Turn Up The Volume’s 20 BEST TRACKS Of The Month – AUGUST 2022

A stream of rattling rippers, jagged jams, and magnific musings

All 20 on Spotify.

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TRACK BY TRACK

Band: GILLA BAND
Who: Raw Irish post-punk projectile
New album: Most Normal,
their third, out on out 7th October.

Dara Kiely (frontman man): “The lyrics are from a stream of consciousness rant, weird imagery and all that. The track is about attraction – fancying someone and not knowing what to say exactly. It’s an indirect love song, knowing you like someone but can’t quite articulate it.”

Single: BACKWASH

No brakes, no breaks. Always forward.
The Irishmen rock big time. Bang-on.

GILLA BAND: Facebook – Instagram
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Band: MUSE
Active: Since 1994 / 9 LPs (new one included)
New Album: WILL OF THE PEOPLE, released 26 August.

Single: WILL OF THE PEOPLE

This is Muse turning up the decibels. Giant gem.

MUSE: Facebook – All Albums
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Band: SUEDE
Who: Britpop champions from London
Active: 1989–2003, 2010–present
9 longpayers so far (new one included)

New album: AUTOFICTION
Out: 16 September

15 Again is 90s Suede.
Epic. Monumental. Glamtastic.

Tune in and feel young again.

SUEDE: Facebook – Instagram
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Artist: BUZZKILL JOY
Who: A genre-fluid punk in pink from the North of England
who always aims to energise, inspire and surprise.

New single: LEHMAN WEEKEND

It follows the character of Billy as he loses his job, his house, his wife and kids, and ultimately maybe his life. After pursuing everything at all costs, we follow Lehman brother’s banker Billy as he chronologically loses everything throughout the worst day of his life, after the bank collapses and everything just keeps going wrong.

Be ready to jump up and down, left and right. This not-so-happy song sounds terrifically happy. A riveting pop tune that could come straight from a Yungblud album. If this devil-may-care earworm doesn’t make you go gaga I don’t know what will.

Volume to max.

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BUZZKILL JOY: Facebook – Instagram
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Band: THE BANKROBBER
Who: Italian alt-pop band led by
brother ad sister Giacomo and
Maddalena Oberti
‘.

New single: HATE ME
From their new, second full-length Lighters and Lovers
arriving on 23 September.

New single: HATE ME

Turned-on guitars and Oberti‘s quick-fire vocals – on the cracking
chorus he goes as fast as a rapper – inflame this straightforward
standout. From bankrobber to bankrocker.

Fantastico!

THE BANKROBBER: Twitter – Instagram
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(photo by Sandra Ebert)

Band: MODERN WOMAN
Who: London-based act that began as the songwriting project of Sophie Harris.
The band’s music, still based around Harris’ songwriting, explores a diverse range
of sounds drawing from their melting pot of influences.

New single: FORD

Following their splendid 2021 debut EP Dogs Fight In My Dream these up-and-coming gunslingers score again with their new sassy bass/drums motorized and guitar-spiced stunner, extra energized with Sophie Harris‘s clear-cut vocals and a schizo finish. They should get the same attention as Liverpool‘s sensation The Mysterines. NOW!

MODERN WOMAN: Facebook
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Band: THE KILLERS (Los Angeles)
Active: Since 2001 / 7 studio albums

New single: BOY.

Brando Flowers (frontman): With ‘boy’, I want to reach out and tell
myself, and my sons, to not overthink it. And to look for the ‘white arrows’
in their lives. For me now, white arrows are my wife, children, my songs
and the stage.”

The tunesmiths experts do what do best, writing
lyrical anthems for huge stadiums.

Boy, oh boy.

THE KILLERS: Facebook – Instagram
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Artist: WHERE WE SLEEP (London, UK)
Who: Alter ego of Beth Rettig, former
front force of electro-rock band Blindness

New single: BROKEN BONES

It follows the ambient 5-track EP Experiments In The Dark (2019)
and soul-stirring debut album The Scars They Leave (2021)

This slow-mo reflection on personal turmoil is driven by an ongoing bass-riff that got under my skin and kept on rotating in my head after just one spin. And when Rettig adds psychedelic guitar pizazz and flashy fingertip touches, the bone-chilling progression gets even more poignant. Her shadowy vocality seduces once again. To hypnotise, magnetise and mesmesize are familiar Where We Sleep characteristics I never get tired of.

