Turn Up The Volume’s 20 KNOCKOUT TRACKS Of The Month – SEPTEMBER 2021

Turn Up The Volume‘s 20 Knockout Tracks for September 2021!
A stream of rattling rippers, jagged jams and romantic reveries.

All together on Spotify…

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Track by Track…

‘Hertz’ by AMYL AND THE SNIFFERS (Australia)

Blustering blast from their second smoking LP Comfort To Me
with punked-up Amyl, as we know her, on an adrenalin rush.

Join her wild ride…

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‘Queen Of Swords’ by TYPHOID ROSIE (Brooklyn, New York)

Rousing Riot grrrl Rosie Rebel and her riff-racing rascals go full steam ahead on
the tense title track of their smoking new album. If you want to know more about this lively gang check the recent interview Rosie Rebel did with Turn Up The Volume right here.

Start your own moshpit…


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‘Leave Me Dry’ by ILA (Belgium)

With this new standout, ILA reveals a total turnover in resonance. She rocks, raves, and rolls backed by steamy wall-of-towering turbulence. Mind you, the heartfelt fervency, personal turmoil and vocal vehemence are still intact. Can’t wait to find out if this is actually another page in her magical music book.

Turn it up…

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‘I Know You Know’ by LORE CITY (Portland, Oregon)

A highlight of Participation Mystique, the fourth longplayer by this most thrilling duo with Laura Mariposa Williams‘ bewitching voice as the heroine. Her psychedelic, gothic,
far-out, and at times wailing timbre magnetizes and hypnotizes while wandering in an orchestral space. Learn more about these intriguing artists in their recent interview
with Turn Up The Volume.

Discover and enjoy…


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‘Spirit Power And Soul’ by JOHNNY MARR (Manchester, UK)

“It’s a kind of mission statement. I had an idea about in electro sound
with gospel feeling. In my own words, an electro soul anthem.”

It’s a pithy psych jam, with spirit, power, and soul of course.

Here comes Johnny…

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‘The Aftermath’ by BEECH (Belgium)

This Belgian quartet brings Scottish daydreamers Teenage Fanclub to mind. Combine this with the band’s slacker rock sensibility and jingle-jangle jives and what you get is a tingling tune. It’s called pop-ular music.

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‘My Drug’ by DAILY WORKER (Austin, Texas)

The alter ego of Texan prize-winning poet and guitarist Harold Whit Williams.

This is a sickly sticky dope tune, one that makes me smile from left to right
and back. One shot of this, and you’ll jump around the room like a kangaroo
on speed.

Feel the vibrant vibe…

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‘Sometime’ by THE HIGH LOVES (Toronto, Canada)

This has everything a perky pop pearl needs. Play it in the morning, in the evening and every hour in between and at the end of the day you feel so much better and most of all it’s a truly helpful way to process a breakup. So much cheaper than therapy.

Press play to change your mood…

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‘Regrets’ by TIDAL WAVE (Toronto, Canada)

Regrets floats on layers of shoegaze guitars and fervid vocals while growing to an engrossing level of electrifying epicness when the glowing chorus kicks in. Trust me,
a couple of spins and you’re addicted. Fact!

Here’s why…

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‘Medicate + Alleviate’ by LIONS OF DISSENT (Wolverhampton, UK)

The fever of The Verve‘s urban hymns, the sassy swagger of Oasis in slo-mo
with 60s organs and the fervent flair of 90s Britpop. The final result is obvious.
A bittersweet blistering symphony. Touchdown!


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‘Young Foxes’ by ULTRA SUNN (Brussels, Belgium)

The darkwave tandem is on depeche modus with this shadow-dancing single from their brand new, second EP Body Electric. Expect booming beats, doomed drones, eerie vocals, and a repetitive bass synth riff that sticks as first-rate glue. A club cracker!

Put your black leather jacket on and shake your booty…

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‘Big Boy Games’ by TEROUZ (Montreal, Canada)

This riveting ripper starts with a mid-tempo drum-driven intro, gliding quickly into
a swing and sway your hips chorus, followed by a moment of reflection. The whole
process repeats itself and gets slowly but surely under your skin. You’ll love every
second of this electro roller coaster.

Here‘s why…

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‘I Miss It’ by JODIE LANGFORD (Hull / East Yorkshire, UK)

This young, outspoken, and observative artist – a female Mike Skinner – reflects the dreadful freedom-restricting sentiments of the past lockdown times in her new word rap waterfall jam. An intoxicating and groovetastic house stomper making you euphoric now that you can freak out again in nightclubs.

Hip, hop and pop this way…

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‘It’s Fine’ by BLACKOUT ORCHESTRA (UK)

“It’s Fine” examines themes of jealousy and insecurity in open relationships.”

