving like a midnight rambler.

This mid-tempo disco jam helps you to keep in shape at your hot spot
at home until the nightclubs reopen. It’s a Warmduscher affair, folks.

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8. ‘Green Goddess’ by SEA POWER (UK)

Socially engaged indie pop-rockers who started their journey back in 2003.
In the very beginning, they operated as British Air Power, but changed it quickly
to British Sea Power. But last summer the band announced another name change,
dropping ‘British‘.

Their new, 7th full-length, titled Everything Was Forever lands on 11 February.
With new single Green Goddess they do what they do best, writing anthemic pop
tunes that stick after one play.

Yeeees

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9. ‘La Fusée Du Chagrin’ by ELEPHANT STONE (Canada)

After a 5-4-3-2-1 countdown this rocket blasts into space with supersonic speed.
No looking back, full steam ahead, pushed by a banging drum/bass beat and crazed guitars. Somewhere in the middle, it’s time to reload the batteries and start all over
again fueled by swirling synths et les dernier mots de M. Lonely.

Psychedelia at its mind-boggling best.
Un coup de poing formidable!

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10. ‘The Magic’ by EELS (Los Angeles)

Eels made another Eels album sounding like an Eels album.
But as Mark Oliver Everett moves and grooves, rocks and rolls
like in the good days Extreme Witchcraft feels like he’s having fun,
although you never know for sure with his capricious state of mind.

The Magic is definitely my favorite piece

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11. ‘Farewell, OK’ by ELVIS COSTELLO & THE IMPOSTERS (UK)

Two weeks ago Costello released his 32nd album called
The Boy Named If. And it’s a triumph, praised by the press
and my ears.

Elvis rocks big time again…

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12. ‘Capture The Stills’ by EX-HYENA (Boston)

This twilight hallucination resonates as the shadowy side of Depeche Mode
and the enigmatic darkwave murk of The Soft Moon. The iterating synth-riff
at work here gets under your skin without asking. The atmosphere is impending,
the tone is obscure, the color is black. All you need for a sonic nightmare.

New cut from the Boston duo’s forthcoming
sophomore album Moon Reflections.

Quite special…


.
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13. ‘Planningtochange’ by ANIKA and PLANNINGTOROCK

This is a rotating remix of the title track of Anika‘s excellent album
released last year. British electronic musician Planningtorock
turned the song into a trippy and vibrant electro beat-breaker.

Anika‘s distorted voice changes the mood
of the original recording. More mystifying,
more mysterious.

Catch the change…


.
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14. ‘How To Breathe’ by GRAMMONTH (Belgium)

The smooth pop elegance of Kevin Parker (Tame Impala), the mellow
vocality of Adam Granduciel (The War Drugs) and his twinkling guitar
play to end this sweet little pearl. Sonic dreaming at its finest with
a tantalizing pearl that gets under your skin, slowly but surely. Top!

Breathe here…

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15. ‘Scream Quietly’ by REVOLUTION ABOVE DISORDER (Dublin, Ireland)

This is the moniker of Vancouver-based Dubliner Stephen Nicholas White describes
himself as a post-punk/nugaze/electro artist. This new single circles around a repetitive
guitar riff and shiny synths with Eels echoes. Magnetic, hypnotic, and mesmeric.

Press play here…


.
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16. ‘Delusion Spree’ by EADES (Leeds, UK)

In the past few years, another Britwave of young rousing wolves
has emerged and looks to turn into a sonic tsunami. Black Midi,
Black Country New Road, Black Honey, Fontaines D.C
. (I know they’re
Irish), Yard Act, and several more prove that guitar rock is
alive and kicking again.

Now you can add Leeds’ hungry squad Eades. With
6-track EP Abstract Education EP, released last Spring,
they made it loud and clear they’re not a one-trick pony.

Here’s sonic proof…


.
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17. ‘You The People’ by VONAMOR (Italy)

This is a mindboggling knockout. You The People starts as a meditative harbinger
for a mindboggling sonic orgasm midway, inflamed by whamming percussion, an
ear-shattering guitar explosion, and haunting male/female, English/Italian vocals
before an abrupt comedown ends this rad rush of blood to the head. Wow!