Broken Bones is a triumph in sound and vision.

Listen/watch

WHERE WE SLEEP: Buy on Bandcamp – Instagram – Facebook
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Artist: MEAGN THEE STALLION
Who: R & B rapper born Megan Jovon Ruth Pete,
27 years ago Megan Jovon Ruth Pete
New album: Traumatize – her 2nd one

Track: HER

MTS is a non-stop word waterfall embedding her stories
in bulletproof disco stompers like she does it here.

Roll the tape and dance.

MEGAN THE STALLION: Instagram
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(Photo by Kris Parenti)

Band: ULTRA SUNN
Who: Cold/darkwave duo – Sam Huge and
Gaelle Souflet
– from Brussels

New single: THE SPEED
B-side: Out Of The Cage

With The Speed this Belgian darkwave duo invites you once more to get off your
lazy couch, to dress black and head to the nightclub where they are waiting
to make your booty shake to their ghostly bass synth riffs. Nirvana guaranteed.

Here’s why.

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ULTRA SUNN: Facebook – Instagram
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Artist: JODIE LANGFORD
Who: A swirling wordsmith from
the Hull / East Yorkshire area.

New single: HOW IT IS feat. Marx

Jodie: “How It Is, the recurring tale of getting messy with your mates to escape from the standard 9 to 5 working life. This track celebrates the poor life choices made after deciding to go for a drink with your friends/colleagues and the chaos and amusement experienced along the way. “

It’s only Langford‘s third single.

This new one is a brisk clap-along groover with an instantaneous swaying
impact on your hips. Could be the ideal remedy when trying to get out of bed after
a 48-hour weekend revelry and shake your hangover off. Sheeny synths, hip-hopper
Marx‘s jaunty contribution, and the zestful chorus, it all comes together seamlessly.

A hattrick! Let’s drink to that.


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JODIE LANGFORD: Instagram
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Band: TUHAF (Copenhagen, Denmark)
Who: The fusion of different types of musicians and all kinds of genres
– Anatolian folk, indie rock, free jazz, Danish traditional songs and US
roots rock – wondrously merges into the sound of TUHAF. The band is
fronted by Turkish-born singer Berrin Bas.

New single: HAFLA
From their debut album ‘Mere Guld’,
out this Friday.

Berrin: “‘Hafla’ is about celebrating oneself. It is dedicated to
Bicop (Black, Indigenous, and People of Color) and everybody
can join the party.”

Hafla is a sensual groove with an exotic Eastern vibe. Its ongoing vibe
gets you, slowly but surely, into an elevating trance, while Berrin Bas‘s
vocals add a mesmerizing touch that works as a magnet.

Everybody is invited to Tuhaf‘s politically progressive party to celebrate
diversity with them. Music has the power to unite people. We all should
use that power to get together and respect each other as humans without
any kind of discrimination. Tolerance of diversity is the one and only key
to live together, side by side.

The marvelous black & white video will help
you to get in the right mood to dance…

TUHAF: Facebook – Instagram
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Band: BURN THE LOUVRE
Who: The musical project of singer/songwriter Jordan Speare
assisted by guitarist/bassist and friend Andrew Billone

New single: HEY STACEY

Jordan Speare: I wrote “Hey Stacey” for a friend of mine named Stacey, who also just
so happens to be one of the best people I’ve ever met. I remember when we first met, she
had mentioned how she hated whenever she’d meet new people, they would always make
a reference to that Fountains Of Wayne song “Stacy’s Mom” – she would joke: “it’s not funny
and my name isn’t even spelled that way!” I thought that was hilarious, so I wrote this song especially for her, with her name spelled correctly, of course
.

Jingle jangle pop at its exciting best. Hey Stacey is a steamy swinger with all
cylinders rollin’ all the way. It’s sticky as first-class glue and you can sing
the chorus to your lover.

Check the vibe.


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BURN THE LOUVRE: Facebook
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Band: THE ZINVANDELS
Who: 4 uproarious rockers from Wales

New single: BLACKHOLES
Their sixth one. A statement of intent
ahead of their debut LP release.

Oh my, oh my. Expect riff schizophrenia bucking up this flipped-out
corker for its whole 4 minutes. Blackholes is a rollicking post-punk
juggernaut that scurries full tilt without looking back.

Add a steamed-up drums/bass tandem and poignant vocals and you
know this head-over-heels thunderstorm will attack your speakers
mercilessly.