Not an easy issue to write a song about, but embedded in an ebullient earworm like
this, it’s fine. Impossible to resist this tremendously infectious corker spinning around like forever inviting you to pirouette yourself dizzy while duet vocals push the pace. No pause, no breathing space, no interval, always straight on.

One spin and you’re hooked…

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‘Wytch Lych’ by VAZUM (Detroit, MI)

Sonically this surreal saga wouldn’t be out of place on a Gary Numan album. Lyrically it’s like an ode to the unknown eternity. In my imagination Wytch Lych resonates like a funeral hymn, celebrating the imperishability of the soul. Stunning vocals, striking synth shadows, and an overall spellbinding impressiveness. Top stuff!


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‘Case History’ by LOSSLINE (Manchester, UK)

When I listened to this new little pearl on Spotify for the first time, it was followed
by the title track of the upcoming LP of The War On Drugs. I swear I thought that
it was another Lossline song. It was that melancholic guitar glow that confused
my ears. It wasn’t until Adam Granduciel‘s voice came up that I knew it wasn’t
the Manchester duo.

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‘I Don’t Live Here Anymore’ by THE WAR ON DRUGS (Philadelphia)

See track above. The moony title track of the new upcoming album, out 29 October.

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‘Lights In The Expanse Of The Sky’ by DREW FIVE (London)

Close your eyes, relax and imagine you’re floating into space where Spiritualized‘s mastermind Jason Pierce lives while playing this hallucinatory ambient trip on your headphones.

The sky is the limit…


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‘Freedom’ by CHRISTINE AND THE QUEENS (France)

French songstress Héloïse Adélaïde Letissier returns with two new songs,
with this one as my favorite. A slow-burning and emotive humdinger with
a gospel-like choir.

Enrapturing…

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‘Sunday Morning’ by MICHAEL STIPE (US)

Last Friday ‘I’ll Be Your Mirror – A Tribute To The Velvet Underground’
came out with a cast of big names honoring the iconic band’s 1967 debut LP.

It’s impossible to top the classic original Sunday Morning (sung by Lou Reed)
but Michael Stipe‘s is pretty impressive.

Have a listen…

See/hear you next month, music junkies…

LOSSLINE – Manchester Duo Is Okay And Alright On Their New Single ‘CASE HISTORY’

Daily electricity to load your batteries

20 September 2021

Artists: LOSSLINE
Who: A Manchester singer/songwriter tandem that
loves to write sad songs and collected them in their
lockdown blues debut LP called Fading Affecting Bias
last April.

New single: CASE HISTORY

When I listened to this new little pearl on Spotify for the first time, it was followed
by the title track of the upcoming LP of The War On Drugs. I swear I thought that
it was another Lossline song. It was that melancholic guitar glow that confused
my ears. It wasn’t until Adam Granduciel‘s voice came up that I knew it wasn’t the
Manchester duo.

Since their moony debut LP the pair turned up the volume slowly but surely on
the singles that followed and with Case History they show us that they’re actually
– I think – looking for a new sonic direction.

Listen here…

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LOSSLINE: Twitter

Manchester Duo LOSSLINE Still Has The Blues – Listen To Their New Lullaby ‘EMILY’

New sonic impulses…

18 May 2021

Artists: LOSSLINE
Who: A Manchester singer/songwriter tandem who loves to write
sad songs and recently collected them in an affecting lockdown blues
album called Fading Affecting Bias.

New single: EMILY – brand new single

Score: The good news for us – probably not for them – is that the pair
still have the blues and therefore wrote another affecting, sad song. One
to tap your feet along, to whistle along, or to hum along. I know they feel
trapped in a dead-end town, but feeling miserable now and then makes
you start thinking about how to get out of the dark place you’re in and do
things differently for the better, isn’t it? Well, it works for me.

One more thing. Why didn’t anybody tell me that good old Ray Davies
is back? Emily could have been a song of his. He was a Kink of moody
songs about feeling related AND connected to daily reality, and feel
good about it in the end.

Light a candle, stare at the wall
and drift away…

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LOSSLINE: Instagram

Turn Up The Volume’s KNOCKOUT TEAM OF THE MONTH – April 2021

The best of the past month…

Turn Up The Volume‘s 15 Knockout Tracks for April 2021!
A fervid fusion of rhapsodic rippers and clashing crackerjacks.

‘Nike Soldier’ by ALAN VEGA (US)
Alan Vega is dead! Long live! This spine-chilling slo-mo groove
comes from his lost album Mutator released last week.