Listen here, people

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18. ‘Gallows’ by VAZUM

Gallows progresses like a death march, on its way to the graveyard,
with a somber and macabre reverberation. Its repetitive and raucous
slo-mo dynamics evoke images of confusion, agitation, and transitoriness.

Get lost in the woods…

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19. ‘Happy Birthday Forever’ by TESS PARKS (Toronto, CA)

Toronto-born, London-based femme fatale Tess Parks has a new album,
called And Those Who Were Seen Dancing, out 2 April. Her first longplayer
in 13 years.

Lead single Happy Birthday Forever is a pretty catchy surprise.
It spins around in your head before you’re even aware of it.

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20. ‘Vercingétorix Face à l’Empire’ by FRAZYL

This is the solo project of Jérôme R. Desrosiers, who played
drums in different Black Metal and Death Metal in the late 90s.
He’s making synth music for about 20 years now, but it’s only
since 2018 that he decided to share his work.

He just issued his new album Mon Odyssée. An imaginative
journey with cinematic synth symphonies, like this one…


.
See/hear you next month, music junkies…

THE MAGNIFICENT SEVEN – 7 New Firecrackers From The Past 7 Days

7  from the past 7 days

1. ‘This Night’ by SUPERCHUNK (North Carolina)

The second single from their 11th LP
called Wild Loneliness, out 25 February.

Mac McCaughan (guitarist) About: “Like much of Wild Loneliness, this song was
written in the mode of “let’s look around and be thankful for what we have rather
than focusing on what Republicans have taken from an entire generation.”

Never too old to rattle and roll…

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2. Slowly Separate by CROWS (London, UK)

Almost three years after their debut album Silver Tongues this must-hear
post-punk hit team returns with follow-up Beware Believers, out 1st of April.

James Cox (frontman): “Slowly Separate is about living in London, working a job
you hate and just going through the mundane routine of hand to mouth living.”

A blazing uppercut with the
cutting force of a chainsaw.

Yeahhhhhhhh

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3. ‘Am I Really Going To Die’ by WHITE LIES (London)

Another warm-up piece from their upcoming
6th longplayer, out on 18 February.

Not a happy one, yet funky and jumpy in sound…

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4. ‘Wake Me Up’ by FOALS (UK)

I’m not a big fan of remixes unless the remixer – in this case, electro duo
Flight Facilities – transforms a head-dazzling rocker into a head-dazzling
disco stomper that works like a vaccination with a shot of adrenalin.

Yoohoo! Party time…

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5. ‘Lights’ by BAND OF HORSES (Seattle, US)

Album number six Things Are Great hit the streets on 4 March.
And they dropped taster number three Lights a few days ago.

An experience with security guards and the police flashing
their lights inspired frontman Ben Bridwell to write this song.

Vibrant vibe…

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6. ‘Thrown’ by BODEGA (NYC)

I’m sure that this Big Apple indie squad has all Parquet Courts records on their shelves. You already could hear it on their 2019 debut album Endless Scroll and their second one, titled Broken Equipment looks to go in the same direction when hearing new single Thrown.

Not original but tumbling
and revolving nevertheless…

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7. ‘Fraggle Rock Rock’ by FOO FIGHTERS (Seattle, US)

Seems like Dave Grohl and his Fighters adore the spotlights
and do anything to have them shine on them every day.

Check this… children’s television series Fraggle Rock gets a full revival on Apple TV+ and yes, you already guessed it, the Foos are among the musical guests on the show. For the occasion, they wrote this bonkers retro rocker that triggers your laughing muscles.

Have fun

TURN UP THE VOLUME’S Eleven Knockout Tracks For MARCH 2019…

Eleven knockout killer tracks from the past month…

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Eleven Knockout Tracks on repeat this past month!
A smoking mix of rolling rippers and mesmeric musings.
Here’s Turn Up The Volume‘s Knockout March Team!