These Welshmen are a burning engine.

THE ZINVANDELS: Facebook – Instagram
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Band: STICK TO YOUR GUNS
Who: The famous Californian hardcore tormentors
Active: Since 2003 / 7 studio LPs (new one incl.)

New album: Spectre
Released: 29 July 2022

Track: OPEN MY HEAD

The slowest and moodiest piece on the LP. But as intense
and fanatical as their hard-screeching-core missiles.

STICK TO YOUR GUNS: Facebook – Instagram
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Photo Credit: August Wolfe

Band: REIGN MAKER
Who: Australian prog rock band formed in Melbourne, Victoria in 2020.
Reign Maker is the collaborative project of passionate, activists who weave
politically charged, social commentary throughout their songs to raise
awareness and give voice to a wide range of current issues faced
in the world today.

New single: THE KILLING

The band take a stance here against racial discrimination and
police brutality needlessly taking the lives of innocent people.

This mighty-powered and impassioned ballad blows your mind in sound and vision.
Its metallic sonority and its titanic fervency send shivers down your spine. Astonishing.

And the monumental heart-and-soul cutting vocals are just flabbergasting, making me think of the haunting voice of Tarja Turunen from Finnish metalheads Nightwish. Midway, when the decibels go sky-high, the delirium increases to a jaw-dropping level.

Goosebumps all the way.

REIGN MAKER: Facebook – Instagram
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Band: GATHERING OF STRANGERS
Who: Impassioned indie rockers from Manchester

New single: RED & GOLD

Sky-scraping emotions.
Blazing orchestration.
Mammoth chorus.
Feverish vocals.
Sickly sticky.

Get the picture? Yes, this is a towering stonker
with an aroused impact. Touchdown.

Don’t be a stranger, press play
and get overwhelmed.

Right here, right now.

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GATHERING OF STRANGERS: Facebook – Instagram
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Band: ERASE ME
Who: Sludge pop band from Phoenix, Arizona. Their songs cover the gamut of topics but are often driven deep into what it’s like to be piece a of desert trash blowing through gentrified downtown phoenix landscapes, just tryin’ to survive.

Single/clip: JOAN OF ARKANSAS
From their brand new, hit-and-run EP
¡Distortionista!
.

Expect a hugely catchy guitar booster with a head-spinning cadence, an electrical rush, and elated vocals As short as a Ramones song. For some reason, my ears tell me that this could be Pavement if they would write a pop tune as silver-toned as this one. Sounds like kick-ass fun, right? You betcha

Listen/watch.

JOAN OF ARKANSAS: Facebook
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(credit: Bianca Petris)

Band: THE CASE
Who: Firm 4-piece from Romania who started their journey in 2012, always
refining their rock & grunge sound. On their creative process, the band reckons
they “tried to create a space where originality prevails, to detach themselves from
the current musical cliches while glorifying their lord and savior David Bowie.

New single: FEVER

“‘Fever’ is about the passage of time, about the failed attempts to correlate the quality of
a relationship with its duration and intensity. The song is about happiness, sadness, breakup, and forgiveness. It would be love if we were to associate our new single with just one word.”

This is a mind-magnetic and slow-burning sonic torch. Sounds both riveting and piercing as American alt-rockers The Afghan Whigs did/do so impressively for years. The Case develop a similar sensation of vivacity.

A cast-iron winner.

THE CASE: Facebook – Instagram
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Band: THE TRUSTED (Southend-on-Sea, UK)
Who: Formed in 2016, making music with strong melodies and catchy hooks. Being inspired by the new age Brit-rock bands like The 1975 and Catfish and the Bottlemen, The Trusted have made their own unique sound by the fusion of post-punk and punk energy with a little hint of modern rock.

“A song about being abandoned by the good guys.”

It was composed during lockdown. The band couldn’t write together
face to face. The creative collaboration went through computers.

Smooth synths, and gently weeping guitar lines take you immediately
on a dreamy head-in-the-clouds trip that moves slowly, heading to an
epic climax. Stylishly composed, greatly arranged.

A bittersweet symphony.
A romantic beauty.

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THE TRUSTED: Facebook
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JODIE LANGFORD Scores Hattrick With Groovy Third Single ‘HOW IT IS’

New striking strokes

3 August 2022

Artist: JODIE LANGFORD
Who: A swirling wordsmith from
the Hull / East Yorkshire area.