‘End Of The Night’ by A PLACE TO BURY STRANGERS (US)
Sounding like Nine Inch Nails going punk, Spacemen 3 returning from the dead
and The Brian Jonestown Massacre freaking out on acid, all at the same time. This
is what happens when lockdown blues leads to schizophrenia.

‘Boilermaker’ by ROYAL BLOOD (UK)
The blues-rock tandem is back with this motherfucker of a slam dunk
from their brand new album Typhoons . Wham bloody hell bam!

‘Deeper Than Holy’ by PASTEL (UK)
Imagine the bittersweet symphony swagger of Richard Ashcroft and The Verve
and the natural-born coolness of Liam ‘tonight I’m a rock ‘n’ roll star’ Gallagher.
Supersonic, right? You better you bet.

‘Wake Up’ by LOBSTERBOMB (Berlin, Germany)
A screaming triumph. This up-and-coming Berlin trio on the stereo this hit and run trio combines Bikini Kill‘s rough outcries, L7‘s detonating gusto, and B-52‘s peppery liveliness. Bingo!

‘The Gimp’s Gimp‘ by BODY HORROR (UK)
A chainsaw intro followed by manic drum thwacks and a frenetic bass force, and a
bit later a nightmarish voice joining the freaked-out get-together. All this brain-breaking
stuff happens in under a minute. Hallelujah!…


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‘Nobody Everyone’ by WEEKEND DEBT (Scotland)
Highly energetic and sharp-riffing indie rock at its youthful best. Smells like teen spirit. Big guitars, big drums/bass, big tune, and big post-breakup vocals. What do you need more to boost your bloodstream?

‘Pilot‘ by MODEL CHILD (Los Angeles)
2 minutes of rage, anger and endless humanitarian struggle.
Fuck the greedy rich! Fuck the military industry! FUCK WAR!

‘The Men Who Rule The World’ by GARBAGE (US/Scotland)
A surprisingly funky disco banger that triggers your head’s up-and-down movement the very moment the money drops into the corrupt politicians’ pockets. I still love you, Shirley!

‘Your Fandango’ by TODD RUNDGEN & SPARKS (US)
Old friends Sparks and Todd Rundgen team up again, after so many years, for a mini pop opera. The legends still deliver and it seems this town is big enough for the both of them.

‘Moshi Moshi’ by COMMON FLAWS (Italy)
Mostly instrumental, except for a hazy voice in the distance, this electro earworm
gets under your skin from the clap along intro and goes on like forever. Imagine
Aphex Twin going synth-pop for a change. The power of repetition!

‘Be There’ by MIHI NIHIL (Los Angeles, US)
Shadowy, starry-eyed and emotive pearl. Twinkling guitars, gripping vocals and
captivating melodiousness. Magnificent beauty from their new self-titled LP.

‘Streetlights’ by LOSSLINE (Manchester, UK)
Genuine, heart & soul lockdown blues. Melodramatic musing for twilight moments and nightly wanderings. From the duo’s excellent, midnight hours album Fading Affect Bias. Don’t miss this.

‘Amsterdam’ by MOONLIGHT PARADE (UK)
Magical and red-colored ballad, combining the melodic melancholia of Teenage Fanclub and The Coral. A sweet little gem about a wonderful city I’m in love with for a long time now. Press play and let your thoughts drift away on a cloud.

‘Trust’ by MASHMELLOW (Moscow, Russia)
Dream pop for lonely nights with echoes from The Sundays and Mazzy Star. Yes, that bewitchingly good. One of the highlights from their new 6-tack EP titled Pole Pole.


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All 15 together on Spotify

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See/hear you next month, music junkies…

Lockdown Blues With Manchester Duo LOSSLINE

12 April 2021

Artists: LOSSLINE
Who: A Manchester singer/songwriter
tandem who love to write sad songs.

Album: FADING AFFECT BIAS
Info: “The duo began writing together during lockdown 1, sending songs or
ideas back and forwards through email. These songs were just something for
us originally, something to distract from everything going on in the world. The
first time we realised we had written an album was when a friend told us we had.”

Turn Up The Volume: When I feel dreary, melancholic, sad or nostalgic
or when all four of these moods trouble my mind I want to hear dreary, sad,
melancholic, and nostalgic tearjerkers. I guess it’s a universal human reaction.
That’s why romantic crooners such as Nick Cave, Matt Berninger, Bonnie “Prince”
Billy, Bright Eyes
, and tons of doleful balladeers from the past make/made
a living out of it.

I don’t think this Manchester duo is looking for world domination,
they just wanted to share their genuine, heart & soul lockdown
blues via this melodramatic record. Their friend is a musical
connoisseur.

Dim the lights, sit down, have
yourself a drink and drift away…


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LOSSLINE: Instagram


Two sad Mancs…