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1. ‘Tastes Good With The Money’ by FAT WHITE FAMILY (London, UK)
The Family tackles good old Britain with groovy and bloody pop stroke…

2. ‘White Male Carnivore’ by YAK (London, UK)
Blazing London trio with rad ripsnorter from new LP Pursuit Of Momentary Happiness

3. ‘Hazel’ by TANGIENTS (Los Angeles, CA, US)
A massive banging recreation of a 1983 Cocteau Twins track…

4. ‘Demeanour’ by CROWS (London, UK)
Crushing missile from these motherrockers’ stirring debut LP Silver Tongues

5. ‘November Man’ by FILTHY FRIENDS (US)
Glorious fuck you Trump uppercut from this supergroup’s new album Emerald Valley

6. ‘Young Evil’ by YES WE MYSTIC (Winnipeg, Manitoba, Canada)
Multi-layered and dazzling pop symphony from upcoming album Ten Seated Figures

7. ‘Woman’ by KAREN O and DANGER MOUSE (US)
Funky cracker from the duo’s first collaborative album Lux Prima

8. ‘Bullets’ by ZINNIA (Toronto, Canada)
A powerful piece of dramatic pop magnificence and spine-tingling splendor…

9. ‘I Quit’ by PORLOLO (Denver, US)
Loud and clear message. Rollin’ and rockin’…

10. ‘Calling Me’ by WILD MERCURY (Montreal, Canada°
Slow moving blues stroke cutting like a Swiss knife…

11. ‘The Queen Who Stole The Sky’ by SARAH MARY CHADWICK  (Melbourne)
An impressive organ and an impressive voice sending shivers down your spine…

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TURN UP THE VOLUME’S Eleven Knockout Tracks For JANUARY 2019…

The knockout killer tracks of the past month…

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Eleven Knockout Tracks on repeat this past month!
A smoking fusion of roaring rippers and gusty grooves
Here’s Turn Up The Volume‘s Knockout January Team!

.
1. ‘Feet’ by FAT WHITE FAMILY (London, UK)
The Saoudi/Adamczewski family returns with magnetic mantra-like chant. Intoxicating stuff!

2. ‘Motor City Steel’ by The Dandy Warhols (Portland, US)
Irresistibly catchy earworm from The Dandys marvelous new LP Why You So Crazy.

3. ‘The Creeps’ by LAURA IMBRUGLIA (Melbourne, Australia)
Australian singer/songwriter turns her anger into a burning banger. Top cut!…

4. M.A.H. by THE CHEMICAL BROTHERS (Manchester, UK)
A massive cannonball. A dance punk anthem for 24 hour party ravers…

5. Ar.Mour by UNKLE feat. Miink & Elliot Power (UK)
Vibey, spaced-out and cosmic. Yes, UNKLE is back!

6. ‘All I Want’ by BROKEN SOCIAL SCENE (Toronto, Canada)
Toronto’s harmony team returns with an upbeat and funky cracker. Bingo!

7. ‘Chain Of Being’ by CROWS (London, UK)
A relentlessly drums driven missile with a terrifically rollicking guitar fanfare…
crows

8. ‘Dead Beat’ by GUIDE DOG (Bridgend, Wales)
A head-smashing wallop sounding like Nine Inch Nails with a hammering hangover…

9. ‘Steppenwolf’ by THE RINGARDS (London, UK)
Claustrophobic groove with wailing guitars creating a sort of weird voodoo feel…

10. ‘Another Mess, I’ by AYU (Switzerland/Germany)
Soulfully trippy, emotionally atmospheric, charmingly poppy with a Massive Attack touch…

11. ‘Seventeen’ by SHARON VAN ETTEN (Belleville, NJ, US)
Impassioned and melancholic pearl, with a vocal finale that causes goosebumps…
5-sharon

(photo Sharon by TUTV!)

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London’s Post Punks CROWS Share Steamy Single ‘CHAIN OF BEING’ From Upcoming Debut LP…

Daily fuel to load your sonic batteries…

25 January 2019

After listening over and over again to their two hair-rising 2016 EP’s Cold Comfort  and Unwelcome Light and seeing them play a memorable club gig in my hometown
that same year (review here) London’s rowdy post punks CROWS are finally back with
fresh dynamite. They have signed to Balley Records, the label run by boisterous Idles frontman Joe Talbot that will launch Crows‘s debut album SILVER TONGUES on 22 March. Ahead of it here’s first single CHAIN OF BEING . A relentlessly drums driven missile with
a terrifically heavy guitar charged fanfare growing nastier and heftier with every second while frontman James Fox‘ voice rolls all over it. Impressive and turbulent stroke. Here we go…

CROWS: Facebook

(pic TUTV!)