New single: HOW IT IS feat. Marx

Jodie: “How It Is, the recurring tale of getting messy with your mates to escape from the standard 9 to 5 working life. This track celebrates the poor life choices made after deciding to go for a drink with your friends/colleagues and the chaos and amusement experienced along the way. It actually came off the back of a spoken word piece I was recording, Baddie heard a catchy phrase that he turned into a chorus and encouraged me to write around that theme. and How It Is was born. “

Turn Up The Volume: It’s only Langford‘s third single after the flood-rap
lockdown-reflection on her debut I Miss It, followed by punky steamroller
TV Or Not TV.

The new one is a mid-tempo clap-along groover with an instantaneous swaying
impact on your hips. Could be the ideal remedy when trying to get out of bed after
a 48-hour weekend revelry and shake your hangover off. Sheeny synths, hip-hopper
Marx‘s jaunty contribution, and the zestful chorus, it all comes together seamlessly.

A hattrick! Let’s drink to that.

Stream/buy the track here…


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Also streaming on Spotify.

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JODIE LANGFORD: Instagram

TURN UP THE VOLUME’s 25 Best Tracks Of 2022… So Far

Time flies. Oh yes, we already have six months of 2022 behind us.

Mad summer parties are just around the corner. And here’s the perfect
loud/quiet soundtrack… Turn Up The Volume’s 25 best tracks of 2022,
so far!

ALL TOGETHER on Spotify…

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TRACK BY TRACK
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1. I’ll Make You See God’ by THE AFGHAN WHIGS

The by now legendary passion rockers from Cincinnati, Ohio with mastermind Greg Dulli leading the troops have their new longplayer How Do You Burn? out on 9 September.

This lead single is a sturdy steamroller, a red-hot-heated ripsnorter, an unstoppable cannonball going everywhere fast. Manic blitzkrieg guitars, ruthless drum/bass attacks, Greg Dulli‘s rush of blood vocality, and a brutal finish. Flabbergasting.

Dulli: “That’s one of the hardest rock songs we’ve ever done.
It was written and performed on sheer adrenalin.”

See God here…

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2. ‘Slowly Separate by CROWS (London)

This London post-punk team unleashed their 2nd scorching album
Beware Believers, last April. One of TUTV’s best full-lengths of 2022 (so far).

Single Slowly Separate is a schizo sonic serpent generating a mind-blowing backwash
while chainsaw guitars turn up the decibels to an illegal peak, and man-in-the-middle James Fox rages and blazes through his teeth.

Fucktastic!

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3. ‘I Am Kate Moss’ by DITZ (Brighton, UK)

This frenetic Brit force hit big time with their dazzling debut album
The Great Regression last March (more about it in a couple of days).

Let’s focus now on one of its cast-iron brainbreakers. It’s a poignant, biting, and
anxious uppercut. I’m pretty sure Moss would love this hit-and-run drone when
it would hit her ears. She is, after all, the Femme Punk Fatale of fashion.

Turn up the heat…

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4. ‘Twitchin’ in The Kitchen’ by WARMDUSCHER (London)

This punky-funky disco corker is the perfect pick-me-up tune for all the wacky weirdos who are always in the kitchen at parties waiting for free drinks and waiting for Warmduscher to come in and kick their lazy asses. Big stroke, big chorus, big fun!

From the gang’s thrilling 4th LP At The Hotspot.

Twitch as much as you want here…

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5. ‘Demolition Row’ by METZ (Toronto, CA)

“It’s a warning, an unflinching assessment of the vastness and insignificance of this
life, is precisely counterbalanced by their lesson, which models the resilience that this understanding demands. ‘Demolition Row’ is persistent, concise, and alarmingly physical.”

This blustery belter is vintage Metz. Full blast ahead, no brakes, no breaks.
The track featured on a split 7” with London-based group Adult Life.

From Dylan’s Desolation Row
to Metz’s Demolition Row


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6. ‘Frankenstein’ by TRAMP (Northern Ireland)

“As a story or metaphor, we are all ‘Frankenstein’s monster’ – made up of other people’s opinions and parts that don’t belong to us. That we were born perfect but people, in their
own conditioning, come along and can make us feel undesirable/inadequate/the monster.
But we can choose to be real instead.”

This is without a shadow of a doubt the best debut single I heard so far this year.

A towering tune going low, high and back. A sickly sticky pop gem wrapped in
a big-boisterous-wall-of-sound. And upfront, Sianna Lafferty ‘s phenomenal voice
causes goosebumps when she goes sky-high on the chorus. The ardency of
Porridge Radio comes to mind.

One word: AWESOME.

“I am not what you want me to be
Uncle Sam won’t even point at me
Even the eyes of the Virgin Mary wall
hanging won’t even stare at me.”

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7. ‘Shaman’ by THE CHRONICLES OF MANIMAL AND SAMARA (London)

Shaman progresses like a vicious viper sliding to its prey. Determined, but always
wary of sudden danger. It dumbfounds and flummoxes while the song’s tension
intensifies and sends shivers down your spine.

No metallic explosions or abrupt pace changes this time, although it feels like a thunderstorm can happen as the mesmeric music swells along its ominous path
towards a demonic climax. Another appealing piece de resistance, another
psychedelic exploit another step closer to the new album.

From their brand new LP Trust No Leaders, out today.

Face your nature
Face your fears
Face your demons
Wake the dead

Roll the tape and get impressed…

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8. ‘Mañana’ by JAMES DOMESTIC (Essex/Suffolk, UK)

“A paean to taking your foot off the gas and letting things slide, or a warning of the perils of procrastination, perhaps? It’s hard to tell whether ‘Mañana’ is meant to serve as a confessional regarding Domestic’s own perceived lack of willpower, or a celebration of idleness. It could be either of these things; and that’s one of its many joys.”.

A sirens intro, David Bowie‘s saxophone, and steel drums straight from Trinidad. Sounds like an exotic swing and shake ditty is coming up. No folks, it’s a lazy rap-sody you can play the morning after a booze marathon to get up and sober up, slowly.

Soul voice Clare Gillet takes care of the chirpy chorus.

Press play here…

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9. ‘Digging’ by NOTHINGHEADS (London)

“Propelled by a motorik rhythm and abrasive guitars, it stomps toward a doom-laden finale. Inspired by Sebastião Salgado’s (note TUTV: Brasilian photographer) anarchic photos of the Gold Mines of Serra Peladain the Amazon in 1985: the track explores the relentless obsession with grasping a glint of glory from the mud. “

Once I learned that this startling belter is about the horrible exploitation of human
beings by ferocious money sharks this jagged jackhammer blew my mind even harder than I heard it the first time before knowing about the band’s inspiration for this stunner.

Expect rabid guitars, doom and gloom vocals, and frantic
twists and turns until the chaotic finale. Post-punk at
its razorblade best.

Dynamite


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10. ‘Welcome To Hell’ by BLACK MIDI (London)

Geordie Greep (vocalist, guitar): “Almost everything I write is from a true thing, something
I experienced and exaggerated and wrote down. I don’t believe in Hell, but all that old world folly is great for songs, I’ve always loved movies and anything else with a depiction of Hell.”

A screwy zig-zagging haymaker it is. From upcoming, 3rd, LP Hellfire.

Burn here…

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11. ‘Cream’ by BOTCHED TOE (UK)

My fav track from one of my fav albums of the year (so far), baptized
A False Glimmer Of Hope with loudmouth James Domestic (yep, the
guy from above) going bonkers.

This red-hot-blistering hardcore missile punks up your adrenalin and
invites you to open all windows and doors and yell your tits off.

(S)cream here…


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12. ‘Zick Zack’ by RAMMSTEIN (Germany)

The bombastic German metal machine have
a new, their 8th, longplayer out, called Zeit.

Their same old recipe still works.

My fav sledgehammer on the LP is Zick Zack.

Ridiscouly infectious
Great Scheiße shit!

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13. ‘Edie’ by STEPH SWEET (UK)

This is the spellbinding title track of this enigmatic songstress’ new album.

The dark garage guitar swagger of this nightmarish cracker is irresistibly
magnetic. Think trash-and-slash duo Royal Trux. Both eerie and haunted.

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14. ‘Eris’ by VIOLET NOX (Boston, MA)

My favored sonic sci-fi symphony from the duo’s excellent Eris Wakes EP.
Trippy, spooky, trancy. With repetitive mind-twisting Krautrock eurhythmics
that take you on an otherwordly voyage. Top-flight!

Launch your spaceship here…


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15. ‘TV Or Not TV’ by JODIE LANGFORD (UK)

After the piano intro (sounds like the theme tune of classic horror-thriller Halloween) this young outspoken artist fumes with barbed wire temper towards the supersonic chorus that resonates like hardcore rap.

This rushing rollercoaster swings forth and back with grim impetus until the gloomy
synth climax makes way for that ominous piano fragment again. TV or not TV, that’s
the question? The answer is easy. To hell with the relentless idiocy of reality TV stars and influencers constantly putting pressure on growing minds to behave in ways unattainable to most.

Find the answer here…

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16. ‘We Are Ukraian’ by OSCAR MIC (London)

Oscar Mic wrote this song after witnessing the horrific violence of
psycho Putin’s illegal invasion of Ukraine on the news. All proceeds of
the song go to Save The Children’s Ukraine Appeal.

We Are Ukrainian is a tremendously catchy hip-rap-pop jam featuring steel drums
and timpani balancing somewhere between Roots Manuva and Mr. Scruff.

“Fleeing people running scared, so tell me Where’s the justice? Our leaders say they care,
tell me can you trust this? Urban warfare, your home’s done and dusted, Aiming at the
public, they wouldn’t? They just did,”

Fuck Putin


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17. ‘White Skin’ by THE BANKROBBER (Italy)

The titillating electro- intro echoes early Depeche Mode before they became the darkwave Goth-esque rockers we all know. But in an eye-blink White Skin turns into a swirling synth-pop stomper to fill dancefloors with. It’s an instantly infectious nightclub earworm with an ecstatic chorus.

From the siblings’ forthcoming, second, album.

Start the tape and make your move…

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18. ‘Worthless Souls’ by MELTED WINGS (Toronto, CA)

“A track that calls out how sexism and power corrupt all levels of society.
We all need to recognize this going forward and make sure that it doesn’t
go unchecked.”

The sickly sticky synth beat comes across like an invitation for my feet to kick the butts of vicious sexists and power-horny billionaires ruining people’s lives. Middle finger to them while spinning around mad as a hatter to this bang-on electro buzz. Trust me, you’ll feel much better afterward

From their new Cheer For The Deer album.

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19. ‘Hello Dreamer Baby’ by THE ROYAL FOUNDRY (Canada)

This is what ecstatic pop grandeur is all about. Music that elevates
your state of mind to a titillating level. This pearl generates a feel-good
entrancing buzz.

When the multi-layered vocals/harmonies pop up in a gospel-like choir delight
creates an atmosphere of utter joy comparable with the euphoric drive of
The Polyphonic Spree. Vitalizing vibe, refreshing rapture.

Listen/watch

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20. ‘Life And Lies’ by LEE ROGERS (Northern Ireland)

A mixed-emotions lullaby with Rogers‘ sky-reaching voice as the star. It’s an emotional
and bluesy reflection. Wurlitzer jukeboxes should be reinvented for these heartbreakers so moody minds can cry their eyes out (or cry in their beer) at night in a downtown bar where lonely ones gather and muse about life and lies.

This one is for all barflies out there…

From his new heart and soul album Gameblood.

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21. ‘Chaise Lounge’ by WET LEG
22. ‘Up The Mountain’ by REGINA SPEKTOR
23. ‘All The Good Times'</a> by ANGEL OLSEN
24. ‘Come Back’ by SHARON VAN ETTEN
25. ‘The Dripping Tap’ by KING GIZZARD & THE LIZARD WIZARD

A Rap Rush Of Blood To The Head – JODIE LANGORD Rages On Her Brand New Uppercut ‘TV OR NOT TV’

New striking strokes

28 March 2022

Artist: JODIE LANGFORD
Who: A swirling wordsmith from
the Hull / East Yorkshire area

New single: TV OR NOT TV

JODIE: “It’s a stark contrast to the positive ’coming together’ message that I Miss It championed. I see this release as a powerful attack on the media platforms that negatively portray the youth of today while they struggle to keep things together. For me, I’ve built my craft as a spoken word artist by pointing out injustices in the world, at the hands of powerful governments and the control of the richest 1%. I’m really excited to see how this track is received after the upbeat message of I Miss It”.

Turn Up The Volume: After the piano intro (sounds like the theme tune of classic
horror-thriller Halloween) Langford rages with barbed wire temper towards the
supersonic chorus that resonates like hardcore rap.

This aggressive brainbreaker is a rushing rollercoaster, swinging forth and back
with grim impetus until the gloomy synth climax makes way for that ominous
piano fragment again. TV or not TV, that’s the question?

The answer is easy. To hell with the relentless idiocy of reality TV stars and influencers constantly putting pressure on growing minds to behave in ways unattainable to most.

Check out the rant here…

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Also on Spotify
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JODIE LANGFORD: Instagram – Twitter

Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – SEPTEMBER 2021

Turn Up The Volume‘s 20 Knockout Tracks for September 2021!
A stream of rattling rippers, jagged jams and romantic reveries.

All together on Spotify…

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Track by Track…

‘Hertz’ by AMYL AND THE SNIFFERS (Australia)

Blustering blast from their second smoking LP Comfort To Me
with punked-up Amyl, as we know her, on an adrenalin rush.

Join her wild ride…

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‘Queen Of Swords’ by TYPHOID ROSIE (Brooklyn, New York)

Rousing Riot grrrl Rosie Rebel and her riff-racing rascals go full steam ahead on
the tense title track of their smoking new album. If you want to know more about this lively gang check the recent interview Rosie Rebel did with Turn Up The Volume right here.

Start your own moshpit…


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‘Leave Me Dry’ by ILA (Belgium)

With this new standout, ILA reveals a total turnover in resonance. She rocks, raves, and rolls backed by steamy wall-of-towering turbulence. Mind you, the heartfelt fervency, personal turmoil and vocal vehemence are still intact. Can’t wait to find out if this is actually another page in her magical music book.

Turn it up…

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‘I Know You Know’ by LORE CITY (Portland, Oregon)

A highlight of Participation Mystique, the fourth longplayer by this most thrilling duo with Laura Mariposa Williams‘ bewitching voice as the heroine. Her psychedelic, gothic,
far-out, and at times wailing timbre magnetizes and hypnotizes while wandering in an orchestral space. Learn more about these intriguing artists in their recent interview
with Turn Up The Volume.

Discover and enjoy…


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‘Spirit Power And Soul’ by JOHNNY MARR (Manchester, UK)

“It’s a kind of mission statement. I had an idea about in electro sound
with gospel feeling. In my own words, an electro soul anthem.”

It’s a pithy psych jam, with spirit, power, and soul of course.

Here comes Johnny…

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‘The Aftermath’ by BEECH (Belgium)

This Belgian quartet brings Scottish daydreamers Teenage Fanclub to mind. Combine this with the band’s slacker rock sensibility and jingle-jangle jives and what you get is a tingling tune. It’s called pop-ular music.

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‘My Drug’ by DAILY WORKER (Austin, Texas)

The alter ego of Texan prize-winning poet and guitarist Harold Whit Williams.

This is a sickly sticky dope tune, one that makes me smile from left to right
and back. One shot of this, and you’ll jump around the room like a kangaroo
on speed.

Feel the vibrant vibe…

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‘Sometime’ by THE HIGH LOVES (Toronto, Canada)

This has everything a perky pop pearl needs. Play it in the morning, in the evening and every hour in between and at the end of the day you feel so much better and most of all it’s a truly helpful way to process a breakup. So much cheaper than therapy.

Press play to change your mood…

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‘Regrets’ by TIDAL WAVE (Toronto, Canada)

Regrets floats on layers of shoegaze guitars and fervid vocals while growing to an engrossing level of electrifying epicness when the glowing chorus kicks in. Trust me,
a couple of spins and you’re addicted. Fact!

Here’s why…

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‘Medicate + Alleviate’ by LIONS OF DISSENT (Wolverhampton, UK)

The fever of The Verve‘s urban hymns, the sassy swagger of Oasis in slo-mo
with 60s organs and the fervent flair of 90s Britpop. The final result is obvious.
A bittersweet blistering symphony. Touchdown!


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‘Young Foxes’ by ULTRA SUNN (Brussels, Belgium)

The darkwave tandem is on depeche modus with this shadow-dancing single from their brand new, second EP Body Electric. Expect booming beats, doomed drones, eerie vocals, and a repetitive bass synth riff that sticks as first-rate glue. A club cracker!

Put your black leather jacket on and shake your booty…

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‘Big Boy Games’ by TEROUZ (Montreal, Canada)

This riveting ripper starts with a mid-tempo drum-driven intro, gliding quickly into
a swing and sway your hips chorus, followed by a moment of reflection. The whole
process repeats itself and gets slowly but surely under your skin. You’ll love every
second of this electro roller coaster.

Here‘s why…

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‘I Miss It’ by JODIE LANGFORD (Hull / East Yorkshire, UK)

This young, outspoken, and observative artist – a female Mike Skinner – reflects the dreadful freedom-restricting sentiments of the past lockdown times in her new word rap waterfall jam. An intoxicating and groovetastic house stomper making you euphoric now that you can freak out again in nightclubs.

Hip, hop and pop this way…

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‘It’s Fine’ by BLACKOUT ORCHESTRA (UK)

“It’s Fine” examines themes of jealousy and insecurity in open relationships.”

Not an easy issue to write a song about, but embedded in an ebullient earworm like
this, it’s fine. Impossible to resist this tremendously infectious corker spinning around like forever inviting you to pirouette yourself dizzy while duet vocals push the pace. No pause, no breathing space, no interval, always straight on.

One spin and you’re hooked…

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‘Wytch Lych’ by VAZUM (Detroit, MI)

Sonically this surreal saga wouldn’t be out of place on a Gary Numan album. Lyrically it’s like an ode to the unknown eternity. In my imagination Wytch Lych resonates like a funeral hymn, celebrating the imperishability of the soul. Stunning vocals, striking synth shadows, and an overall spellbinding impressiveness. Top stuff!


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‘Case History’ by LOSSLINE (Manchester, UK)

When I listened to this new little pearl on Spotify for the first time, it was followed
by the title track of the upcoming LP of The War On Drugs. I swear I thought that
it was another Lossline song. It was that melancholic guitar glow that confused
my ears. It wasn’t until Adam Granduciel‘s voice came up that I knew it wasn’t
the Manchester duo.

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‘I Don’t Live Here Anymore’ by THE WAR ON DRUGS (Philadelphia)

See track above. The moony title track of the new upcoming album, out 29 October.

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‘Lights In The Expanse Of The Sky’ by DREW FIVE (London)

Close your eyes, relax and imagine you’re floating into space where Spiritualized‘s mastermind Jason Pierce lives while playing this hallucinatory ambient trip on your headphones.

The sky is the limit…


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‘Freedom’ by CHRISTINE AND THE QUEENS (France)

French songstress Héloïse Adélaïde Letissier returns with two new songs,
with this one as my favorite. A slow-burning and emotive humdinger with
a gospel-like choir.

Enrapturing…

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‘Sunday Morning’ by MICHAEL STIPE (US)

Last Friday ‘I’ll Be Your Mirror – A Tribute To The Velvet Underground’
came out with a cast of big names honoring the iconic band’s 1967 debut LP.

It’s impossible to top the classic original Sunday Morning (sung by Lou Reed)
but Michael Stipe‘s is pretty impressive.

Have a listen…

See/hear you next month, music junkies…

Watch Your Back MIKE SKINNER – Word Waterfall Rapper JODIE LANGFORD Is In Town With ‘I MISS IT’

Daily electricity to load your batteries

3 September 2021

Artist: JODIE LANGFORD
Who: A swirling wordsmith from the Hull / East Yorkshire area.
A shining light that speaks the truth about young people and
their feelings.

New single: I MISS IT
Produced: by Endoflevelbaddie

“A stream of consciousness monologue that expresses all those ‘in the
moment’ thoughts and feelings which make us human – elements that
have been sorely missed throughout the last 18 months of lockdowns
and social restriction.”

Turn Up The Volume: I’m pretty sure Happy Mondays’ 24-hour party
animal Shaun Ryder would have needed psychiatric help if that awful
parasite Covid-19 had struck back in the Madchester heydays. I’m also
pretty sure million of youngsters around the world had/have mental
problems as they saw/sees their glorious once-in-a-lifetime years going
down the lockdown drain.

Langford reflects these dreadful freedom-restricting sentiments verbally
well in her fresh word rap waterfall jam. An intoxicating and groovetastic
house stomper making you long even more to freak out in a cool club.

But, wait, there shines a dancing light at the end of the discotheque tunnel.
Partying is back, still restricted due to safety rules, but finally the liberating
lets-party-our-heads-off sensation is back for all hungry juveniles (and, why not,
their older bothers and sisters too). Watch your back Mike Skinner, your female
alter-ego is in town.

Shake your booty right here, club junks…

JODIE LANGFORD: TwitterSpotify


Don’t miss this word waterfall rapper…